Wild Seed

This was a better movie than I was expecting; Michael Parks is extremely good as the young drifter (I was astonished that this was his first film) - it makes it that much more disappointing that his career didn't take off at all. He's very effective in showing both the protectiveness and vulnerability of the character, and really shines when the camera holds on him for a long time. On the other hand, Celia Kaye's performance didn't really strike me as anything special. There were moments when it struck me as fairly amateurish (in an unintentional way). The film is well directed and the supporting performances were quite good, although this is essentially a 2-person film. It's also VERY beautifully photographed by Conrad Hall; it's no surprise that his career took off after this debut feature, leading to movies like The Professionals and Cool Hand Luke right afterward. He had an excellent eye for the sweeping outdoor locations, and a lovely, delicate touch in the more intimate scenes. The script and dialogue are very moving as well, and completely believable in all situations; the exchanges between the older and younger characters are very well-written. Although not particularly surprising or unusual in setup or plot, it's altogether a very moving and touching story - a strong 7 of 10, close to an 8.

An obscure film set in the mid/late 1950's about a youth running away from her grandparents (NewJersey) to find her father (CA). She is unexpectly rescued and befriended enroute. Trust and friendship blossom as they travel by freight trains to California. The ending begs a sequel. Both genders will enjoy, independently or together. ///---Where can I get a copy ?!?!?!?---/// The "Journey of Natty Gan" is a lightweight, rambling version of this tale.

The great Conrad Hall (the original Outer Limits) photographed Wild Seed in black & white and his mastery of light and shadow fit the noir mood of this melancholy story. The late Michael Parks is excellent and Celia Kaye in an early role perfectly projected the innocence of am earnest young girl inexperience in life. An experienced actress would have come across as artificial and "Hollywood." Their growing love story is completely believable. The direction by Brian Hutton is effective. Much of the story takes place on freight trains which gets a little tedious but the logistics of shooting these sequences had to have been complex and somewhat dangerous. It was produced by Marlon Brando's production company and it would not have been a stretch to see a 50s era Brando take the Parks role but not in 1964. Parks was more Dean than Brando in demeanor and it's hard to understand why Then Came Bronson hasn't been released on DVD when every piece of junk is. Turner Classics made a bad decision to pair this with Parks' and Ann- Margret's Bus Riley's Back In Town for a 2AM showing Nov. 25, 2017 on TCM Underground instead of giving it an 8PM time slot with a guest when more people would have tuned in to appreciate this little-seen gem. These films are all wrong for Underground which focuses on psychotronic, whacked-out films.

Universal released some odd balls during this period, in a faint attempt at developing new talent and making some higher-brow pix.

They tried to give "Wild Seed" the art house treatment by having the world premiere at the short lived Playboy (yes, that Playboy) theatre in Chicago on May 5, 1965. Some dates were in the midwest that summer, and it was often double billed with "McHale's Navy Joins the Air Force". All in all, this film barely had a release and is VERY obscure today. How did you people even see it?

I rarely watch a movie twice, but I have seen this many times. I fell in love with Michael Parks. This film is so moving and I love the slow character development. Yes, Ms. Kaye's acting is a bit stiff, but I think as the movie goes along, you begin to feel her fall in love with him. It was for me, a movie that I hated to end. This movie can be found now on YouTube for free. Enjoy.