Terror-Creatures from the Grave

Having been in a kind of Barbara Steele mood, i decided to throw in the version i have had collecting dust on my video shelf for some time now. Deciding to compare my version to other information that might be listed about this films, i was saddened to find out that the ALPHA VIDEO version listed it's version as a mere 61 minutes, informing me that there was some 24 minutes missing from this release. Saddened i shall now search out the full film and do hope it is a lot better than this well worked over copy i have now. This film deserves to be remastered in a official version that contains everything cut as do all movies being released on to any personal format. ...... Happy Viewing.

5 tom be per UN medium directed by Massimo Pupillo, is a lackluster spaghetti horror (as in spaghetti western?)! Also known as Cemetery of the Living Dead, this Italian chiller thriller benefits largely from the presence of the stunning queen of horror flicks Barbara Steele. Generally a bunch of nonsense about a terrible plague, in which the victims are then summoned from the dead by an idiot for some vague reason. The transfer is good, but then film was dodge and dubbed to begin with so beware. Still for Steele fans a nice treat at this price.

Reall old and good horror with a great actors and great less directing. Original Italian horror film and really good one.

Starring: Walter Brandi, Mirella Mravidi, Barbara Steele. Director: Massimo Pupillo.

Medieval plague victims return from the dead to terrorise a group of people who were enemies of a dead man with expertise in the occult.

This is another in the cycle of Italian Gothic horror films that were especially popular in the 60's. It stars the queen of Italian horror from this period, Barbara Steele. She was hardly a scream queen however. She was rarely the one doing the screaming, she was usually the aggressor. In this movie she again is no victim and like always she provides some real class to proceedings. The story itself is fairly standard stuff, with nothing out of the ordinary. It's really pretty decent stuff though if you have an appreciation for horror films with a Gothic atmosphere. There are plenty of well used locations and the mood is effective enough. I enjoyed it and recommend it to fans of Italian Gothic.

I originally caught this black and white thriller in 1966 on a double bill with the color Bloody Pit Of Horror and Terror Creatures made more of an impression on me. It has great atmosphere, graphic special effects makeup (for the time) and a wonderful soundtrack. If anything is lacking, the ending seems a bit rushed. I recommend the VHS version that Something Weird released a few years back. It is struck from an immaculate print and contains the European version of the movie-this includes a brief topless shot (unfortunately not of Babs Steele but she does emerge from her bath in a subsequent tantalizing scene.) The Alpha Video DVD release is taken from a rather scratchy print and is minus the nudity but is available for less than $6.00. This Italian shocker would be a welcome addition to any Euro film collection.

An attorney (Walter Brandi) arrives at a castle to settle the estate of its recently deceased owner. The owner's wife (Barbara Steele) and daughter reveal that he was someone who was able to summon the souls of ancient plague victims and, in fact, his spirit was roaming the castle at that very moment.

Not surprisingly for an Italian film of 1965, the quality (at least in the copy released by Mill Creek) is of average or below average quality. And unlike Mario Bava's "Planet of the Vampires", which came out the same year, this film is in black and white. Hopefully some day a company will invest in cleaning up an original print. (Dark Sky Films would be perfect for this, if we use their version of "She-Beast" as a template. Comparing the Mill Creek version of that film with Dark Sky's is the difference between trash and treasure.)

The most redeeming element of this film is Barbara Steele, who steals the show with her large, mesmerizing eyes. Walter Brandi, who plays the attorney Albert Kovac, is a formidable lead, and it is a shame I am not better acquainted with him. He appeared in other horror gems of the era: "Bloody Pit of Horror" and "Curse of the Blood Ghouls", and acts as sort of a poor man's Giacomo Rossi-Stuart. Interestingly, the actress who showed the most potential -- Tilde Till, who played the maid -- never acted in anything else.

Director Massimo Pupillo gave producer Ralph Zucker the directing credit, despite Zucker having no directing responsibilities at all. Why Pupillo found this film not worthy of carrying his name is beyond me... it is a solid story, allegedly based on the work of Edgar Allan Poe (though I do not know which story and rather doubt the source). To say Pupillo was a rival of Bava would give him too much credit, but he is an important figure in the early Italian horror scene.

Perhaps, in fact, Pupillo was a colleague of Bava's. The film's writer, Romano Migliorini, also wrote the Bava classics "Kill Baby Kill" and "Lisa and the Devil"... not to mention the original "Inglorious Bastards". So maybe they were all within the same circle? Yet, Bava now has the glory while this atmospheric Gothic horror -- easily on par with Roger Corman's Poe films -- is left forgotten.

Luca Palmerini's review consists of two words: "good stuff". Ignoring the occasional audio problems and lackluster video quality, this is a fair statement. The plot, acting and directing are all superb, and any fan of classic film will really enjoy it. Again, I hope a better copy surfaces, but until then there is still enough to appreciate here.