A junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.A junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.A junior executive convinces his female friend to pretend to be his wife so he can move ahead in his company.
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It seems there were a LOT of 11 year old people (who are all, as of this writing in June, 2019, in their SIXTIES!) who remember series TV from fifty years before. Personally, I believe one of the best and most clever things about "Occasional Wife" (a clever premise in itself) was the casting of a man who not long ago had an L.A. street named after him - the road to Dodger Stadium - the great Vin Scully. Vinnie was "The Voice Of The Dodgers" since The Brooklyn Dodgers became The Los Angeles Dodgers at the end of the 1950's, and he did that better than just about anyone who is the Team Announcer for just about ANY Major League Baseball team. Scully's wry delivery during the opening of the show should have won an Emmy all by itself. "...And so they set up housekeeping. Peter, in his apartment on the 7th floor, and Greta, in her apartment on the 9th floor... to the lasting confusion of the fellow in between!" If you're a real die-hard for this show, please forgive my memory if I messed up a word or two there. At any rate, "Occasional Wife" was a comedy that was actually funny! And that's something many of today's sitcoms only wish THEY were.
I agree with OMalley and DeFelice -- I, too, saw it when I was 11, and my best friend, who was 13, and I watched every crazy episode. We had huge crushes on Callan (who was not a bad dramatic actor - catch "The Interns" and "The New Interns")and we though it was the perfect vehicle for Callan's and Harty's comedic talents; it just somehow captured the romance that was the mid- to late '60s. It wasn't all angst and social conscience (not that those are bad, it's just that there was so much more to the era that made it great). My friend and I thought we were the only ones on the planet who remember and loved O.W. That the show was a tad daring and had slightly surreal non-plots only added to its appeal. So much, even on cable, feels so overproduced these days, this was a fresh approach back then. (Does anyone remember "He and She" with Paula Prentiss and Richard Benjamin - also very cute, and they were married on the show as in real life.) There was so much wonderful, many-layered stuff on TV back then, some of it off the wall, some of it totally charming -- "The Addams Family," "The Name of the Game" (starring the adorable Tony Franciosa, Susan St. James, Gene Barry and Robert Stack, based on the excellent made-for-TV pilot "Fame is the Name of the Game"), "Man From U.N.C.L.E." (and its more serious counterpart "I Spy" and hey, Stephanie Powers was cute as "Girl From U.N.C.L.E.), "The Avengers" (from the U.K.), "Secret Agent," etc. And, I loved "The Beverly Hillbillies," too, for what it's worth.
The World, The United States and New York City were very different places in 1966 than they are as you're reading this. And Prime Time TV back then was determined to try to distract its viewers with elements that were either nostalgic or completely unrealistic.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
But sometimes, there were shows that at least bordered on the facts of the day, even as they played it for laughs. One of those was "Occasional Wife."
At the time, there was a belief that if a man couldn't find a woman to marry him by a certain age, there was something bothersome, untrustworthy, "wrong" about him. So, if a bachelor was trying to climb the corporate ladder in a company, they likely would be passed over by a married guy, especially one with a family.
Such was the case for executive Peter Christopher (Michael Callan) who worked for a Baby Food company (hence, the "family image" issue), as Peter was looking to get promoted by his persnickety boss, Mr. Brahms (Jack Collins). So, Peter did the only thing he thought to do, get his platonic woman friend Greta (Patricia Harty) who was already pretending to be married to "slow down" the male patrons of the cocktail bar she worked at, to be a stand in as his spouse!
Peter moved Greta into an apartment two flights above his own, and the charade began, as Greta was working to become a fashion designer at a local art school (which Peter paid for as recompense for her having to be Peter's "wife").
Scenarios involved Greta playing house for Peter, even as Peter's actual girlfriends were around and about, unexpected visits from his corporate bosses for dinners, and all of the machinations and manipulations that those things created, including the requisite racing up and down the NYC building's fire escape so Peter could escape getting fired.
Plus there were the disapproving glances from the neighbor in-between those floors (great character actor, Bryan O'Byrne) who wordlessly watched the traffic flying past his window.
The most notable thing about the series was that it was narrated by long time Dodgers play-by-play announcer, Vin Scully, in an uncredited role, where he would describe the action and even make commentary about the circumstances (Ron Howard would carry this concept to its zenith with his similar narration of the sitcom "Arrested Development," nearly 40 years later).
The show attempted to be a little bit spicy for its day, sometimes bordering on the same territory that "Three's Company," with its "two ladies and one gentleman in the same apartment" concept perfected just a decade later. But, in the end, despite the charm of Callan and Harty in their roles and the descriptions and accounts offered by Scully, "Occasional Wife" was out at home in just one at bat, er, season.
This series is a complete, total and utter non-sequitur. Visually it's bright colors and stark scenery (this is a 1960's TV budget) are firmly planted in 1959. The story line superficially is pure Doris Day/Rock Hudson. The execution is more Larry David/Monty Python. This situation comedy is so surreal that it could never last more than a season in a world where HBO/Showtime would not exist for 20 years. From the bongos in the opening title music to the avant-garde narration you know you are in a parallel universe. The plots are totally stupid...hello, Jerry Sienfeld! The resolutions make no sense and the stories turn on a dime...Why?...Why not! As the playboy who hires a hat check girl (this is a time when men wore hats) to pose as his wife so he can get a job promotion (the president of a baby food company does not give promotions to unmarried men), Michael Callan makes an excellent self-centered playboy...and he sleeps with women he is not married to. Is this 1966 TV? Patricia Harty proves herself to be an incredible comedian. Cute, perky, smart and thoroughly self-absorbed; she is an utter gem (Coutney Cox, Jennifer Aniston and Debra Messing can't hold a candle to her talent). To add to the sideshow, the third billed character who appears in the opening manages to not say a word in the entire series. The guest stars are a "Who's Who" of 60's TV including Sally Field and John Astin. If you are a devoted fan of "The Beverly Hillbillies" or "The Andy Griffith Show", please move on. For the rest of us, sit back and enjoy.
When this show debuted, I was all of 8 years old. I loved it! Firstly, I would've married Michael Callan in 1966, if he'd only asked! I thought he was gorgeous. And Patricia Harty? Adorable.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
The premise of the show sounds ridiculous now, but back then, there really wasn't any fuss and bother about discrimination in the workplace (or sexual harassment - just watch "Mad Men"!). If a boss said you had to be married to receive a promotion in his company, then you had to be married. Now, of course, if your boss laid down such a condition, you'd engage a lawyer and sue. But in 1966, you couldn't. What you could do was find a female friend, and pretend to be married, as far as your boss was concerned.
Luckily for Callan's character, he earned enough money to pay for an apartment in his building to house his "occasional wife". This not only helped to seal the deal - it also ensured that she was close at hand when needed. And having the apartments two floors apart gave us the opportunity to see the comic facial expressions of the guy who lived in between, as the Occasional Spouses ran up and down the fire escape.
The show was pretty racy for its time. The characters appeared to have sexual relationships without intending for them to end in marriage. Woooooooo....
In the pilot, Callan's mother nagged him about still not being married. She said, "You're not... 'eccentric'... are you?" (what a funny way of enquiring about his sexuality!), which he exasperatedly and quickly denied. It cracked me up.
I wouldn't mind seeing more episodes of this show, but I think it really was a bit of a one-trick-pony. There would've been only so many times where the boss showed up uninvited, or one or the other partner was seen with someone else... I don't see how it could've gone on longer than a year, now that I think about it.
Still, I thought it was a fun show to watch, and enjoyed seeing the pilot again.
Did you know
- ConnectionsReferenced in Mystery Science Theater 3000: Jungle Goddess (1990)
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