Billy the Kid Versus Dracula

This is uttered by Virginia Christine (the alluring Anaka in 1945's THE MUMMY'S CURSE) when Melina Plowman tells her that her "uncle" casts no reflection in the mirror. Another pithy line of dialogue, one you'd never expect the legendary vampire to make, is (to his "niece") "Marry a notorious gunslinger? I won't hear of it!" Carradine as Dracula comes across as merely a crochety, vaguely sinister, eccentric uncle with an elitist attitude against immigrants. The actor frankly seems in his, uh, cups, but do you blame him? On the other hand, Chuck Courtney brings a surprising believablity and bantamweight handsomeness and likability to Billy the Kid; he looks somewhat like Audie Murphy, which also helps. Melinda Plowman as Dracula's object of lust, looks like one of those Noxema girls from the 1960's t.v. ads for that skin cream. The strings on the shlocky flapping rubber bat are clearly visible, oh, what joy! Right from someplace like "Eddie's House of Horrors" on Hollywood Boulevard, probably where they also got that shiny big red bow for Dracula.

Another source of delight is the wide eyed, dopey, open mouthed look of stupefaction and wonder on the young German girl's face as she realizes who Carradine is. The old female doc is played straight, and there is something appealing about the dusty, Hollywood/old Wild West 101 atmosphere, with its pleasantly juvenile shootin', fightin' and ranchin' atmosphere, oddly made more pleasant by the juxtaposition of the silly and cheesy vampire-comes-to-town-to-stir-up-the-locals story. This movie is best enjoyed either in a "matinee" time frame, say around 2 p.m. on a Saturday afternoon, or at 2 a.m. that same night.

I actually stayed up late to watch this one night. How could I resist a title like "Billy The Kid Versus Dracula."

Not only was it incredibly historically accurate, but Dracula was very well played by John Carradine. I was thankful that it was shortly followed by another treat with "Jesse James meets Frankensteins Daughter."

The fact that someone actually green lighted this movie is the most horrifying thing around.

I will say, it is worth the watch just for the final showdown between Billy and Dracula. After firing about six shots into Dracula, Carradine stands with the most sinister of stares only to be belted squarely across the nose with a gun that Billy throws across the room. The quickness and "Doh!" factor almost makes me think John Carradine wasn't acting. It is a little too realistic (something not characteristic of John Carradine's acting). I was laughing myself to tears when I saw that.

If you want a good laugh, stick around to the end.

This was filmed back to back with "Jessie James Meets Frankensteins Daughter" in the same Simi Valley ranch by William Beaudine who use to be a very capable director. I think this is just campy fun to watch! The story starts out with Dracula (John Carradine) on a stagecoach and he see's a picture of a young girl and is instantly attracted to her. That night Dracula kills a young Indian girl and the rest of the Indians attack the Stagecoach and kill everyone on board. Dracula assumes the identity of a Mr. Underhill and goes to meet his niece who has never met him. The niece is Betty Bentley (Melinda Plowman) and the ranch that her family owns has a foreman named William Bonney (Chuck Courtney) and the two of them are in love and want to get married. Dracula arrives and he introduces himself as Betty's uncle and he takes charge of the ranch. He also starts to make plans on making Betty his bride! An immigrant couple recognize him as a vampire because he had killed their daughter and now they try and warn Betty and William. This film plays as a regular vampire story and not as camp but with the low budget and a script that isn't careful about vampire do's and dont's it can't help but become camp. Carradine was pretty old in 1966 and he appears frail so when there are scenes that require physical effort a stand-in was used. Take a good look when Dracula is supposedly carrying Betty, you can't see his face. Carradine dyed his hair black for this role to try and look younger. I also liked Plowman in this film, she was a steady television actress during the 50's and 60's and she was extremely beautiful to look at. I personally could understand why Dracula was so infatuated with her. I probably would have done the same thing if I was in his shoes! If anyone knows whatever happened to Melinda Plowman please let me know. The ending was pretty shabby when Billy the Kid throws a gun at Dracula and knocks him out! And then uses a railroad spike. Everyone knows it has to be a wooden spike! But you have to expect these inconsistencies from these films. Thats part of their charm! Also, for you trivia buffs out there...Olive Carey plays Dr. Hull and Carey is the mother of Harry Carey jr. who also appears in this film as the wagon master! Silly and inconsistent film is actually fun to watch. I think it lives up to its incredible title. Look out for those rubber bats on a string!

If you're looking for a good Horror-Western then you've come to the wrong place. However, if you are an afficianado of stiff, stagey, stodgy drive-in material then there is much here to entertain. John Carradine hams it up royally, rolling his eyes and barking his lines like he's a silent film star who's just been told he's got to make the transition to talkies...and he gives it everything he's got as he prowls about the Wild West resplendent in top-hat and cape. His face glows red every time he spots a girl he fancies; he even has a red-duvet on the vampire double bed he keeps in the abandoned silver mine that is his lair, should he get lucky, which seems unlikely seeing as he looks older even than the undeadest undead man. Watch out for B-Western legends Harry Carey Jnr. and Roy Barcroft, enjoy the wholesome sixties-chick heroine, ignore the tired convolusions of the plot, try and forget that the whole thing is entirely devoid of creepy atmosphere. Good fun for cheese fans.

With a title like this movie has, it's obvious that the film's creators had no great pretense--they KNEW they weren't making Shakespeare! However, despite the stupid title and a very low budget, the film isn't quite as bad as it sounds. It really isn't good, but at least the actors and director tried to make a film that is reasonably watchable, as they played it straight throughout--as if they expected people to actually watch and respect a film called BILLY THE KID VERSUS Dracula.

John Carradine plays the Count, though it seems that the writer had never seen a vampire movie before, since so much in this film violates popular vampire lore. For example, here Dracula walks around during the daytime, does not sleep in a coffin, his face magically lights up in red when he's hypnotizing people and wolves-bane drives him away--as if he's the wolf-man! And, as far as acting goes, Carradine was the worst of the actors in the film--looking more like the Devil and over-acting throughout. The Dracula he plays in this film is considerably different than the one he more subtly played in HOUSE OF Dracula and HOUSE OF FRANKENSTEIN. While the cape and top hat and bright red bow might have fit into these two earlier vampire films, here he just looks pretty stupid out West--especially when no one even questioned this flamboyant attire.

As for the plot, the old vampire shows up, inexplicably, in the West and meets up with an amazingly civil and law-abiding Billy the Kid. Mr. The Kid is in love with a cute lady but she is also the focus of Dracula's lust. In the end, they battle it out (of course) in a rather limp conclusion--it's one of the most anti-climatic ends in monster history.

All in all, this is a bad movie but not the type that you'd enjoy watching (like PLAN 9 FROM OUTER SPACE). It's more the type that just makes your brain hurt due to its ineptness and dull script.