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5.9/10
4.9K
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Dr. Who and his companions arrive on Earth in the year 2150 AD, only to discover that the planet has been invaded and its population enslaved by the dreaded Daleks.Dr. Who and his companions arrive on Earth in the year 2150 AD, only to discover that the planet has been invaded and its population enslaved by the dreaded Daleks.Dr. Who and his companions arrive on Earth in the year 2150 AD, only to discover that the planet has been invaded and its population enslaved by the dreaded Daleks.
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I first saw this movie as a kid back in the 70's.It was screened as a saturday morning feature during the easter holidays.In those days it was the only 'repeat' you were likely to get.I can never understand the general disdain shown to it by Dr Who fans.The production values are high and there's plenty to keep you entertained.I think fans are critical of it because of its comical element.Yes it's cheap,ham-acted at times and the special effects not-very-special,but so was the tv series.I love this movie because of,not despite,its cheesiness.
In this British science fiction adventure, London policeman Tom Campbell (Bernard Cribbens) enters what he thinks is a police call-box only to discover that it's the TARDIS, the physics-defying home/ship of Doctor Who (Peter Cushing). Campbell is brought along as the Doctor, along with his granddaughter Susan (Roberta Tovey) and assistant Louise (Jill Curzon), travel through time to the year 2150, only to discover a London in ruins. The nefarious alien race known as the Daleks have conquered the Earth, and is rounding up the few surviving people to work as either slave labor, or even worse, as mind-controlled Robo-Men. It's up to the Doctor and his companions to free the human race from bondage.
This is the sequel to 1965's Dr. Who and the Daleks, which had also starred Cushing in the title role, although neither of these films are considered part of the ongoing Dr. Who canon. From what I've read, most true-blue Who fans detest these movies, although I don't have any special feeling toward the series so these movies didn't bother me in that respect. They are both slightly dopey, with a comical undertone and definite targeting of the younger members of the audience. I've always found the Daleks to be quite silly, and their accented, screamed statements ("Exterminate!") a source of much amusement. However, the movie is generally entertaining, and it doesn't overstay its welcome. Plus, I always like to see something I haven't seen before with Peter Cushing.
This is the sequel to 1965's Dr. Who and the Daleks, which had also starred Cushing in the title role, although neither of these films are considered part of the ongoing Dr. Who canon. From what I've read, most true-blue Who fans detest these movies, although I don't have any special feeling toward the series so these movies didn't bother me in that respect. They are both slightly dopey, with a comical undertone and definite targeting of the younger members of the audience. I've always found the Daleks to be quite silly, and their accented, screamed statements ("Exterminate!") a source of much amusement. However, the movie is generally entertaining, and it doesn't overstay its welcome. Plus, I always like to see something I haven't seen before with Peter Cushing.
If I'd seen this film for the first time now, having seen most of the TV series that inspired it, I'm not sure I'd be fantastically keen on it. But I'd like to think that I'd still enjoy it for it's superficial scariness and complete indifference towards any aspect of a plot that might get in the way of the oh-so-colourful set-pieces.
I remember first seeing this film one Saturday morning, after all of the other childrens' programmes had finished and in retrospect, that's probably when it works best - the music's loud and harsh enough to wake you up, but the story's not too taxing if you're not completely with it yet.
Fantastic stuff, if you're prepared to leave your brain at home for 90 minutes.
I remember first seeing this film one Saturday morning, after all of the other childrens' programmes had finished and in retrospect, that's probably when it works best - the music's loud and harsh enough to wake you up, but the story's not too taxing if you're not completely with it yet.
Fantastic stuff, if you're prepared to leave your brain at home for 90 minutes.
Daleks-Invasion-Earth:2150 AD, is an enormous improval on the preceeding film. It is more exciting and enjoyable and there is an impending sense of fear throughout the movie wich was evident in the Television series around this time. Peter Cushing gets to grips with his role as The Doctor in this movie. Bernard Cribbins comes on board and is fantastic. Ray Brooks and Jill Curzon enhance the swinging sixties fell apparent in the previous film, and the action never gives up. The multi coloured Daleks are a more frightening sight in a future decaying London thatn on there own planet, and the set designs and designs of the vicious Robomen are again superb. This is a juvenile movie, but enjoyable at that. For a new Doctor Who movie, someone like Tim Burton or Steven Spielberg should remake this, and they would have an absolute goldmine on their hands.
Daleks-Invasion Earth: 2150 A.D. is directed by Gordon Flemyng and Milton Subotsky co-adapts the screenplay with Terry Nation and David Whitaker. It stars Peter Cushing, Bernard Cribbins, Ray Brooks, Andrew Keir, Jill Curzon and Roberta Tovey. A Technicolor/Techniscope production, with music by Barry Gray and Bill McGuffie and cinematography by John Wilcox.
A sequel to Dr. Who and the Daleks (1965), plot finds Cushing once again playing the Doctor, who after getting transported to 2150 A.D. finds London ravaged by the Daleks. The Daleks are turning humans into slave Robomen, but an underground human resistance offers hope. Can the Doctor and his companions aid the resistance and save Earth from Dalek damnation? Even though Dr. Who and the Daleks irked the Dr. Who fan base, understandably so since Amicus' version of the good Doctor is some way from the TV series version, it was enough of a success to warrant this sequel. You pretty much get a retread of the first film with the characterisations, Cushing's Doctor is a lovable old eccentric prof, two of his lady female relations are along for the ride (Tovey returning as the same character) and Cribbins has replaced Roy Castle as the light relief companion accidentally thrust into a chaotic world. The Daleks remain a unique and devilish foe, their voices unnerving and their colours vibrant in Technicolor.
Plot follows a familiar trajectory, much running, puffing, capture and escape histrionics, the good versus evil core booming throughout. The sets remain cheap, the effects basic but quaint, and the acting just about passes the test because everyone seems to be enjoying themselves and therefore performing it to the required standard. The music score is truly out of sync with the picture, at times it sounds like it belongs in a Carry On movie, at others an episode of The Avengers; in fact John Steed would have been a good addition to the plotting! But there is some darkness in the story, making it more potent than its prequel.
This wasn't as successful as the studio hoped, so a third film was shelved. If you aren't a hardcore Dr. Who fan and you can accept it on its own daft and fun terms? Then Daleks-Invasion Earth: 2150 A.D. is an enjoyable enough time filler. 6/10
A sequel to Dr. Who and the Daleks (1965), plot finds Cushing once again playing the Doctor, who after getting transported to 2150 A.D. finds London ravaged by the Daleks. The Daleks are turning humans into slave Robomen, but an underground human resistance offers hope. Can the Doctor and his companions aid the resistance and save Earth from Dalek damnation? Even though Dr. Who and the Daleks irked the Dr. Who fan base, understandably so since Amicus' version of the good Doctor is some way from the TV series version, it was enough of a success to warrant this sequel. You pretty much get a retread of the first film with the characterisations, Cushing's Doctor is a lovable old eccentric prof, two of his lady female relations are along for the ride (Tovey returning as the same character) and Cribbins has replaced Roy Castle as the light relief companion accidentally thrust into a chaotic world. The Daleks remain a unique and devilish foe, their voices unnerving and their colours vibrant in Technicolor.
Plot follows a familiar trajectory, much running, puffing, capture and escape histrionics, the good versus evil core booming throughout. The sets remain cheap, the effects basic but quaint, and the acting just about passes the test because everyone seems to be enjoying themselves and therefore performing it to the required standard. The music score is truly out of sync with the picture, at times it sounds like it belongs in a Carry On movie, at others an episode of The Avengers; in fact John Steed would have been a good addition to the plotting! But there is some darkness in the story, making it more potent than its prequel.
This wasn't as successful as the studio hoped, so a third film was shelved. If you aren't a hardcore Dr. Who fan and you can accept it on its own daft and fun terms? Then Daleks-Invasion Earth: 2150 A.D. is an enjoyable enough time filler. 6/10
Did you know
- TriviaPeter Cushing only committed to the project if Roberta Tovey returned as his grand-daughter Susan alongside him, having built up a rapport on previous film Dr. Who and the Daleks (1965).
- GoofsThe Dalek in the Thames does not flash its lights when addressing the Robomen, as the casing did not contain an operator.
- Alternate versionsSome versions of the film open with the credits sequence before switching to Tom's night-time street patrol. The original version opens with the raid, then the titles, then Tom's awakening in TARDIS.
- ConnectionsFeatured in Movie 4: Invasion Earth, 2150 A.D. (1972)
- How long is Daleks' Invasion Earth 2150 A.D.?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Dr. Who: Daleks Invasion Earth 2150 A.D.
- Filming locations
- Slipway, Battersea Church Road, Battersea, London, Greater London, England, UK(Dalek rising out of the river)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £286,000 (estimated)
- Gross worldwide
- $115
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