This Night I'll Possess Your Corpse

Zé do Caixão (José Mojica Marins) survives and is absolved in court from his crimes. He moves to another small town, seeking out the perfect woman to deliver his son. Zé do Caixão and his deformed hunchback minion Bruno (Jose Lobo) abduct six women from the village and he submits them to a creepy experiment, trying to find the future mother of his offspring to keep alive his bloodline. The pregnant Jandira curses him and only Marcia (Nadia Freitas) survives, but Zé do Caixão concludes that she is not a superior woman. When Zé do Caixão sees the newcomer Laura (Tina Wohlers), who is the daughter of the powerful Coronel, he concludes that she is a superior woman and adequate to deliver his offspring. Meanwhile the Coronel asks his henchman Truncador (Antonio Fracari) to hire a gang of criminals to eliminate Zé do Caixão. But the undertaker seems to have a deal with the devil and never dies. However Laura dies with her unborn son and the population joins to expel him from their lands.

"Esta Noite Encarnarei no Teu Cadáver" is the perfect sequel to "À Meia- Noite Levarei Sua Alma". This creepy low-budget black and white film is more ambition than the first one and blends colors in the journey of Zé do Caixão to hell. It is also supported by a good story, performances, effects, dialogs with blasphemy and gore. The contradictory conclusion with the atheist character summoning God does not spoil the film. My vote is eight.

Title (Brazil): "Esta Noite Encarnarei no Teu Cadáver" ("This Night I Will Incarnate Your Corpse")

Hose Mojica Marins is definitely a director whose films are many times overlooked. His character Coffin Joe is almost like the Freddy or Jason of Brazil. "This Night I'll Possess Your Corpse" is the second Coffin Joe film. After the evil undertaker has been cleared of his crimes, he's back to causing trouble yet again. He kidnaps beautiful women and looks to impregnate one of them to start a perfect race. After the ladies get tormented by spiders and snakes he kills them, leaving only one lady. What makes this scene horrifying is the 100 snakes and spiders that the actresses had to endure. The ghost of the one women vows to return from the dead and take vengeance on him, or is it just his imagination? It's never quite clear. Coffin Joe is an angry atheist who finally finds his evil mate which is the colonel's daughter. Even after him and his hunchback assistant smash her brother's head with a rock, she still likes him. She even skips her brother's funeral to get it on with him. The film's most memorable scene is it's surreal psychedelic ten minute Technicolor vision of hell. Death takes Coffin Joe to hell and he sees people scream in agony as they are whipped and tortured. In the scene fire, brimstone and snakes surround him wherever he goes. "This Night I'll Possess your Corpse" is chilling, gory, bizarre and subversive in it's religious and social themes. It's definitely a classic work of Brazialian cinema that deserves more attention.

Following up the success of his first appearance as Coffin Joe, Mojica filmed the second part of his horror trilogy with his character. The story starts exactly where the first movie left off, with Coffin Joe surviving the supernatural attack of the first movie. Being absolved of the crimes he commited, he returns to his city, still in search of the ideal woman to bear him a perfect son, this time aided by the hunchback servant Bruno. Joe kidnaps and tests several women who may prove worthy of bearing his offspring. All of them fail, and as they are being eliminated (with real live snakes!) a curse is set upon Coffin Joe...a curse that will make the funeral agent see hell in colour! A more ambitious follow-up for the first movie, "This night" suffered cuts and alterations on its dialogues by the military dictatorship censors prior to its release in Brazil. The coloured sequence of Joe's descent into hell (the rest of the movie was shot in B&W) are a fine example of the best that Mojica's cinema has to offer: brilliant, raw ideas on a shoestring budget.

As most people reading this will already know, This Night I Will Possess Your Corpse is Coffin Joe's follow-up to the excellent At Midnight I'll Take Your Soul, and as good as the first film was; for my money, this one is even better! The legendary Brazilian comic book character may be cheesy, and José Mojica Marins' films may be cheap and silly; but he certainly has an eye for horror and this film features everything that made the first film great - and more! Once again, we have a plot without meaning, although there is some direction this time as Coffin Joe steps up his chase to find a woman to bear him a child. He doesn't go the direct route, however - and we get treated to scenes of torture as well as Coffin Joe preaching to his audience about the non-existence of God. The film works in spite of the ending of the first film, which is passed off by way of Coffin Joe being nursed back to health by the people he terrorises, before being cleared of his crimes on the grounds of 'lack of evidence'...even though most of them were committed in front of a crowd of people. Still, it's all in good fun!

With a name like Coffin Joe, you've got to expect the man to have an eye for horror - and the director delights in packing his film with delicious horror imagery, from spiders and snakes to skulls and deformed assistants! The wayward plot once again allows the director to do pretty much anything he likes - and for a man with so many ideas, this certainly isn't a bad thing. Despite a running time of nearly two hours, Coffin Joe's film never becomes boring or trite, and just when you think that the film can't possibly deliver any more surprises; Marins throws in a delightful colour sequence that takes place in Hell! The dialogue is once again a stand-out aspect of the film, as hearing Coffin Joe preach his own set of beliefs never becomes boring and the actor clearly delights in delivering them. The eerie atmosphere is always welcome, and the fact that the film is so clearly designed for entertainment is of huge benefit to it. I'll close this review with a word of warning; do not see this film unless you've seen At Midnight I'll Take Your Soul, but once you have seen said movie - this one becomes must see!

This Night I'll Possess Your Corpse, the sequel to director José Mojica Marins' cult horror At Midnight I'll Take Your Soul (1963), sees the return of amoral, blasphemous gravedigger Zé do Caixão (José Mojica Marins), who, having recovered from his seemingly fatal supernatural ordeal in the first film, and having been absolved of all past crimes, returns to his village to continue his quest to find the perfect woman to bear him a son.

Aided by disfigured hunchback Bruno (Jose Lobo), Zé abducts six sexy women, whom he subjects to a horrific trial by spider (this scene is an arachnophobe's nightmare!) to determine their suitability as mates. Only one woman, Marcia (Nadia Freitas), passes the test, but—just a little upset by the fact that the other five women are subsequently killed—she refuses to make love to Zé. He surmises that she is not the superior specimen he believed her to be, but allows her to go free.

Eventually, despite his silly cape, stupid hat, obscenely long fingernails, AND a most magnificent mono-brow, Zé somehow wins the heart of local babe Laura (Tina Wohlers), who is only too willing to have his child. But things don't go smoothly for the twisted loon: he suffers from hellish nightmares after discovering that one of the women he killed was pregnant, goes even more crazy when Laura and his unborn son suddenly pop their clogs, and is captured and beaten by muscle-man Truncador (Antonio Fracari) and his pals, before being pursued by Laura's father and a bloodthirsty mob into a swamp, where he drowns.

Several exploitative scenes of sadism and gory violence, some gratuitous nudity, and an ambitious, surreal, multi-coloured nightmare sequence all go to make This Night I'll Possess Your Corpse marginally more enjoyable than the disappointing first movie, but overall it still proves something of a chore to sit through thanks to the fact that much of its 108 minute running time consists of Zé's interminably dull ranting about the nonexistence of God and his plans to create the perfect child.