This Night I'll Possess Your Corpse

The idea of going bigger and bolder when tackling the sequel to a surprise hit is nothing new, as evidenced by Jose Mojica Marins' follow-up to cult Brazilian horror classic At Midnight I'll Take Your Soul. The first film managed to achieve cult status in its native country and with anybody lucky enough to see it elsewhere in the world, so director, co-writer and lead star Marins managed to bag a noticeably larger budget and used this to further explore the darkest regions of his mind. The result - the wonderfully-titled This Night I'll Possess Your Corpse - is little more than a shameless re-hash of the previous story, but as a piece of psychedelic gothic horror, it manages to outshine its predecessor in every way. At the end of Midnight, Marins' Ze do Caixao, or 'Coffin Joe', was left for dead by supernatural forces. But now he's back, and more determined than ever to find the perfect bride to carry his child.

While the villagers hid in fear of Joe last time around, they have since grown weary of his superior attitude and suspect him of the many disappearances that took place in their community. However, without sufficient evidence to bring him to trial, Joe is released to carry on with his undertaker duties and his search for the mother of his future son. Assisted this time by a hunchback named Bruno (Jose Lobo), Joe imprisons some of the village's most beautiful young ladies and tests them in order to prove their worthiness. Sadly, the test involves an army of spiders, and while one woman, Marcia (Nadia Freitas), remains calm, the others panic and are thrown into a pit to be killed by snakes. While Marcia is deemed unsuitable to bear his child, she is employed as a spy while Joe sets out to seduce the beautiful Laura (Tina Wohlers), the daughter of a local colonel who shares Joe's twisted outlook and logic.

Marins only stepped into the role of Coffin Joe when the original actor dropped out before the first film started production, but this proved to be a stroke of luck as it's difficult to imagine anybody else donning the top hat, neatly-trimmed beard and grotesque, talon-like fingernails. Joe is more cunning this time around, using his wits to frame a local strongman for the murders and to escape some violent confrontations. A curse placed upon him by one of his victims slowly drives him mad, leading to one of the film's most exceptional set-pieces. In his dreams, Joe journeys into hell, a cesspit of cruelty and torture shot in bold colour (the rest of the picture is grainy black-and-white). Bloody limbs and body parts emerge from the stone walls and poor souls are whipped and beaten continuously is a never-ending carousel of savagery. It's a nightmare that even terrifies Joe, and this segment provides a disturbing window into Marins' imagination. This second entry into the Coffin Joe series moves a mile-a-minute, offering everything from phoney-looking backdrops to smoke-machine special effects as it touches on almost every taboo imaginable, but this excess is all part of its charm, and what makes the world of Ze do Caixao so unique.

This sequel lacks a little of noir atmosphere present in At Midnight I will Take Your Soul. It also reinforces more Josefel "Coffin Joe" Zanatas's logics in prejudice of mistery (all spiritual or magic elements in the former movie are proved to be only his imagination and fears): he believes there is no life after death, then the only way to be ethernal is to have offspring. That is why he seeks the most perfect woman possible to give him a child, "a perfect child" or preferably "a perfect son" (she may be not only beautiful but also share his eugenics belief, have no fear, and refuse any religion). There is also why he kills those who he believes that will not generate good children, and why be cares so much about children and particularly babies and fetuses. However, two of the best filmed scenes of his career are from this movie: the curse of Janaína and the sequence from him on his bedroom until his entrance in hell. The portrayal of hell in colour, constrating with black and white cinematography in the rest of the movie, is interesting but not the best moment.

Zé do Caixão (José Mojica Marins) survives and is absolved in court from his crimes. He moves to another small town, seeking out the perfect woman to deliver his son. Zé do Caixão and his deformed hunchback minion Bruno (Jose Lobo) abduct six women from the village and he submits them to a creepy experiment, trying to find the future mother of his offspring to keep alive his bloodline. The pregnant Jandira curses him and only Marcia (Nadia Freitas) survives, but Zé do Caixão concludes that she is not a superior woman. When Zé do Caixão sees the newcomer Laura (Tina Wohlers), who is the daughter of the powerful Coronel, he concludes that she is a superior woman and adequate to deliver his offspring. Meanwhile the Coronel asks his henchman Truncador (Antonio Fracari) to hire a gang of criminals to eliminate Zé do Caixão. But the undertaker seems to have a deal with the devil and never dies. However Laura dies with her unborn son and the population joins to expel him from their lands.

"Esta Noite Encarnarei no Teu Cadáver" is the perfect sequel to "À Meia- Noite Levarei Sua Alma". This creepy low-budget black and white film is more ambition than the first one and blends colors in the journey of Zé do Caixão to hell. It is also supported by a good story, performances, effects, dialogs with blasphemy and gore. The contradictory conclusion with the atheist character summoning God does not spoil the film. My vote is eight.

Title (Brazil): "Esta Noite Encarnarei no Teu Cadáver" ("This Night I Will Incarnate Your Corpse")

This Night I'll Possess Your Corpse, the sequel to director José Mojica Marins' cult horror At Midnight I'll Take Your Soul (1963), sees the return of amoral, blasphemous gravedigger Zé do Caixão (José Mojica Marins), who, having recovered from his seemingly fatal supernatural ordeal in the first film, and having been absolved of all past crimes, returns to his village to continue his quest to find the perfect woman to bear him a son.

Aided by disfigured hunchback Bruno (Jose Lobo), Zé abducts six sexy women, whom he subjects to a horrific trial by spider (this scene is an arachnophobe's nightmare!) to determine their suitability as mates. Only one woman, Marcia (Nadia Freitas), passes the test, but—just a little upset by the fact that the other five women are subsequently killed—she refuses to make love to Zé. He surmises that she is not the superior specimen he believed her to be, but allows her to go free.

Eventually, despite his silly cape, stupid hat, obscenely long fingernails, AND a most magnificent mono-brow, Zé somehow wins the heart of local babe Laura (Tina Wohlers), who is only too willing to have his child. But things don't go smoothly for the twisted loon: he suffers from hellish nightmares after discovering that one of the women he killed was pregnant, goes even more crazy when Laura and his unborn son suddenly pop their clogs, and is captured and beaten by muscle-man Truncador (Antonio Fracari) and his pals, before being pursued by Laura's father and a bloodthirsty mob into a swamp, where he drowns.

Several exploitative scenes of sadism and gory violence, some gratuitous nudity, and an ambitious, surreal, multi-coloured nightmare sequence all go to make This Night I'll Possess Your Corpse marginally more enjoyable than the disappointing first movie, but overall it still proves something of a chore to sit through thanks to the fact that much of its 108 minute running time consists of Zé's interminably dull ranting about the nonexistence of God and his plans to create the perfect child.

As most people reading this will already know, This Night I Will Possess Your Corpse is Coffin Joe's follow-up to the excellent At Midnight I'll Take Your Soul, and as good as the first film was; for my money, this one is even better! The legendary Brazilian comic book character may be cheesy, and José Mojica Marins' films may be cheap and silly; but he certainly has an eye for horror and this film features everything that made the first film great - and more! Once again, we have a plot without meaning, although there is some direction this time as Coffin Joe steps up his chase to find a woman to bear him a child. He doesn't go the direct route, however - and we get treated to scenes of torture as well as Coffin Joe preaching to his audience about the non-existence of God. The film works in spite of the ending of the first film, which is passed off by way of Coffin Joe being nursed back to health by the people he terrorises, before being cleared of his crimes on the grounds of 'lack of evidence'...even though most of them were committed in front of a crowd of people. Still, it's all in good fun!

With a name like Coffin Joe, you've got to expect the man to have an eye for horror - and the director delights in packing his film with delicious horror imagery, from spiders and snakes to skulls and deformed assistants! The wayward plot once again allows the director to do pretty much anything he likes - and for a man with so many ideas, this certainly isn't a bad thing. Despite a running time of nearly two hours, Coffin Joe's film never becomes boring or trite, and just when you think that the film can't possibly deliver any more surprises; Marins throws in a delightful colour sequence that takes place in Hell! The dialogue is once again a stand-out aspect of the film, as hearing Coffin Joe preach his own set of beliefs never becomes boring and the actor clearly delights in delivering them. The eerie atmosphere is always welcome, and the fact that the film is so clearly designed for entertainment is of huge benefit to it. I'll close this review with a word of warning; do not see this film unless you've seen At Midnight I'll Take Your Soul, but once you have seen said movie - this one becomes must see!