Carry on Don't Lose Your Head

The plot should have made this one of the better Carry on films, especially when you hear the premise. Unfortunately, I found a lot of the jokes to be unsatisfactory and not very memorable along with the rather one dimensional characters who all seem the same. It was fun to see Sid James along with Kenneth Williams playing the baddie but apart from that it's only a below average film.

4/10: Could have been great, but isn't and it is dull.

DON'T LOSE YOUR HEAD

Aspect ratio: 1.66:1

Sound format: Mono

During the French Revolution, the villainous Citizen Camembert (a perpetually outraged Kenneth Williams) goes in search of the notorious 'Black Fingernail' (Sid James), an unidentified British aristocrat who's been crossing the English Channel to rescue his French counterparts from the guillotine.

The second and final entry in the long-running series not to feature 'Carry On' in its title due to political fall-out from a change of UK distributor (the first was FOLLOW THAT CAMEL, released earlier the same year), DON'T LOSE YOUR HEAD demonstrates yet again that screenwriter Talbot Rothwell was at his best when indulging his fondness for historical burlesque. Sumptuously mounted on various high-blown locations (including Clandon Park and Waddesdon Manor, with interiors filmed at Pinewood Studios), the film's ribald parody of the French Revolution encompasses everything from silly character names (Camembert is the local 'big cheese', aided and abetted by the gormless Citizen Bidet, while the Black Fingernail conceals his true identity under the foppish pseudonym of Sir Rodney Ffing - "with two F's!") to puns, sight gags and lowbrow slapstick. In other words, the formula as before.

But like so many of the better "Carry On"s, the comedy is rooted in a well-developed storyline, augmented by the usual array of flamboyant characters and eccentric supporting players. Highlights include Charles Hawtrey as a jolly French aristocrat, and Joan Sims as Williams' Cockney-spouting sister (Sims and Hawtrey share an unlikely seduction sequence midway through the film which culminates in a terrific 'please yourself' gag). Sid James and Jim Dale are the nominal heroes of the piece, camping it up with affectionate glee, while Peter Butterworth excels as Williams' dimwitted lackey, forever lusting after Sims and shouting: "Equality! Fraternity! Liberty!" (to which Sims retorts: "I don't care about the equalities and the fraternities, but I'm NOT having the liberties!"). But as usual, Kenneth Williams walks away with the picture, overplaying every gesture, emphasizing every double entendre, and milking every gag for all its considerable worth. An absolute comic gem! Director Gerald Thomas keeps the pot boiling throughout, and production values are solid. Watch out for a couple of mistakes which made it into the final print (Williams' hat being knocked by Butterworth in a cramped carriage, and Sims almost falling over whilst admiring a lovely new dress), betraying a rushed production schedule.

Favorite gag: Hawtrey brags to a group of young women that he escaped the guillotine by slaying half a dozen of his captors, and one gushing admirer declares: "What a bloody sight it must have been." Hawtrey, quick as a flash, retorts: "M'dear, if me sword hadn't broken, it'd have been a bloody sight more!" Genius.

Misfiring Carry On (the 'Carry On' name was dropped during a spat with a distributor), with plenty of good moments that don't quite add up to a top-rank whole. The plot leans heavily on Barry K. Barnes' 1937 offering The Return of the Scarlet Pimpernel, with Sid James in the Barnes role, Jim Dale in Anthony Bushell's, Kenneth Williams in Francis Lister's, Joan Sims in Margaretta Scott's, Charles Hawtrey in O. B. Clarence's, and Dany Robin in Sophie Stewart's. Most of them have a great time, especially Williams, Sims and Hawtrey, while Sid James dominates the plot.

Jim Dale has a thankless unmemorable supporting role, and the wheeze of casting a sexy French actress (her career was drawing to a close at this point), like that of casting Phil Silvers in the previous entry Follow That Camel, was a mistake, failing to generate international interest while diluting the very English comedy. Like Silvers, Robin wanders through the film gamely with a strong sense that she has no idea what is really happening, but, hey, a job's a job.

Plenty of good moments and lines, usually delivered by Hawtrey or Sims ("Come my dear, shall we take a walk in the arbour?" "Oh, I 'ad no idea we were so close to the sea"), and lots of great character names and puns, while Williams' sharp intakes of breath get more and more exaggerated as the film goes on. Watch out for a good ad lib from Williams when Peter Butterworth accidentally knocks his hat off. There is a strong sense that the English may be less stylish and clever than the French, but they are more easygoing and fun, and generally better - in a strong tradition of lampoons of Napoleon and French centralisation that also reaches forward to the Brexit debate.

But the plot is quite tiresome, and the climax, with a huge sword fight in which various stuntmen gradually ruin Camembert's ill-gotten art collection is extraordinarily tedious. Moments stay in the memory, but the film as a whole does not.

This probably ranks as one of the better carry ons certainly in the top 10 but not quite in the top 5. Its from the period when the team were making the historical/costume carry ons that yielded so many of the classic carry on's Cleo, Cowboy and of course Up The Khyber. This time its the turn of the Black Fingernail (Sid James) to ride to the rescue of the French Aristocracy able assisted by Lord Darcy Pugh (Jim Dale) opposed by Citizens Bidet (Petter Butterworth) and Cananbert (Kenneth Williams).

James is on top form and clearly relishes the chance to play the swash buckling hero much as he did in Cowboy he steals the show in this one as Williams isn't in the fine form he was in other historical carry ons such as Cleo and Kyhber. Dale provides able support as does Butterworth who began to become a more regular cast member through this period. Jaqueline Biset looks sumptuous as the love interest but some of the best lines go to the supporting characters of Joan Simms and Charles Hawtry.

If you love Carry On's you'll adore this if not this one probably wont be the one to convert you. Overall a good carry on not up there with Cleo and Up the Khyber etc but well worthy of a 7.5 out of 10.

I always have enjoyed the Carry On movies, they are a lot of fun and there are some very talented actors in the series. There are some stinkers like England, Emmanuelle and Columbus sure, but there are gems like Screaming(my personal favourite, Cleo, Up the Khyber and Camping. Don't Lose Your Head is up there with the best entries of the series. For me it wasn't perfect, Jim Dale is wasted and Jacqueline's harp scene is cringe-worthy. However, it is tightly directed, never dull and is beautifully designed. The music is also suitably rousing, and while simple the story spoofs The Scarlet Pimpernel in a very sharp and hilarious manner. The writing and the cast though were what made Don't Lose Your Head as good as it was. Right from the names, brilliant comic incidents and entendres the gags are plentiful and the memorable quotes endless, it is really a very wittily and hilariously written film. The bloody sight exchange is a scream in particular. Sidney James is superb(even when camping it up he still manages to make for a dashing fop), of the Carry On series I think he has only been better in Khyber. Kenneth Williams steals every scene and possibly even the entire film, his comic timing is spot on and it is worth seeing him for his facial expressions alone. Charles Hawtrey has some great lines and delivers them with utter comic conviction, while Joan Sims also excels as a very aptly-named character. Overall, very good and one of the best of an entertaining series. 8/10 Bethany Cox