Don't Worry, We'll Think of a Title

If you're a fan of '60 sitcoms, this will probably give you a few chuckles. Don't look for much of a plot or decent sets (or even color). Come for the myriad of comedian cameos and stay for the irrepressible Morey Amsterdam. Vaudeville was long dead by 1966 and this film does nothing to disprove that....but it sure gives it one last try. Co-written and produced by Mr. Amsterdam, the film tries to cash in on the recently ended Dick Van Dyke Show's team of Sally Rogers, Mel Cooley and Buddy Sorell. Sadly, the cheesy script replaces them with three hapless diner employees caught up in a Russian espionage caper....or a bizarre attempt at one. Still, Morey's one-liners and Rose Marie's reactions give it just a touch of the old Buddy and Sally. And that makes it worth a look.

Writer / Producer Morey Amsterdam attempts to spoof the spy film genre. The style is very similar to "Get Smart", but not nearly as well-written. Most of the jokes fall flat. The endless stream of cameos a la "Mad Mad World" is occasionally amusing, but not enough to save this film.

This was obviously made on the cheap -- most of the action is confined to a bookstore, and there are only about 3 other sets in the entire film.

Morey Amsterdam and Rose Marie were perfect sidekicks on The Dick Van Dyke Show. Their chemistry is one of the reasons that show is such a classic. Unfortunately, they can't carry a film on their own, at least not one as badly written as this. Even their one-liners, of which there are plenty, are pretty lame.

If you think this might be worth a look just for curiosity, especially if you're a Dick Van Dyke Show fan, then do yourself a favor -- skip it.

This had a long reputation as one of the worst movies ever made, though few had actually seen it. It took me until the winter of 2007 to catch up with this one, and while by no means a good movie, it is at least an interesting one. I understand that the backstory behind this low budget production was that The Dick Van Dyke Show was wrapping up, and a few of its stars put together an independent movie. Morey Amsterdam produced, co-wrote, and starred, along with Rose Marie and Richard Deacon. As insurance, he filled his script with jokes, and filled his movie with cameos. Its plot about spies and espionage does not hold together, but now, after 40 years, the movie works on another level. The plot is dated, the stars and cameos are very much from another era of showbiz, and the jokes are of the irresistibly corny variety that have also faded into memory. So now the film is a quirky little cultural artifact of sorts. It is not good cinema, but in the wake of the Police Academy series, Dude Where's My Car, and Freddy Got Fingered, it can hardly be called among the worst movies ever made. It is offbeat, silly, dated, and, if you're in the right frame of mind, rather fun, especially if you have an interest in the era, or fond memories of it.

The (non-)title is a dead giveaway.

This movie is notable for having its cast derived from the old Dick Van Dyke Show. Buddy, Sally, Mel, and Alan, they're all here, only this time they're not funny. We know the actors and actress are good, and their characters are tried and true. All we lack is a script. Don't worry, we'll think up a script after we start shooting.

This was a lost film for decades, until someone at Turner and United Artists resurrected it for a few TV showings. Apropos of all the other reviews here, unless you enjoy 60s culture as viewed by middle-aged men of the period, the movie will leave you at a loss. Morey Amsterdam, who co-wrote and produced, and Rose Marie are alternately embarrassing and silly. Morey's one-liners were dinosaurs on the vaudeville circuit and would have been rejected immediately for the Alan Brady Show. A low-budget and unfunny pastiche of bad jokes that simply painful to sit through. However, there is some amusement in seeing Richard Deacon try in vain to rise above the material. A few of the cameo roles are of historical interest. A bomb at the box office when first released in 1966, this film is best left in the vault.