Grand Prix

It's hard to rate this film. Its got a soap opera plot pasted on to some really fine cinematography, editing, music and racing sequences. The real stars of this film are the cars, the beautiful F1 'cigar' cars of the 60's with their exposed engines and elegant lines. Within a handful of years aerodynamics and advertising would change the look of racing forever. Even the plot hints at the change taking place at the time-- from the gentlemen's league of the 50's to the ravenously commercial and brutally competitive environment that Formula 1 was to become. Frankenheimer followed the tour through a season, to the storied old tracks such as Nurburgring, Spa and Monza (before safety and television considerations changed them to much shorter, less idiosyncratic shadows of their former selves). There are cameos by Graham Hill, Bruce McLaren, Jim Clark and Lorenzo Bandini, names tinged with tragedy in retrospect. Technically this film is quite an achievement. Many of its developments, however, did not really take, such a multiple images, and the splicing of soft music to intense action scenes. The film, then, is not one of great importance in movie history. But there are a lot of racing fans who hold a special, if not top, place for Grand Prix in their lists of favourite films.

Readers may not remember (or possibly even know) that when this movie was released in 1967, it played in theaters equipped with CINERAMA, and let me tell you, that was an eye popping experience! The movie played for eight solid months at the Mann Cinerama theater in Minneapolis and they packed them in every night for the entire run. I think I saw it about a half dozen times in this format (not to mention some 20 more times in other theaters, television and VCR/DVD). 1967 was also such a wonderful year in motor sport. Dan Gurney won at Spa in his Eagle, one week after winning LeMans with AJ Foyt, who had in turn won Indianapolis a week before that.

Going to a Cinerama theater in those days was a big event. You got dressed up. I still have the playbill type program for Grand Prix that you got with your ticket. I also have Maurice Jarres great sound track album as well as an interesting record associated with the movie featuring Formula One engine sounds from Monaco, Spa and Monza with narration by Phil Hill. Great stuff.

Without a doubt, the greatest motor racing movie of all time! Steve McQueen's Le Mans doesn't come close. The storyline is OK but where this movie excels is in the groundbreaking cinematography. The shots of the old tracks particularly Spa and Monza are truly superb. Ever wanted to know what it's like to blast along the Masta straight down to Stavelot at Spa, you'll see it here. Want to know what driving on the steep Monza banking was like at 160+ mph, you'll see it here with in car footage. On top of that you've got circuits like Zandvoort in Holland which is not used for today's F1. These were the days when drivers partied the night before and after the race, when the sport was glamorous and exciting. The soundtrack is also brilliant. When oh when will we get the DVD version?

This movie simply put, is the greatest racing film of all time. Filmed during F1's glory days of the 1960's. I saw it a the Cinerama Dome in Hollywood in 1967 when I was 7 years old. My brother and I made our father take us back several time more, and to this day it's wonderful action sequences and amazing score (by Maurice Jarre) have never left my top 5 list. It was filmed in Super Panavision (a format log gone because of cost), ULTRA wide screen. The lives and loves of 4 drivers are followed during the Grand Prix season, with authentic racing scenes, fantastic locations (especially Monza's old bank turns & Spa's road circuit) and a good story line. Eva Marie Saint & Jessica Walter are great.

Nothing ever attemped since has even come close. Drivin is a pathetic joke next to it.

Just waiting for the DVD to come out!

Forget about cinematic technique or even plot: This movie will blow you away. Yeh, the plot is cookie-cutter, but they took the trouble to hire performers who could make it work well enough to not detract from the outrageously realistic action sequences. Part of the whole point is that personal lives become somehow smaller (and thus dearer) next to something like the Grande Prix F1 circuit.

I don't recommend pairing this in a screening with _Days of Thunder_ for two reasons: First, GP is LONG; second, DoT will pale by comparison.

BTW, if you can rent it in DVD, get it that way and watch it on as big a TV as you can find. The soundtrack is incredible and the widescreen work is like nothing you'll ever see anywhere else.