Gunpoint

There's a murderous outlaw named Drago played by Morgan Woodward who keeps committing all kinds of crime in the state of Colorado and then running back to the New Mexico territory where the local sheriffs can't catch him.

That's not going to stop Audie Murphy, sheriff of Lodgepole, Colorado. Woodward's robbed a train that was carrying funds for the bank and because he's got the town nest egg, a lot of businesses will fold.

Murphy puts together a posse to go after Woodward and it's some posse, with just about everybody in it working off their own agenda. There is no way Murphy should have accomplished his mission in this film.

Which is of course why Gunpoint, though entertaining, is highly unrealistic. Still a nice cast of western veterans give Murphy some good support. Particular to note are Warren Stevens as the saloon owner and Edgar Buchanan as a leader of a family of equally bad rawhiders whose camp the posse stumbles across.

Gunpoint has a lot of action and a great cast that make up for a highly unrealistic story.

One of Audie Murphy's last westerns. It's the usual assembly-line job most of whose more spectacular moments are stock footage but it's all perfectly competent, well-acted and in Joan Staley has a robust leading lady who can convincingly ride a horse. (The women in westerns tend to be either schoolteachers or saloon girls; Miss Staley is the latter, and she's plainly ridden more than just horses in the past.)

Director Earl Bellamy built a TV career, and it shows: GUNPOINT looks and sounds like a low budget TV flick - which by 1966 was still lower than a film budget - with very poor lighting that reveals electricity- rather than sun-made shadows, among other technical shortcomings. Bellamy is not shy to use archive footage to show a spectacular horse stampede down a mountain.

Although he does not extract memorable performances from the cast, Audie Murphy shows his usual steadiness, hiding the skeletons in his cupboard - he had robbed a bank but the judge gave him a chance - until lovely Joan Staley turns up as the local saloon singer and love interest to saloon owner Warren Stevens, who plays hot and cold throughout, seemingly loyal to Audie one moment and not so the next.

It is always a privilege to watch character actor Edgar Buchanan, pity that he has less than 90 seconds on screen as head of a camp of mean rawhiders who doubt Audie's status as sheriff and posse leader. Denver Pyle is also quite good as the two-faced deputy sheriff who feels so disrespected by Audie that he drops a boulder on him... thankfully, Audie's sharp reflexes have him jump to safety and his trail scout get squashed.

Bellamy and screenwriter Willingham throw everything into the script, even marauding Indians, so it is a relief to see Audie and Staley (nothing stale about her shape!) walk off into the sunset.

Watchable time killer. 6/10.

The old sheriff has been killed during Morgan Woodward's raid and carrying off of lots of money in gold. His deputy, Audie Murphy is appointed sheriff. He takes off with a posse.... and everyone has an axe to grind.

It's Murphy's last western in his long deal with Universal, and the problem is that the 'shaky A' western he starred in had run its course. There was a new western in town, the Spaghetti Western, where there are no good guys; if you rooted for Clint Eastwood, it's because he got done dirt at the beginning of the movie, and Eli Wallach and Lee van Cleef are worse. Murphy's west was corrupt and violent, but Murphy himself was mostly clean, and he would restore order by the end of the movie, and get the girl, here ex-Playboy centerfold Joan Staley. So he goes and gets the job done, despite Warren Stevens and Edgar Buchanan and Denver Pyle, and hooray! But people didn't want that any more.

There's a certain tiredness to the movie, despite some nice camerawork by William Margulies.

Audie Murphy's western films of the 1950's were entertaining, action-filled and capitalized on his likable, resolute personality. The budgets for those '50's films were higher than his subsequent films in the 1960's. This average film has that weakness, but is still entertaining when viewed in that context.

This film's mediocre budget and production values disappoint, while still showcasing those aspects of Audie Murphy's talent that always appealed to his many fans. I especially liked the casting in this one, with western favorites Royal Dano and the crusty old Edgar Buchanan.

For fans of Murphy, this one is a must see...... for others, watch it in context and you will be surprised. Worth a closer look .........