Khartoum

Heston essays one of his best roles as Charles "Chinese" Gordon, the patriot who thrives on challenge... Gordon becomes a national hero for his exploits in China and his ill-fated defense of Khartoum...

Gordon is a Christian with the Bible constantly under his arm... A national hero who abolished slavery in China... An honest man revered by the British, as well as by the foreigners... A martyr-warrior who ever truly loves the Sudan and cannot, under 'his' God, leave it to the misery and the sickness of which he once cured it...

Gladstone ((Ralph Richardson) decides not to send troops to the trouble area... Instead he will send General Gordon... Gladstone realizes if Gordon is sent to Khartoum and fails to prevent a massacre, it is he who will be blamed; not the Briish government... For heroes are supposed to perform miracles...

En route to Khartoum, Gordon discovers that most of Britain's allies and friends of his former exploits now support the mystic Mahdi... But when Gordon with Col. Stewart (Richard Johnson) finally reach Khartoum, the people give him a warm welcome... They feel their problems must soon be over now that Gordon Pasha has arrived...

Things, however, do not go as planned... Khartoum runs out of food... The Mahdi's men infiltrate the city... And Gordon seek a plan...

Lawrence Olivier is superb as the fanatical Arab leader, Muhammed Ahmed Al Mahdi, the Expected-One... His softly glowing black eyes never blink... His measured voice spreads holy terrors: "I have been instructed by the Lord Mohammed, Peace be upon Him, to worship in the Khartoum mosque. Therefore I must take Khartoum by the sword."

With outstanding color photography, exquisite sets and costumes, "Khartoum" has great moments:

• The bloody and brutal massacre of an entire army in a burning desert...

• The Gordon/Mahdi meeting... The only non-historic element of the film which, in fact, never took place - contributes enormously to the dramatic effect of the motion picture.

• The raid on the Mahdi's own supplies...

• The exodus of all foreigners and Europeans out of the city...

With an Oscar-Nominated script mounted on a grand scale, "Khartoum" is an epic entertainment, a fine and powerful motion picture...

The exploits, the single-handed capacity Gordon Pasha displayed again and again to control large groups of people quite unarmed and alone, is almost magical; quite scary, in fact...

I just now saw this movie on television for the first time. Somehow I missed it in 1966. I have always been interested in "Chinese Gorden" and they seemed to do his character quite well, though somehow I thought he was a "Teatotaler"! What surprised me about the movie was the flat out way it was admitted that his government abandoned him, expected him to do the job with no support, only caring that "people in the street" didn't know what they had done. In 1966, we didn't yet know that governments did such naughty things. In those days we still believed that the government was still the "good guy". That people liked the movie in spite of that amazes me----5 or 10 years later it would have been a "given".

Charles George Gordon was one of those eccentric individualists like Lawrence of Arabia who spring up in British history. He was a deeply religious man who spent most of his hard-earned salary (he often accepted *less* pay than he was offered) on charitable work. He helped the poor, educating destitute boys and providing pensions for the elderly. The grafitto 'God Bless the Kernel (Colonel)' was often seen scrawled on walls near his home.

He was also distrusted by the Establishment. A brilliant tactician and commander of troops he was constantly passed over for postings abroad because he was unpredictable. When he was asked to report on the grievances of the Basuto people by the British administration in South Africa, he sided with the Basuto and was shipped home very quickly. As Captain Willard says in 'Apocalypse Now': "They didn't dig what he had to tell them." You have to remember, too, that Gordon was a national hero. This was like firing Norman Schwarzkopf after the Gulf War.

The film fails to touch the depths of Gordon's character and in some cases is well off the mark (Charlton Heston seems far too interested in that Egyptian dancer!). We are shown that Gordon could be ruthless in the pursuit of justice (he executes a servant for theft, regardless of any personal feelings).

The fact remains that Gordon was a man of enormous moral and physical courage. He would not desert Khartoum and leave the people to be slaughtered. It now seems likely (and more in character) that he died fighting to the end.

The film is a tribute to that courage and some of the best moments occur when we are allowed to see the twinges of self-doubt and anxiety that Gordon suffered and overcame. The well-staged action scenes are like decoration on the moral diemmas at the heart of the film. Charlton Heston is physically wrong for the part but gives one of his best performances. He isn't outclassed by Olivier in any way, an achievement in itself.

'Khartoum' is a grossly under-rated film that deserves much more.It is an outstanding recreation of the late 19th century war in Sudan where British forces led by the enigmatic General Gordon fought against fanatical tribesmen under the leadership (spell?) of the self proclaimed 'Mahdi'(expected one).Charlton Heston plays Gordon with his usual efficiency but the scene stealer is undoubtedly Sir Laurence Olivier as the 'Mahdi'.His make-up,accent,wardrobe and sheer charisma truly make for heady viewing.The cinematography is excellent and the flavor of the times is captured beautifully.The action scenes are terrific and the score compliments the goings-on perfectly. I would personally rate it on par with the much respected and much loved 'Lawrence of Arabia',which was in much the same mould as this,though made 4 years earlier in 1962.

This film, which I saw in downtown Detroit when I was eight years old,remains one of my all-time favorites.Its a little talky, a little pretentious, but still grand fun, with exciting battle sequences, wonderful, over the top performances,and a truly stirring, if corny score. Robert Ardrey, notorious theorist of the "territorial imperative",wrote the script, and Basil Dearden directed. Martin Scorsese once listed it among his guilty pleasures.