The Hero

I was around 14 years old when I first saw this masterpiece of Satayajit Ray. One very common thing between Ray and Kurosawa I noticed was introspection of perception.

A train journey allows a superstar to introspect his life and career which leaves him in shattered pieces. Uttam Kumar as Arindam was simply unbelievable and so was Shartmila Tagore as the reporter who was acting as a mirror (much needed) for Arindam to reflect.

This movie will give everyone a glimpse of the price paid to succeed. Success here is the Devil and greed here is the devil's advocate.... the price..........."SOUL"

A must watch if you are a movie lover....My Vote - 9/10

Though Uttamkumar is not the favorite of the class audience as opposed to Saumitra Chatterjee, the favorite of Satyajit Ray himself, this movie is one of the two occassions where Uttam and Satyajit came together and the outcome is a masterpiece. To me, this is the best creation of Ray. Satyajit rightly chose one and only Uttam as the 'Nayak'.Undoubtedly, Uttam,whose movies are intimately woven to every bengali's life even after 24 years of his death, is the alltime silver screen idol of all generations of Bengali film lovers. Though Uttam didn't get the much blessings of the classy directors compared to his arch rival Soumitra, this is one of the few occassions where Uttam got the chance to prove his acting skill and explioted to the fullest extent.

The story starts when there are two news regarding Arindam, played by uttam, published in the news papers - one is the fighting in a night club and the other that he has been nominated for a prestigeus award. In a train journey to delhi, he reveals himself to a lady reporter played by Sharmila. It was a self digging in a form of informal interview. The movie shows the public life and the personal life of a celebrity and all within the time span of a train journey and the flashbacks.

Finally, whoever likes good movie and haven't seen it already, its should be a must-see one.

'Nayak' starts with two news headlines about movie star Arindham (Uttam Kumar). One headline states that Arindham got involved in a brawl and the other states his nomination for a prestigious award. While travelling to Delhi by train (in order to receive the award) he comes across various people including a young simple but modern journalist Aditi (Sharmila Tagore) to whom he confides his inner thoughts. In the process, the actor further discovers himself and his fear. Aditi too is moved as her prejudice against the cocky pompous movie star changes while she discovers the man behind the name.

Ray cleverly tells Arindham's story about how he made it to stardom, his sacrifice of his art, loss of friends leading to isolation, fear of failure, seeking comfort in alcohol, his inner conflict...He weaves it all into a screenplay that takes place during a train trip from Calcutta to Delhi. A lot of it is shown in flashback mode. The dream sequences are another example of fine writing and execution. We're also given a brief view of the corrupt world of cinema, how art is long lost and how it's become all about money, fame and name...very relevant and applicable to today's Indian film industry.

Uttan Kumar, being the biggest star in Bengali Cinema perfectly fits the part. One wonders how much of the character resembles Kumar in real life. Though Ray is known to cast Soumitra Chatterjee (who happened to be Kumar's arch rival) in most of his films, he made the correct decision by casting Kumar for I cannot imagine anyone else play the part. Sharmila Tagore is wonderful. The actress has an amazing presence and with her grace, simplicity and sincerity, she shines. 'Loved her scenes with Uttam.

Like most of Ray's powerful work, 'Nayak' is a rather less known but remarkable film. One of my favorites!

The complete experience can be summarized as "another master piece from a true master film director Satyajit Ray". It always remains a unique experience to watch in someone's past and especially into the hidden past. The movie tackles the very issue in the most effective of the ways. To carve you characters in the story is the most important part and great directors always take their time to do so and here Ray did it in style. He gives a very appropriate introduction to each. But what needs to be praised is… in doing so story did not come to halt… it keeps on moving and things become more clear with every passing movement.

The acting is very good. I know only actor in the movie before watching it… and that is of Shermila Tagore (because of her Hindi films). But really admires the acting of the main role played by Uttam Kumar. He is very natural, fluent and expressions complement his words in every scene. Especially the acting is priceless to watch in the scene in which he is telling Aditi about his insult by the one of his senior. A must watch for all those who appreciate good… excellent cinema.

8/10

A movie at par with Citizen Kane and Rashomon and IMO even better than them in some ways. Impeccable direction and superb acting. Makes you wonder why these two - the actor and director not get together more often in Satyajit Roy films. The angst was so real it seems the guy is not acting any more - just telling his story as it is. The dream sequencewas outstanding as was the ending. The characterisation had on occasion skirted around the burlesque with the older actor in his first interaction with the protagonist but that made the scene all the more poignant. The underlying philosophy is not too deep but something that one can deeply empathise with. The greatness of this movie is how perfectly the story is told. There is an aura of dramatic tension throughout, not between the characters but within the protagonist himself. I would sincerely recommend this movie to anyone who loves what cinema is all about.