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IMDbPro

The Hero

Original title: Nayak
  • 1966
  • Not Rated
  • 1h 57m
IMDb RATING
8.3/10
5.8K
YOUR RATING
The Hero (1966)
Drama

En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.En route to Delhi to receive an award, a Bengali film star reevaluates his success through his fellow passengers, dreams, and past experiences.

  • Director
    • Satyajit Ray
  • Writer
    • Satyajit Ray
  • Stars
    • Uttam Kumar
    • Sharmila Tagore
    • Bireswar Sen
  • See production info at IMDbPro
  • IMDb RATING
    8.3/10
    5.8K
    YOUR RATING
    • Director
      • Satyajit Ray
    • Writer
      • Satyajit Ray
    • Stars
      • Uttam Kumar
      • Sharmila Tagore
      • Bireswar Sen
    • 40User reviews
    • 32Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 8 wins & 1 nomination total

    Photos31

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    Top cast26

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    Uttam Kumar
    Uttam Kumar
    • Arindam Mukherjee
    Sharmila Tagore
    Sharmila Tagore
    • Aditi
    Bireswar Sen
    • Mukunda Lahiri
    Somen Bose
    • Sankar
    Nirmal Ghosh
    • Jyoti
    Premangshu Bose
    • Biresh
    Sumita Sanyal
    Sumita Sanyal
    • Promila Chatterjee
    Ranjit Sen
    • Haren Bose
    Bharati Devi
    • Manorama (Mr. Bose's wife)
    Lali Chowdhury
    • Bulbul (Mr. Bose's daughter)
    Kamu Mukherjee
    • Pritish Sarkar
    • (as Kamu Mukhopadhyay)
    Susmita Mukherjee
    • Molly (Mr. Sarkar's wife)
    • (as Susmita Mukhopadhyay)
    Subrata Sensharma
    • Ajoy
    • (as Subrata Sen)
    Jamuna Sinha
    • Sefalika (Ajoy's wife)
    Hiralal
    Hiralal
    • Kamal Misra
    Jogesh Chatterjee
    • Aghore, elderly journalist
    • (as Jogesh Chattopadhyay)
    Satya Banerjee
    • Swamiji
    • (as Satya Bandyopadhyay)
    Gopal Dey
    • Conductor
    • Director
      • Satyajit Ray
    • Writer
      • Satyajit Ray
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews40

    8.35.7K
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    10

    Featured reviews

    9chakrabortyabhishek07

    Consortium of Greatness in 2 hours

    I was around 14 years old when I first saw this masterpiece of Satayajit Ray. One very common thing between Ray and Kurosawa I noticed was introspection of perception.

    A train journey allows a superstar to introspect his life and career which leaves him in shattered pieces. Uttam Kumar as Arindam was simply unbelievable and so was Shartmila Tagore as the reporter who was acting as a mirror (much needed) for Arindam to reflect.

    This movie will give everyone a glimpse of the price paid to succeed. Success here is the Devil and greed here is the devil's advocate.... the price..........."SOUL"

    A must watch if you are a movie lover....My Vote - 9/10
    Chrysanthepop

    Another one of Ray's less known but remarkable gems.

    'Nayak' starts with two news headlines about movie star Arindham (Uttam Kumar). One headline states that Arindham got involved in a brawl and the other states his nomination for a prestigious award. While travelling to Delhi by train (in order to receive the award) he comes across various people including a young simple but modern journalist Aditi (Sharmila Tagore) to whom he confides his inner thoughts. In the process, the actor further discovers himself and his fear. Aditi too is moved as her prejudice against the cocky pompous movie star changes while she discovers the man behind the name.

    Ray cleverly tells Arindham's story about how he made it to stardom, his sacrifice of his art, loss of friends leading to isolation, fear of failure, seeking comfort in alcohol, his inner conflict...He weaves it all into a screenplay that takes place during a train trip from Calcutta to Delhi. A lot of it is shown in flashback mode. The dream sequences are another example of fine writing and execution. We're also given a brief view of the corrupt world of cinema, how art is long lost and how it's become all about money, fame and name...very relevant and applicable to today's Indian film industry.

    Uttan Kumar, being the biggest star in Bengali Cinema perfectly fits the part. One wonders how much of the character resembles Kumar in real life. Though Ray is known to cast Soumitra Chatterjee (who happened to be Kumar's arch rival) in most of his films, he made the correct decision by casting Kumar for I cannot imagine anyone else play the part. Sharmila Tagore is wonderful. The actress has an amazing presence and with her grace, simplicity and sincerity, she shines. 'Loved her scenes with Uttam.

    Like most of Ray's powerful work, 'Nayak' is a rather less known but remarkable film. One of my favorites!
    10shahbaz-2

    A true masterpiece by Satyajit

    A least seen movie of Satyajit. Satyajit is one of the very few great directors who worked outside Hollywood circle and gave a lot to the film history. He is mostly know to the movie lovers as the creator of great APU TRILOGY. I feel that Ray's works are severely under-represented in USA, although most of his works are masterpiece or near-masterpiece. Thanks to Ishmael Marchent for arranging a retrospective on Ray's works at USA in 1996, I guess. But again in that retrospective, I didn't see the names of some of his great works, like NAYAK, KUNCHENJUNGHA, SEEMABADHYA, ARANYER DIN RATRI or SONAR KELLA. Names of the films that I always see in a Satyajit Festival are the APU TRILOGY, JALSHAGHAR, CHARULATA, GHARE-BAIRE ... etc. No doubt that all of those are great works of Ray, but indeed one cannot know the power of his filmmaking unless he sees some of his other less known works (some of which I mentioned).

    Nayak is a simple story of the most popular Film Actor of India, acted with all perfection by great Indian Actor Uttam Kumar, who goes to the capital city Delhi to receive an award of his achievement via a train. On the train he meets Shormila Tagore (Another favorite actress of Satyajit whom he casted in several other movies like, Apur Sansar, Devi, Aranyer Din Ratri, Seemabadhya ... etc.) and some other characters of the story. The story progresses when Uttam discusses with different aspects of his life and career with others (especially with Shormila). In depth thoughts and feelings of UTTAM sprung out as time goes by and Shormila discovers the very lonely man in Uttam hidden behind his day to day charismatic lifestyle.

    On my judgement, NAYAK is the greatest creation of RAY. UTTAM's acting can challenge anyone in the motion picture history. The high abstratness and philosophical bent of the movie is comparable to that of CITIZEN KANE (according to me, better than CITIZEN KANE) and the mutual conversations among the characters or the screenplay in other words, can beat those of MINDWALK, VANYA ON 42nD STREET, RED or CASABLANCA. A must see film for all great movie lovers. A 10+ out of 10.
    10sbaindia

    A Perfect Ten

    A movie at par with Citizen Kane and Rashomon and IMO even better than them in some ways. Impeccable direction and superb acting. Makes you wonder why these two - the actor and director not get together more often in Satyajit Roy films. The angst was so real it seems the guy is not acting any more - just telling his story as it is. The dream sequencewas outstanding as was the ending. The characterisation had on occasion skirted around the burlesque with the older actor in his first interaction with the protagonist but that made the scene all the more poignant. The underlying philosophy is not too deep but something that one can deeply empathise with. The greatness of this movie is how perfectly the story is told. There is an aura of dramatic tension throughout, not between the characters but within the protagonist himself. I would sincerely recommend this movie to anyone who loves what cinema is all about.
    8badar1981

    Another gem

    The complete experience can be summarized as "another master piece from a true master film director Satyajit Ray". It always remains a unique experience to watch in someone's past and especially into the hidden past. The movie tackles the very issue in the most effective of the ways. To carve you characters in the story is the most important part and great directors always take their time to do so and here Ray did it in style. He gives a very appropriate introduction to each. But what needs to be praised is… in doing so story did not come to halt… it keeps on moving and things become more clear with every passing movement.

    The acting is very good. I know only actor in the movie before watching it… and that is of Shermila Tagore (because of her Hindi films). But really admires the acting of the main role played by Uttam Kumar. He is very natural, fluent and expressions complement his words in every scene. Especially the acting is priceless to watch in the scene in which he is telling Aditi about his insult by the one of his senior. A must watch for all those who appreciate good… excellent cinema.

    8/10

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Director Satyajit Ray had written the script of this movie considering only Uttam Kumar in the lead role. He had confessed that if Uttam Kumar had refused it, he would've abandoned the project altogether.
    • Quotes

      Arindam Mukherjee: There's no scope of overacting in front of camera; if you overact a little, then it will magnify tenfold in the camera.

    • Connections
      Referenced in Autograph (2010)

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    FAQ16

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    Details

    Edit
    • Release date
      • May 6, 1966 (India)
    • Country of origin
      • India
    • Language
      • Bengali
    • Also known as
      • Nayak: The Hero
    • Production company
      • R.D.Banshal & Co.
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 57m(117 min)
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.37 : 1

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