The Night of the Grizzly

Was skimming through some videotapes I'd made from past TV broadcasts yesterday and, lo and behold!, came across one I'd recorded (but failed to label, oops!) of this title from an American Movie Classics broadcast quite some time ago. It was uninterrupted by commercials and promotional tidbits AND it was letterboxed, as any widescreen film, of whatever quality, deserves to be.

Ever since AMC opened the floodgates to commercial advertisers, dispensed with presenters like Bob Dorian, Nick Clooney, Cesar Romero, et al., and generally cheapened this venue into an unwatchable rival to the worst of its cable TV bedfellows, it has made the presentation of a widescreen film in the letterbox format a rarity on a par with, let's say, a politician telling the truth and/or admitting a mistake.

"The Night of the Grizzly," though it's not a work of deathless cinematic art, is a good example of what entertained us almost forty years ago: a good cast, a serviceable script, modest but not skimpy production values, and direction that builds the tension to a genuine climax, all without fiery explosions and violence that brutalizes its potential audiences

When I first saw this movie I was at the drive-in with my parents. I remember hiding behind the back of the seat scared out of my wits! My father is a gunsmith and I've always had a healthy respect both for guns and wildlife. And I know for a fact that there are things in the woods that are much bigger than I am. And the fact that what occurs in this movie could actually happen without aide of CG or any other technical assistance makes it even scarier. OK, the acting itself could have been better but you have to remember the age of the movie.

I hate to think how it would be "gorified" if remade. It was gory enough as it was.

NIGHT OF THE GRIZZLY is a fun traditional western with a few horror trappings. Amusingly enough, upon the release of THE REVENANT in cinemas early this year, a couple of TV channels took the opportunity to show other 'bear attack' movies, including GRIZZLY and CLAWS. I took the opportunity to watch this one, a film I'd never heard of previously.

What's refreshing is that from the very outset NIGHT OF THE GRIZZLY is a well-mounted production with much to recommend it. It has plenty of fine cinematography and great colourful establishing shots of the western terrain. The characters are traditionally drawn (read: stereotyped) but the casting director draws in established talents (Jack Elam, Keenan Wynn) who give assured performances. And the hulking Clint Walker is an excellent choice for the lead, a man you have to believe can go up against a grizzly bear himself.

The bear action is quite limited, but that makes it more effective, and the bear himself is a believable performer. The other western staples, like romance and rivalry and of course more than a few fist fights, are present and correct here. NIGHT OF THE GRIZZLY will never be the kind of movie to set the world on fire, but it certainly proves to be a fun little watch.

Watched this on TV a few months ago and was eventually more entertained than I expected to be as the story elements began to fall into place during the first reel or two. The script builds to an exciting and suspenseful climax, one that rivals quite well, indeed, some of today's overwrought nailbiters.

At first I thought Clint Walker and Martha Hyer were an odd pairing as an Old West couple with a family. But Clint, of the awesome physique, was actually quite a winning performer when he had the good fortune to be directed by a good director with, at least, an acceptable script. And Martha, after playing spoiled and elegant socialites and jealous ladies who often didn't get the objects of their dreams in several of her earlier roles, is warm and convincing as a wife in love with her husband and who deeply cares for her children.

With terrifically capable performers like Keenan Wynn, Ellen Corby, and the inimitable Nancy Culp to round out the cast, this one had quite a bit going for it. The Techniscope (the Technicolor Corporation's bargain-basement version of CinemaScope and Panavision) and Technicolor cinematography looks a bit overlit in some of the interior scenes (a common practice back then), and now the 2.35:1 ratio is probably lost forever. (The TV broadcast I saw was, of course, "formatted" and the VHS version is, no doubt panned-and-scanned.)

I'm in complete agreement with another reviewer in that this Paramount production might well have been done by the Disney Studio. It certainly has that look and feel about it. But that doesn't mean that The Night of the Grizzly can't be enjoyed by adults as well.

Clint Walker and Martha Hyer are a pair of marrieds with children, one of them being a teenage niece. He's a sheriff who's now retired and they've inherited a ranch from his late brother.

Unfortunately the ranch is also loaded down with a financial obligations they've inherited as well. They have a rapacious neighbor in Keenan Wynn who'd like the property with a pair of lunkhead sons, Ron Ely and Sammy Jackson.

But that's not all facing Clint and Martha. There's a local grizzly named Old Satan who's terrorizing the ranches and farms in the area. He's doing far more damage to them than anything Keenan Wynn and his sons are doing. Actually Wynn for a screen villain is a rather mild one, he much prefers working with finances to get what he wants than any violence.

There's one more in the mix here. Leo Gordon has one of his best screen roles in this film, in fact he steals the film whenever he's on screen. He plays a bounty hunter and former deputy to Walker who served two years in prison due to his killing an innocent man and Walker's testimony of same. He's been hired to kill Old Satan by Wynn, setting the stage for the climax.

The Night of the Grizzly does have some very nice outdoor camera work, no studio shots at all in this one of a dwindling group of B westerns.

It's unfortunate that there is no market for films like The Night of the Grizzly any more.