Savage Pampas

This was one of Robert Taylor's final films. It should be seen not so much for his stiff performance (that was his style) as the Argentine Army Captain who's posted in the pampas during the last century, but for the realistic setting and story line this movie displays. It's not a great film but it does have some merits. Probably the only other face that will be recognized is that of Ty Hardin from the 50's TV show. There's a video now but you can likely still catch this one the late show too. But, it's worth watching. Taylor made a couple of other films before dying in 1969 but they're really not worth mentioning. But, check this one out for some quite accurate portrayals of gauchos on the wild pampas.

The curiosity here is that it is a western, which takes place in Argentina, in the pampas. There are soldiers, here led by Robert Taylor, Indians, deserters, and a highwayman type villain, who looks a bit like a spaghetti western (the film is from 1965).

The film is in CinemaScope format and spends much of its time filming characters who cut across the horizon with the sky, the ridge line, which makes for great cutaways, as they spend their time moving around: the subject matter concerns the escorting of a convoy of prostitutes to a garrison lost in the pampas to reduce the rate of desertion, as they haven't seen a woman in several years. Of course, this convoy is coveted by everyone.

Robert Taylor plays the chief officer who is constantly beaten, kicked, dragged in the dust, but also experienced and having no more illusions. And the character of the anarchist, who is finally the most interesting, invites a little humor and irony.

All in all, the film lasts, thanks to its visual qualities.

A sad and dismal almost final ending for Robert Taylor. His handsome looks faded by time, drink, and possible lung cancer, Robert Taylor presents a depressing lifeless figure in this 3rd rate South American produced Western. As a big fan of Taylor, I really don't want to remember him in this film. Of course, this is easy to do, as this movie has virtually been lost to time. It's clear that Robert Taylor didn't have his heart in the role of "Captain Martin". He looks weather beaten, tired, and just plain worn out. His build is just too thin and he appears in ill health. Even the feel of this whole movie is that of people "Beaten-Up" by the passing of time and hard living. Savage Pampas is "savage" to watch. There is little to like and it's not even a pleasant night at the movies. Savage Pampas is just a dismal footnote in the faltering career of Robert Taylor.

Savage Pampas is a film with an unusual setting for the English speaking world, the pampas plains of Argentina at the end of the 19th century. The film is based on a novel Pampa Barbera and was filmed in Argentina before.

Robert Taylor is a captain in command of a garrison on the frontier, a whole lot like the American West. But he's having some big troubles. Taylor has a morale problem at the fort, the men are deserting him bit by bit because outlaw chief Ron Randell gives them an outlet for their sexual frustration, women. It's strictly stag at Taylor's post no matter how much he tries to convince the high command in Buenos Aires that his men have needs. It's also to be remembered that most of the men aren't the best quality around. They're not king and country volunteers as Clark Gable put it in Mutiny on the Bounty. In fact a whole lot of them are criminals and were given the choice of the army or prison.

Finally he does convince higher ups that some women are essential for morale, so Taylor is given an assignment of escorting some prostitutes let out for that purpose. Of course all this leads up to the inevitable showdown between Taylor and Randell.

Taylor in his one and only appearance in a spaghetti western covers some familiar ground. In Westward the Women he escorts some brides to be across the American west. He's the stern and rugged Taylor we've come to know in his later films, tough, but compassionate.

The film was photographed in Spain and two other American actors appear in it with Taylor. Marc Lawrence is a sergeant in Taylor's command and Ty Hardin plays an anarchist newspaper editor who accompanies the prostitutes because he's been given a choice, army or jail. Hardin has some biting lines, some of the best in the film and he makes the most of them.

It must have been an interesting set on Savage Pampas. On one hand we have Robert Taylor who was a friendly witness at the House Un American Activities Committee. And also Marc Lawrence who's career suffered the effects of the blacklist. I imagine things must have been tense.

Other than knowing about Evita Peron and her husband, Argentina or for that matter Latin America in general, is not a history that most Americans are taught. It's still said that Argentina is a frontier country built around a capital city. This picture shows a slice of their frontier life you might not normally be exposed to.

For that reason I recommend seeing Savage Pampas. For that reason and because it's one of the last films of one of Hollywood's truly great stars who in his last years was somewhat at sea due to the decline of the studio system.

Western fans may or may not find enjoyment in this dusty, violent mini-epic. Fans of Spaghetti Westerns will likely enjoy it more. The film, which primarily involves the transportation of hookers across Argentinian terrain beset by Indians and rebellious deserters, has a lot going for it and a lot against it. Taylor, in one of his last roles, plays an Army Captain whose chief duty is to defend a fort and keep his men from running off and joining the opposing forces led by renegade Randell. Taylor, an actor who methodically and deliberately did everything he could to ruin his pretty-boy looks, appears wax-like and worn in most of his scenes. His growly voice comes across pretty effectively, but he is almost unbearably stoic through most of the film. However, he is put through some grueling physical torment (when his stunt double isn't doing it) that's somewhat remarkable for someone his age. He also gets off a few decent sarcastic lines, but is hard-pressed to overcome his Abraham Sofaer look and costuming. (At times his hat cord blends in with his goatee making him look like he has a long braided beard! He also has a series of unflattering head scarves which are probably authentic, but don't lend themselves to cinematic authority. Most of the cast wear diaper-like rugs between their legs....another authentic aspect which cuts down on the expectations one may have for a western style film. Some will see this as appealingly different, others may scoff at it.) Randell gets to ham it up a bit in the style that was made famous by Eli Wallach and other stronger actors (with better written parts.) Hardin (bizarrely dressed like a sexy Abe Lincoln) comes along late in the game as an anarchist who is being remanded to Army duty. He has a couple of interesting moments (and a great final scene!), but is mostly wasted. WHY wasn't he in the river with the hookers when they were bathing?? The hookers are a motley group of international actresses. It's hard to drum up much interest in most of them as their characters are only scratched upon. One thing setting apart the interest level in anyone who isn't a name brand star is the atrocious dubbing of the film. This is why those accustomed to Spaghetti Westerns may give the movie higher marks than other viewers. One male actor has a creepy, whispering sound to all of his lines. The ladies mostly have shrill, loud or gravelly voices assigned to them. Any sort of bit part sounds like it was recorded off the street. What's good about the film is it's unusual setting and it's desert scenery. Also, there are certain story elements which come across as unique or at least not overdone. (The Indians use these nasty little ball & rope weapons which are intriguing to see.) A couple of confrontations and action scenes are memorable, even if on an amusing level. (Look out for that head!) What's bad about the film is the aforementioned dubbing, the disjointed nature of the script which makes it hard at first to understand the story, and the choppy editing, unfocused direction and amateurish acting by some of the supporting players. Western diehards should find something to like, but most mainstream filmgoers will find it rough to get through.