A short continuously looping animation of six grotesque human figures vomiting.A short continuously looping animation of six grotesque human figures vomiting.A short continuously looping animation of six grotesque human figures vomiting.
- Director
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David Lynch has been one of my favourite filmmakers for most of my life now.
Having seen all of his feature-length films, I finally decided to watch some of the shorts, in chronological order.
"Six Men Getting Sick" had to come first, then, because it's the first movie Lynch made. He made it while in college, and when he intended to become a painter, not a filmmaker. In fact, the cost of making the movie caused Lynch to swear off filmmaking forever, but luckily for us he was tempted back to make another film.
There's not a whole lot to say about this movie. It reminded me less of a short film than a video installation, kind of like a (barely) animated painting. We see six abstracted figures in the background, unmoving, presumably from a painting of Lynch's. Overlaid is some basic animation, mostly showing bright fluid travelling up the figures' bodies and coming out their mouths.
A siren sound plays on a loop all the while.
What is it supposed to say, and what is it about? Who knows. Probably few people will be satisfied with it. I do find that it shares a common thread with much else of Lynch's filmography, though, and that is experimentation. Lynch's movies are always inches away from collapsing into an abyss that always feels like it's just barely being kept off-screen. But there's always light in his movies, too. And that light mostly comes from the joy he gets from experimentation, and invites us to share with him.
Having seen all of his feature-length films, I finally decided to watch some of the shorts, in chronological order.
"Six Men Getting Sick" had to come first, then, because it's the first movie Lynch made. He made it while in college, and when he intended to become a painter, not a filmmaker. In fact, the cost of making the movie caused Lynch to swear off filmmaking forever, but luckily for us he was tempted back to make another film.
There's not a whole lot to say about this movie. It reminded me less of a short film than a video installation, kind of like a (barely) animated painting. We see six abstracted figures in the background, unmoving, presumably from a painting of Lynch's. Overlaid is some basic animation, mostly showing bright fluid travelling up the figures' bodies and coming out their mouths.
A siren sound plays on a loop all the while.
What is it supposed to say, and what is it about? Who knows. Probably few people will be satisfied with it. I do find that it shares a common thread with much else of Lynch's filmography, though, and that is experimentation. Lynch's movies are always inches away from collapsing into an abyss that always feels like it's just barely being kept off-screen. But there's always light in his movies, too. And that light mostly comes from the joy he gets from experimentation, and invites us to share with him.
Lynch explains on the DVD that he was inspired to make a moving painting and that is just what he did. As per usual with Lynch, there is no explanation for what is going on (actually, with this short, there doesn't even seem to be a reason for what's going on) but it is somehow beautiful in its repetition.
Stills for this 60 second film are available on the Web, and the film itself is shown during the Pretty as a Picture documentary.
The images are quite arresting. Lynch himself said of the project "I always sort of wanted to do films. Not so much a movie-movie as a film-painting. I wanted the mood of the painting to be expanded through film, sort of a moving painting. It was really the mood I was after. I wanted a sound with it that would be so strange, so beautiful, like if the Mona Lisa opened her mouth and turned, and there would be a wind, and then she'd turn back and smile. It would be strange."
By the way, Lynch shared the first-place in the second annual Dr. William S. Biddle Cadwalader Memorial Prize. One of the judges on the panel funded Lynch's next film project, and there it is--the start of a career.
The images are quite arresting. Lynch himself said of the project "I always sort of wanted to do films. Not so much a movie-movie as a film-painting. I wanted the mood of the painting to be expanded through film, sort of a moving painting. It was really the mood I was after. I wanted a sound with it that would be so strange, so beautiful, like if the Mona Lisa opened her mouth and turned, and there would be a wind, and then she'd turn back and smile. It would be strange."
By the way, Lynch shared the first-place in the second annual Dr. William S. Biddle Cadwalader Memorial Prize. One of the judges on the panel funded Lynch's next film project, and there it is--the start of a career.
So nine people have seen this film?
Seeing as the film was essentially a temporary piece of installation art, a loop of film projected onto a sculpture as part of an exhibition back in 1966, I have a very genuine interest in talking to those people - they must have some interesting stories to tell.
Seeing as the film was essentially a temporary piece of installation art, a loop of film projected onto a sculpture as part of an exhibition back in 1966, I have a very genuine interest in talking to those people - they must have some interesting stories to tell.
This is the film portion of a sculpture that had images projected on it.
Its basically abstract people getting sick and throwing up.
Sort of.
As I said its all abstract so the figures are only reasonably human.
The image runs about a minute and then is repeated several times, which was then looped into endless illness.
How do you rate that?
I don't know. Its fine for what it is but as anything beyond that it isn't much.
Its basically abstract people getting sick and throwing up.
Sort of.
As I said its all abstract so the figures are only reasonably human.
The image runs about a minute and then is repeated several times, which was then looped into endless illness.
How do you rate that?
I don't know. Its fine for what it is but as anything beyond that it isn't much.
Did you know
- TriviaAvailable as an extra on Criterion's release of Eraserhead.
- ConnectionsEdited into The Short Films of David Lynch (2002)
Details
- Release date
- Country of origin
- Language
- Also known as
- Six Men Getting Sick (Six Times)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $200 (estimated)
- Runtime
- 4m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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