This Property Is Condemned

Natalie Wood ,giving one of her best performances ,portrays a typical Williams heroine.Alva is an innocent sinner.She knows she's attractive,she teases every man around,but she has kept her childhood's dream,she's an immature character.she's akin to the girl of "the glass menagerie".Alva hides her dream in a convert rail car which bears her own name,like the latter dreams her life away with her frail animals.All right,Laura is a pure young girl,Alva is not,by a long shot,but it does not make a big difference.Innocence ,for Tennessee Williams is only a matter of heart.Alva might have been some kind of Blanche Du Bois too.Both are victims,both have a romantic dream,both pretend (Natalie's red dress,Blanche's schlock jewels).I think Alma's arrival in New Orleans is a tribute to Kazan's "streetcar named desire":as she gets out of the train,there's some smoke around.

The over -possessive mother is also a constant in Williams' universe.Alma's mother (a magnificent Kate Reid) recalls Mrs Venable in "suddenly last summer".If Alma does not realize she's some kind of prostitute-Redford tells her so while they are hiding behind the bushes-,her mother resembles a madam in a brothel(the boarding-house).

It's Redford's character who will spoil the party.By revealing Alma who she really is,by telling her he's got no dream,by his social status,he's a man who lives in the material world.Many users noticed it was an ambiguous character:after all he comes to lay off railroad workers in this one-horse town which Alma longs to leave for broader horizons.

The boarding-house and the tiny railway station are certainly a dead end for the heroine.And this car named "Alma" symbolizes a land where time stands still.When Alma leaves for New Orleans ,James Wong Howe's wonderful camera becomes aerial with breathtaking high angle shots on the train.

This is a rather talky movie,and it loses steam in the third part in New Orleans,but it sure did not deserve such a poor rating when so many talents are involved(outside the already mentioned people,there's also Bronson and Ford Coppola -script writer-).It's the beginning of Pollack's heyday,when he was a genuine artist who gave us such major works as "Jeremiah Johnson" and "they shoot horses don't they?".A far cry from "Tootsie" or "the firm".

It is hard to decide what is most outstanding: the atmospheric story and script by Tennessee Williams and Francis Ford Coppola, the gorgeous cinematography by James Wong Howe, the smooth direction by Sidney Pollack, or the dazzling performance by Natalie Wood.

Elizabeth Taylor won the Academy Award for "Who's Afraid of Virginia Wolfe," that year and certainly deserved it, but Natalie's performance was as fine as the other nominees: Lynn Redgrave in "Georgy Girl," Vanessa Redgrave in "Morgan: A Suitable Case for Treatment," Ida Kaminska in "The Shop on Main Street" and Anouk Aimee in "Un homme et une femme" She did receive a Golden Globe best actress nomination for the film.

Robert Redford is laid back here and it works perfectly. He just has to be charming and adorable and he is. In the four great romantic movies he did, "Barefoot in the Park" with Jane Fonda, "The Way We Were," with Barbara Streisand, "Out of Africa," with Meryl Steep, and this one, Redford basically allows his leading actresses to be the focus of every scene. He is at his best when underplaying and interacting and that is what we get here.

Mary Badham, who was nominated as a child for her performance in "To Kill a Mockingbird" shows that she was perhaps the most natural child actress of the 1960's. It is also fun watching Robert Blake and Charles Bronson is small supporting roles.

The movie is absorbing with the type of wonderfully drawn lonely, sexy, and ordinary people with grand illusions that make all of Tennessee Williams works so wonderful.

Don't miss it if you haven't seen it, and see it again if you haven't seen it in a while. It hasn't aged at all.

The film is a beautiful and enjoyable story and narrates upon a family formed by one mother and two daughters proprietaries a hotel of a small town of the United States . Film with five characters move in different interest , the mother (Kate Reid) is an egoistic person who thinks in economic interest and utilizes her daughter Alba (Natalie Wood) for the hotel business . She no interest on her daughters , neither their sentimental life.

Natalie Wood , principal protagonist , plays Alba and realizes a formidable interpretation , she is attractive and beautiful interpreting an innocent and no malice young . She is enamored of an attractive young named Owen , feeling the first love desires . Owen , Robert Redford , the ultimate character in scene comes to the town to close a company causing the anger of workers and he falls in love for Alba . Redford realizes an excellent acting . Mary Badhan is the small daughter , the role is represented in the film narration on the initiation and the final . Charles Bronson in a secondary role interprets a cold man , an unscrupulous person , he is the mother's lover and pursues to her daughter Alba . The film is based on Tenesse Williams' novel . The interesting writings by a young Francis Ford Coppola . The film was well directed by Sidney Pollack.

The movie is little known and the cinematographic value is elevated and is very agreeable for the young public who'll like the enormous sexual attractive of Natalie Wood . Rating : Very good and entertaining.

This is one of those dramas that is never dated. No matter how many times I watch it, it never loses its magic. Having memorized virtually every line in the movie, I continue to enjoy it more with each viewing.

The 1966 masterpiece, which takes place in a fictitious small town in Mississippi during the depression, was only released on DVD in late 2003. It should be a part of everyone's collection.

The characters and the setting are remarkable in their realism. Natalie Wood's vulnerable bimbo may be the best role of her career (and is Alva Star a perfect name, or what?). Kate Reid, as the middle aged mother who runs a shabby rooming house and quasi-brothel, delivers a rock solid performance. The younger daughter, played by child actress Mary Badham (of "To Kill a Mockingbird" fame) masterfully brings to the screen a complex blend of childlike naivete and cynical worldliness. Redford is memorable in his role as a newcomer on the scene, a temporary guest who clearly has no idea of the conflicted and tragic relationship he is destined to find with an enchanted-but-stained Natalie Wood and her wretched kin.

Indeed, the entire supporting cast in this torrid Tennessee Williams story put in star-quality performances. Collectively, they make this story unforgettable.

Little sister "Willie" is fond of calling her seductive older sister "the main attraction" - a description that could also be used to describe this amazing film.

I just happened to find this movie on AMC yesterday. I am a very huge Natalie Wood fan myself and I have been dying to check out this movie a long time ago. At first, I thought it was just another romantic movie from the 1960's. But no, this movie is good--a total surprise.

At the beginning, Owen (Robert Redford) is a mysterious stranger who comes to this unknown town for work. He meets this big flirt Alva (Natalie Wood) and she seems to be very fond of him. And later they have an affair but it ends up tragically due to Alva's mother's will.

Redford and Wood have a great chemistry in this movie, which I am quite surprise of. Redford is handsome and calm, yet passion inside. And Wood is absolutely stunning. She was handling her character's transition really well. You can almost feel her agony when her mother "begged" her to stay with a wealthy, lonely old man for "just a tiny bit of time in her life". This is a good movie. A must see. Especially if you're a big fan of Redford and Wood. They are fascinating.