Three on a Couch

I just finished watching this movie, it was the first Jerry Lewis film I've seen, and I'm already a fan of this comic genius. Three On A Couch is full of gags from start to finish, constantly keeping the audience laughing with Jerry Lewis' character's attempts to make three women think he's three separate people. Jerry Lewis shows his talent as a comedic actor as he plays all those characters perfectly, but also awkwardly as though he's nervous that he might get found out. And yet the awkwardness is so subtle that it's believable that the ladies don't think something's up. He's also very deadpan in this movie, and at the same time high energy in his gags, much like Charlie Chaplin. So, bravo Jerry Lewis, you put on one heck of a performance.

Although I will admit that some of the jokes didn't work. Some of them went on just a tad too long. Although they don't hurt the movie much. Also one thing I thought the movie should've done was make the three women more developed characters instead of just one-dimensional straight-men. Only one of them showed a personality (the athletic one), the others just seemed to have personalities described but not shown.

Judging by the low score and the fact that it was featured in a book called Fifty Worst Movies (or something like that), I'm guessing this is one of Jerry Lewis' lesser movies. I haven't seen any of his other films so I can't say if Jerry Lewis fans will enjoy this, but I'd definitely recommend it to people who want to watch a really funny movie.

Inane, but not as much so as you expect from Lewis. Jerry even plays a reasonably intelligent and talented character in this one. Absolutely hilarious in many spots, even when gags are being milked. You miss stuff you can't see through the tears! A wonderful movie -- perhaps Jerry's very best!

I'm not normally a Jerry Lewis fan ... but this is one of his very few movies I can watch more than once. Lewis held back on his normal goofy, over-the-top performance to play a more normal type of romantic comedy lead.

In this one, his paramour is Janet Leigh: mature, gorgeous, and worth the watch all by herself. Lewis has given up a career as a commercial artist to take on art for art's sake, and won a contest to spend a month in Paris painting a wall-sized mural ... all expenses paid plus a $10,000 commission. He wants Janet to spend the month in Paris with him. Who wouldn't?! :-)

The problem is she's a psychiatrist with three patients she can't abandon until she'd given them more confidence after bad breakups. So Lewis set out to date the three patients, as three different impostors, and give them confidence. What could go wrong?

Plenty!

Jerry Lewis (as Christopher Pride) wants to marry Janet Leigh (as Elizabeth "Liz" Acord) and move to Paris, where he has been commissioned to design a mural. But, Psychiatrist Leigh doesn't want to leave her patients; especially three strikingly beautiful women, who can't seem to develop romantic relationships with men. Mr. Lewis decides to assume three different alternate identities, in order to warm up the three frigid women, and free up fiancée Leigh. Will things get too hot?

Leigh and the three women (Mary Ann Mobley, Leslie Parrish, and Gila Golan) are lovely looking; but, don't watch for them to run around in bikinis and towels a lot -- there isn't much skin on display. James Best (as Ben Mizer) handles the role of Lewis' straight man well. The supporting cast performs ably; Kathleen Freeman and Buddy Lester are always fun to watch, drunk or sober. Lewis plays his "main" personality and four others -- "Warren", "Ringo" (not Beatle-influenced), "Rutherford", and "Heather". They are not complicated characterizations and, so, are not among is best.

"Three on a Couch" is interesting in its overindulgence. It's the Lewis brand, with a drink in one hand, and a cigarette in the other. Note, the script and situations are drenched in alcohol. This gives the film a "drunk", enochlophobic feel. The film's closing "party" has a surreal quality, with guests pouring into spaces they shouldn't fit. Lewis directs this "party" scene very effectively, by the way; his directorial skill is sometimes overshadowed by his on screen persona -- he might have been wise to peruse a parallel career directing movies in which he does not appear.

This is not one of Jerry's best films. It's pretty self indulgent, scenes drag out, some of the humor feels forced and over the top, and the whole concept really doesn't make much sense. It's best at the very beginning, and the final 20 minutes at the party and at the pier are hysterical and it's a great set piece to end the film on. If you love Lewis's work (like I do), stick with it and you'll dig the ending. Another plus, supporting cast is great.