Who Killed the Cat?

When the owner of a boarding house dies, he leaves his modest property empire to his daughter under the care of her jeweller uncle "Henry" (Mervyn Johns) and her stepmother "Ruth" (Ellen Pollock). Turns out the stepmother is every bit as wicked as stereotype suggests - and soon she decides to send the daughter out to work and to up the rent for the three elderly lodgers who live with them - safe in the knowledge that they could never afford it. One of these ladies has a kitten that has an habit of getting into rooms he's not allowed in, and when he is found dead the old ladies assume he has been poisoned, and set a trap for the supposed murderess. When the matronly landlady is discovered dead in her bed shortly afterwards, all eyes point to a bottle of whisky, a jug of water and, well, just about everyone, really... It falls to Conrad Phillips ("Insp. Bruton") to get to the bottom of things. It's quite a cleverly layered little mystery this, the three old ladies reminding you of Katie Johnson, and the ending is certainly not what I was expecting. Mary Merrall ("Janet") overacts dreadfully as the daughter, and her scenes do spoil it a bit, but for the most part it's an agreeable, well and amusingly paced amalgam of stories that I rather enjoyed.

This looked like a mid 1950s film rather that one of 1966 especially as it was not in colour but the story suited this look. The old ladies were great and in the mould of an Ealing film and I half expected Alastair Sim or George Cole to pop up at any time.

An excellent "who dunnit" which keeps the audience guessing all the way to the end and very well cast possibly with "William Tell" being it it to attract some more cinema ticket buyers.

A must see for lovers of classic 1950s mystery films even it it was made in 1966. I changed my mind several times as to who the guilty party was and still got it wrong.

I thought I'd like this film as it ticks all the boxes for me - only it was better than that.

Won't spoil it but think of Charlie's Angels (great grandmothers) - joining forces to do a right from a wrong.

It's a dull, rainy cold day here just the perfect environment for me to get stuck into a good drama listening to clipped British accents & a character who plays a right cow and your hatred grows.

Many a face of an actor I still admire who have passed over. It's so good to see them, I'm talking about Joan Sanderson before her battle axe days!

This film has given me warmth.

I'd recommend this film.

This is a slow burning murder mystery that keeps you guessing till the end. Perhaps the final reveal is a bit quick, especially if you are used to Columbo style re-enactments of the murder, so you need to pay attention. As usual there are plenty of possible murder suspects to choose from, or perhaps it's even suicide. Although based on a play (by Arnold Ridley, more commonly known for his role in Dad's Army) this does not have the usual hallmarks, such as the action being set primarily in one location. Well worth watching. A picture credit for the cat, an on-screen natural, would have been welcome though.

Made in the sixties but with a distinctly thirties feel (except that in the thirties it would have taken place in a house the size of Blenheim). 'B' movie workhorse Montgomery Tully was still working in black & white and thirty shillings was still a substantial sum of money when this diverting little potboiler with a predominately female cast was dashed off (it even includes a very rare film appearance by the sorely missed Joan Sanderson).

No prizes for guessing who the prime candidate for the rat poison one of the characters buys is.