Very Happy Alexander

Yves Robert passed away three years ago and any cine buff remembers him for his towering achievements that are: "la Guerre des Boutons" (1962), an adaptation of Louis Pergaud's famous novel still fresh today as it was forty three years ago, "my Father's Glory" and "my Mother's Castle" (1990), adaptations of Marcel Pagnol's childhood memories. And don't forget a good pack of quality comedies treated with respect and no vulgarity. This flick, "Alexandre le Bienheureux" (1967) largely deserves its place of winner among them.

In 1880, Paul Laforgue wrote and published an essay entitled: "le Droit à la Paresse" (the Right to Laziness) in which he offered a positive definition about this term generally considered as one of the biggest vices in the world. But Laforgue shelved the negative prejudices about it. He suggested to leave work fallow and to devote free time to rest and leisure which enabled a beneficial development for the individual. I suppose Yves Robert did the same for his movie. Without taking itself too seriously, it presents itself as a comical tale in which laziness is praised because thanks to it, happiness and the possibility to enjoy basic pleasures of life prevail. There's no need to worry about the constraints and stress imposed by work and modern society. And in the background, there's this country filmed with love and delicacy which Robert seems to know like the back of his hand.

Seen today, the movie displays a few technical flaws that weren't noticeable in 1967. Certain shots or camera movements are dated and it lets us think that the movie on a technical level hasn't worn well. But it has no importance for it kept an undeniable charm and can be watched with pleasure again. And a few funny moments in Robert's work evoke the devastating humor coming from Tex Avery's cartoons like the orchestra in front of Alexandre's house.

Philippe Noiret in the main role acts the role of Alexandre with an admirable easiness and naturalness. Because of its physical appearance and as he is inseparable from his dog Kaly, he is akin to Obélix with his tiny dog Idéfix. The rest of the cast follows him well and includes Pierre Richard and Jean Carmet.

At the level of the quality in Robert's filmography, "Alexandre le Bienheureux" is just a few notches below Robert's flicks I previously mentioned. It's the kind of movie to full savor after a hard day's work or after a Jean Luc Godard intellectual movie. Given that it is difficult to find in DVD, it deserves to be restored in favor and considering all the favors did by Kaly to his master, Robert's movie perfectly illustrates the famous maxim: "man's best friend is the dog".

This film follows the best tradition of the french comedy, managing outrageous, hilarious, unbelievable situations, yet without succumbing to cheap humour or to any kind of vulgarity.

Always pleasant to view, even after 32 years!

It was in 1968 that famous French actor/director Yves Robert shot "Alexandre Le Bienheureux"/Very Happy Alexander. It is said about Yves Robert that before entering the field of cinema, he had successfully tried his hand at various "Métiers" which have enabled him to faithfully depict working classes in his films. It is precisely his eye for detail which is very much visible in this film. A very happy Alexander is one of his lesser known comedy films which celebrates the virtues of laziness. It is true that laziness has been known since olden times as one of the seven deadly sins. However, Yves Robert makes us believe that even a certain joy can be had if one is able to lead a planned lazy life without bothering to worry about what is happening in the outside world. As a "meaningful" comedy film, 'Alexandre Le Bienheureux' raises a lot of pertinent questions about male/female relationships especially in the context of love and marriage. One of the most important questions raised by this film is whether a partner can leave a union if the relationship is purely based on money. Much of the film concerns a happy farmer Alexander whose life changes for good when his domineering rich wife dies in a car accident. The film also discusses how love can change a person's life. This aspect is depicted through a credible amorous relationship featuring two great actors of French cinema: Philippe Noiret and Marlène Jobert.

Every once in a while a movie sneaks up on you and just really flat out surprises you. For me, this was one of those movies. The french sure have a way with wit and comedy. They were masters at it. This one is at the top of the pile for sure. I guess you can't go back again but if you could, I would request more french comedies just like this one.

My day got a whole lot better watching this. This one is classified as a comedy and rightly so, but ,there needs to be another category for movies like this...Charming. If your not smiling or happy or not feeling better after watching this, you need therapy. They don't make em like this anymore. Absolutely fantastic film.

I saw this movie 3 times over 30 years ago. It is one of my favorite movies of all time. I have been looking for it on tape or DVD for years. I discovered IMDb today and for the first time was able to find that the movie is at least entered in a database. Can anyone tell me how to get a VHS or DVD of this movie?

One of the things that made this movie so appealing for me is that I am a dog person. Alexander is a lazy man who lives on a farm with his dog, a cute mutt. He sends his dog into town carrying a basket in his mouth to bring home groceries. The dog walks from store to store as the store keepers fill it with groceries. The dog then brings the basket home to Alexander. Alexander never leaves his bed as he stores the food the dog has carried home around the bed. The villagers eventually descend upon Alexander to force him to become a productive citizen - a concept he doesn't value. One of the villagers is an eligible young lady who sees Alexander as a potential husband and, more importantly, a route to a comfortable life. The rest is about the struggle for Alexander and his dog trying to adjust to the woman. The ending is superb.