Bernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek he... Read allBernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek her brother Jerome's help.Bernard meets Jane at a club. Finding a blackmailer's body near her, they flee from police and a dwarf's gang. Jane's father died mysteriously, linked to her stepmother's photo. They seek her brother Jerome's help.
- Awards
- 1 nomination total
Jean-Louis Trintignant
- Bernard
- (as Jean Louis Trintignant)
Skip Martin
- Dwarf
- (uncredited)
David Prowse
- Jelly-Roll's Partner
- (uncredited)
Janet Street-Porter
- Salon Receptionist
- (uncredited)
Featured reviews
When I see Tinto Brass, I think of Cheeky and Salon Kitty. T&A features, not traditional giallo. I am willing to be surprised.
You are going to be reminded by a current jail occupant in Orlando, Fl, who was dancing the night away after her daughter went missing. The children. Jane (Ewa Aulin) and Jerome (Charles Kohler) Burroughs, in this film are in a nightclub right after they visit their father in the morgue. Guess death can't interfere with life.
Bernard (Jean-Louis Trintignant) discovers her with his dead partner and takes her away.
They go looking for the killer. It's not as bloody as most giallo, and there is no nudity to speak of, but it is worth watching. It had an almost comic book air at times, and the music was definitely upbeat.
The cinematography was outstanding on this print and really made it worthwhile.
You are going to be reminded by a current jail occupant in Orlando, Fl, who was dancing the night away after her daughter went missing. The children. Jane (Ewa Aulin) and Jerome (Charles Kohler) Burroughs, in this film are in a nightclub right after they visit their father in the morgue. Guess death can't interfere with life.
Bernard (Jean-Louis Trintignant) discovers her with his dead partner and takes her away.
They go looking for the killer. It's not as bloody as most giallo, and there is no nudity to speak of, but it is worth watching. It had an almost comic book air at times, and the music was definitely upbeat.
The cinematography was outstanding on this print and really made it worthwhile.
A rather unusual agenda from tinto brass who obviously found later his niche in "t&a" movies. Col cuore in Gola is a psychedelic, pop art giallo that can just come from the great era of the late 60´s/70´s. Starting from the nice credits and music you immediately like this film and this is just the beginning! Trintignant founds in a nightclub a corpse beside the lovely aulin who just says "i wasnt it" Convinced that she is innocent he wants to help her and want to find out the murderer, Aulins brother should solve this case and both are searching for him. Though not quite without problems..a dwarf in raincoat is following them in companion with some gangsters who kidnap Aulin. Jean is now searching for aulin, aulins brother and (of course) the murderer. The Story itself is not that convincing (rather unimportant) but what here is really of interest is the unconvential style of brass : splitscreen(even tripple split screens!) some scenes in black and dark yellow filter and more.., and in the "middle" of course the presence of two very convincing leads: cool Trintignant and hot Ewa Aulin. (somehow priceless here in white fishnet stockings) the result is a quite good giallo with (obviously) strong references to pop art. In the same year Aulin and Trintignant appeared in the avantgarde giallo masterpiece "Death laid an egg", Col Cuore in Gola is not great as Giulio Questis film but is definitely entertaining.
This film is very stylized, liked a lot of the editing effects, the split images in-particular, also how it cuts to war images of Vietnam and changes to black and white in parts. The sets, costumes/wardrobe are elaborate and detailed, the lighting is very good also. Interesting to see London in the 60's, notice how the trains are still powered by steam in the scene behind the graveyard. The casting is quite strong especially Jean-Louis Trintignant who plays the lead role, he is supported by the beautiful Ewa Aulin, the cast of nefarious mob type figures is also a standout. The storyline although a little weak leaves you guessing until the end. It is quite enjoyable overall, but seems a little experimental and doesn't really mesh, but I liked the fact it had a sad ending.
This film is a dull "dejà vu" (Antonioni & Co.): better the originals.
Anything new but the inexpressive Ewa also in her nudity...!
Trintignant is there: maybe ?!.
I don't know why and for what reasons...And he seems too.
The fee was so interesting ?
Not to mention the chasing of Bernard by the bad guys and the ending of the story, both laughable...
The result is that the leading actor and the most attractive is the "Swinging London" and its people: better than nothing !
I recommend you not to waste your time as I did yesterday. Tinto Brass has to go softly "erotic" as usual, the way he was and still is (in his 90th), with Sandrelli and Grandi among the others: that's his plus.
Anything new but the inexpressive Ewa also in her nudity...!
Trintignant is there: maybe ?!.
I don't know why and for what reasons...And he seems too.
The fee was so interesting ?
Not to mention the chasing of Bernard by the bad guys and the ending of the story, both laughable...
The result is that the leading actor and the most attractive is the "Swinging London" and its people: better than nothing !
I recommend you not to waste your time as I did yesterday. Tinto Brass has to go softly "erotic" as usual, the way he was and still is (in his 90th), with Sandrelli and Grandi among the others: that's his plus.
This is so bad actually.... i love tinto but what a mess. i literally........dont care about anything going on in this movie even the formal experiments are like....redundant. the tarzan scene killed the movie for me tho the ending was slightly redemptive but like...hardly lmao.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Con el corazón en la garganta
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 44m(104 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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