Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.
Dom DeLuise
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This crime comedy is played strictly for laughs. Sid Caesar stars as the impeccably dressed right-hand man of mob leader Robert Ryan. When one of the 'boys' (Bill Dana) is blown up while barbecuing, Caesar helps his grieving widow (Arlene Golonka) select a suit to bury him in; unfortunately it was his 'traveling suit'.-the one that had a secret lining that held a million dollars from his last 'job' for Ryan.
Ryan plays the stone faced, controlling boss without blinking despite the chaos around him. Caesar is ordered to find the suit by whatever means, including digging up Dana, but when Dana isn't in the grave he's supposed to be in, it becomes a frantic search for Caesar to avoid Ryan and mob members Godfrey Cambridge and Marty Ingels, as well as outsiders pulled into the story like Dom DeLuise, Ben Blue, Jan Murray and his wife Anne Baxter.
Caesar also has to deal with his meddling mother, Kay Medford, and the cop that always seems to be tailing him, Richard Pryor. If that seems like a great cast, you are correct. Although there are some lags that keep it from being really good, it's entertaining and a nice little double twist at the end ties everything up nicely (one is easily predicte, the second, not so much). I wasn't wild about the Vic Mizzy score as it seems too Green Acres, but overall an overlooked 60s film.
Ryan plays the stone faced, controlling boss without blinking despite the chaos around him. Caesar is ordered to find the suit by whatever means, including digging up Dana, but when Dana isn't in the grave he's supposed to be in, it becomes a frantic search for Caesar to avoid Ryan and mob members Godfrey Cambridge and Marty Ingels, as well as outsiders pulled into the story like Dom DeLuise, Ben Blue, Jan Murray and his wife Anne Baxter.
Caesar also has to deal with his meddling mother, Kay Medford, and the cop that always seems to be tailing him, Richard Pryor. If that seems like a great cast, you are correct. Although there are some lags that keep it from being really good, it's entertaining and a nice little double twist at the end ties everything up nicely (one is easily predicte, the second, not so much). I wasn't wild about the Vic Mizzy score as it seems too Green Acres, but overall an overlooked 60s film.
This late-period William Castle film is one of his pallid attempts at comedy. It's amiable, yet mediocre in its delivery. Sid Caesar (during one of the lesser parts of his career) plays the scapegoat for Robert Ryan's gang of hoods. Looking at the cast of this film, as well as the original publicity material, it's obvious that Castle was trying to make his own version of "It's a Mad, Mad, Mad, Mad World". In addition to Caesar, there is also Dom Deluise, Kay Medford, Godfrey Cambridge, Marty Ingels, and Richard Pryor in his first film. Arlene Golonka is also present as the ditzy young dancer in the ridiculous feather get-ups.
The main problem with this film, is that the two main actors are totally unlikable. Ryan is unnecessarily mean to Caesar, and Caesar in turn, is too much of a wuss. The other actors all seem so oblivious to what's happening...like they are all doing their own stand-up routines instead of furthering the story. The script is OK, I think Castle just didn't know how to direct comedy.
On the plus side, though, this film has a very catchy theme song, composed by Vic Mizzy, and a funny sequence where a woman tries talking to a mannequin at a bus stop. It's a slight step up from Castle's "The Spirit is Willing", but that's not saying very much.
The main problem with this film, is that the two main actors are totally unlikable. Ryan is unnecessarily mean to Caesar, and Caesar in turn, is too much of a wuss. The other actors all seem so oblivious to what's happening...like they are all doing their own stand-up routines instead of furthering the story. The script is OK, I think Castle just didn't know how to direct comedy.
On the plus side, though, this film has a very catchy theme song, composed by Vic Mizzy, and a funny sequence where a woman tries talking to a mannequin at a bus stop. It's a slight step up from Castle's "The Spirit is Willing", but that's not saying very much.
I was surprised to see that 'William Castle was the director for The Busy Body
that Paramount used. Castle is best known for ow budget horror films with
special effects and sometimes cheesy ones at that. This cast of name players
was something wasn't used to.
I also note that sSd Caesar was the star. As this is a Paramount this film had the look and feel of a Jerry Lewis film. If Lewis had starred and maybe a Frank Tashlin directed The Busy Body might have been a classic.
Top crime boss Robert Ryan puts his gofer Sid Caesar on the syndicate board and tells him to retrieve a blue suit from a recently deceased board member. Instead Caesar has him buried in it. With a million dollar sewn in the lining of said suit.
One of the big problems is that Robert Ryan just doesn't do comedy. His part would have worked better with a Lionel Stander or a Sheldon Leonard in it.
In a large supporting cast of familiar faces standing out is Kay Medford as Sid's gangster widow mom.
Nice film, funny in spots, but could have been better.
I also note that sSd Caesar was the star. As this is a Paramount this film had the look and feel of a Jerry Lewis film. If Lewis had starred and maybe a Frank Tashlin directed The Busy Body might have been a classic.
Top crime boss Robert Ryan puts his gofer Sid Caesar on the syndicate board and tells him to retrieve a blue suit from a recently deceased board member. Instead Caesar has him buried in it. With a million dollar sewn in the lining of said suit.
One of the big problems is that Robert Ryan just doesn't do comedy. His part would have worked better with a Lionel Stander or a Sheldon Leonard in it.
In a large supporting cast of familiar faces standing out is Kay Medford as Sid's gangster widow mom.
Nice film, funny in spots, but could have been better.
This comedy has all the elements of the type of comedies Don Knotts and Jerry Lewis were performing in during the 1960's. An ordinary man gets involved with murder (I forgot to mention Dick Van Dyke). The comedy was tailored around the talents of Ben Blue and Caesar, with the other comics filling time. It's a pleasant comedy, but don't go out of your way.
6tavm
With Sid Caesar recently departed and this movie finally available to order from Netflix, I finally got this a few days ago. I watched it with Mom just now and she wasn't too crazy for it. I wasn't either though I was highly amused by Caesar much of the time I was watching whenever he had scenes with Dom DeLuise, Ben Blue, or Richard Pryor whose movie debut this was. His highlights, however, was when he took a dummy (don't ask) to a bus bench where he spoke Russian gibberish to a woman from there and when he encountered Arlene Golonka when she was in her stripper costume and he reacts to her moves. Director William Castle, who usually made gimmicky horror movies, doesn't seem to have much of a comedy flair but the players do the best with what's given them. So on that note, The Busy Body is worth a look. P.S. It was a nice surprise to see the Chicago landmarks since it was made at the time my parents were living there and when I was the first-born of the family. And to find out Ms. Golonka was also born there.
Did you know
- TriviaFilm debut of Richard Pryor.
- GoofsThe first time Rose faints, George grabs a bottle of Coke and pours it in Rose's face, then puts the empty bottle on the Coca-Cola fridge, but the second time she faints, there are two bottles on the fridge and a much larger spill of Coke on the floor. It seems this was supposed to be the third fainting spell but the second was cut out.
- Quotes
George Norton: [Margo insists George takes a sip of the drink he made her] Hmm. I left out the scotch.
Margo Foster Kane: Ah- ha ha.
George Norton: There's no scotch in this scotch sour.
- ConnectionsFeatured in Biographics: Richard Pryor - The Gold Standard of Comedy (2023)
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