Yongary, Monster from the Deep

A Scientist and a young woman get married and immediately are harassed by the bride's young brother, whom you will likely hate almost immediately. Their honeymoon is short lived, as the scientist's new father-in-law calls him into action on the wedding night, not the kind of action he was looking for. It seems this man is the only one who can solve a problem plaguing the Korean people...a giant, angry, thunder lizard who has emerged from "the deep". I guess it's happened before, as most of the people know this Godzilla-like beast by his first name, Yongary.

Anyways, Yongary destroys a bunch of buildings, killing a bunch of people I assume, and ravages the Korean oil refineries, using the blow-torch in his mouth. We find out that he was only causing this ruckus because his tummy was growling, yes our boy Yongary was hungry. That pretty much covers most of the movie, other than a scene where he starts to dance, which makes it all worth watching (not really).

This was South Korea's second attempt to make a monster movie, and this is the best one in my opinion.

This film can be boring even with the monster action, Yongary just moves so slowly. That's one hundred percent a problem they had with the costume.

Half decent acting from the cast, the characters a pretty paper thin, but you don't see them that much anymore when Yongary shows up twenty three minutes in.

The special effects in this movie are actually pretty solid, the scene where Yongary attacks Seoul is the highlight of the film, the visual effects are on par with Godzilla at the time. Yongary has an ability where he can shoot lasers out of the horn on the tip of his nose, it's a really good effect. The miniature work is not as good as Godzilla's at the time, they look more like Ultraman miniatures.

I only recommend this one to people like me who really love Kaiju movies.

Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.

Allegedly, there is no more Korean print of this film and what circulates today is an American television print. This means we are stuck with the American dialogue rather than the original, and the editing may be quite different. Thus, we are watching (and critiquing) a film not as it was ever intended to be seen.

While much of what remains is amusing, it does tend to get boring. With Godzilla it never gets old, but with Yongary we can only see him smashing things for so long before it seems like the same old thing over and over. What other tricks do we have? None?

Yonggary (1967) is much like Gamera, a cash crop film, aping off the success of other pilfered monsters, better ones. The film opens with what I thought was a rather nice shot of space with rolling credits, followed by a fine cast of mediocre actors and a young boy in shorts, the evil omen for any giant monster movie fan of terrible things to come. The story and plot run through very worn out terrain, mysterious happenings somewhere, a loving couple, monster attack, and discovery of weapon to kill the monster. The film was geared to children, as most kaiju films of this time (late 60s), one would expect this in itself would diagnose Yonggary as terminally unwatchable, but the kid aspect is what to me kept it entertaining, Yonggary dancing, drinking, etc. were all bizarre enouph to keep a smile, bad editing also played it part. As for the action sequences, Yonggary's arrival and first rampage was well done, not very convincing mind you, but thats never really the point in these films, to look interesting and incite nostalgic inner child hollaring.

Yonggary is by far one of the most forgettable Kaiju monsters to grace East Asian screens, his physical appearance is right down the middle neutral to anything that may catch attention; his skin color bland, his design simple and uninspired and his range of emotion nonexistent. However , despite all of this, I had fun watching it, unlike Gappa, pretension toward seriousness is out the window, thus making the inevitable moral lesson and speech at the end all the more bearable.

One of the better, lesser kaiju films. 6/10

Nuclear testing in the Middle East awakens the earth-shaker Yongary from the depths of Korean mythology. This medium-sized kaiju is essentially Godzilla with big canines and a rhinoceros horn glued to his snout, and he is about to face the entire South Korean space program, air force, army and a willful eight-year-old. Needless to say, there really isn't much competition and Yongary makes short work of Seoul and everything along the way.

The special effects are anything but. The miniatures and cinematography are actually worse than some of the worst Japanese kaiju films of the early '70s. The acting and English dubbing is actually fairly good and the plot is not incoherent, though it is ridiculous.

Recommended for silent background play accompanied by your own soundtrack at a house party.