Django Shoots First

The isolated desert town of Silver Creek has a new visitor, a mysterious lone rider whose only possessions seem to be his horse, his gun and a dead body. His name is Django, the feared gunslinger, and the rotting corpse is his father, a wanted outlaw in the merciless town of Silver Creek.

Planning to cash in on his father's bounty he then discovers he was an innocent man. And that his partner was responsible for his demise ...

Django Shoots First is a lively spaghetti western that clips by with an engaging plot and plenty of action - there's shades of the 'Three musketeers' with Django and two men helping him fight the villain and his cronies; Ida Galli as the villain's shady wife is like a Lady De Wynter, who is duplicitous and double dealing. She got two husbands!! Erika Blanc is another eye candy, the love interest! The hero was ok, however his hat was annoying me.

As most genre fans expect, there's no overlap between this incarnation of a Django and Franco Nero's original. Glenn Saxon straddles the fence between laconic and dull in the wronged hero role. The plot begins with a clever twist on his revenge motive, but meanders for most of its duration. After the natural point for a rousing and satisfying ending, the film drags on for about 15 minutes to accomplish what should have taken 3-5, at most. That drops this below the average for these generally enjoyable, even when not memorable, imported oaters.

I don't know why this well-made film is underestimated by the viewers? The rating is 6.1 and I think it had to be higher.

Director Alberto De Martino and his collaborators made a good film that can be watched several times.

Lead actors: Glenn Saxson (as Glenn Garvin / Django), Evelyn Stewart (Jessica Kluster), the legendary Fernando Sancho (Gordon) and Alberto Lupo (Doc), Nando Gazzolo (Ken Kluster) are especially credited for providing above-average acting to the audience presented a complex plot.

By the way, in this film, there is an action almost from the beginning to the end, which requires constant attention from the viewer. There are also quite a number of witty, funny scenes that seem relaxing.

6 screenwriters deserve great credit, including the director Alberto De Martino.

Visually, the film is above average why they are deserving: Art Direction by Pier Vittorio Marchi, Set Decoration by Franco D'Andria, Costume Design by Gaia Romanini, Cinematography by Riccardo Pallottini.

Acceptable music was composed by the esteemed Bruno Nicolai.

My recommendation is that this good, long-made ago film, must be watched carefully by spaghetti western fans. I don't think they'll complain that they spent about 95 minutes watching him. Spectator Coventry rated it even with a high rating of 8! The ratings here are whole numbers, so I couldn't rate the movie with a rating of 7.5.

After the Franco Nero film "Django" appeared, a lot of unscrupulous movie folks began releasing movie after movie with the name Django in the title--but they had little to do with this original film. "He Who Shoots First" (also known as "Django Shoots First") is one of these faux Django films. Now I am not sure if the film was meant to be a knockoff or if, perhaps, the folks doing the dubbing just decided on their own to make it a Django film. But, at least the leading man, Dutchman Glenn Saxson looks a bit like Nero.

The film starts with Django going to see his father and finding him dead--having just been shot down by a bounty hunter. Not wanting to pass up a good opportunity, Django shoots the bounty hunter and brings his dad's corpse to town to claim the reward!! Only later does he learn that perhaps his father was NOT a criminal but was up on trumped up charges by folks intend on stealing his half interest in a local gambling hall. So, for most of the rest of the film, Django needs to fight the local scum who are trying to kill him and then claim what is rightfully his.

Aside from the film having the audacity of having Django claim the bounty on his own dad(!!), I also really liked the ending as well as the music. The soundtrack was a good bit better than the average Italian western. But, apart from these things, the film had little to offer other than folks getting punched and shot. Not especially remarkable but a decent time-passer.

FYI--At one point, one of the folks says "A man can't testify against his wife" but in American law this isn't exactly true. A man cannot be FORCED to testify against his wife. But, if he wants to help the prosecution by testifying against her he is surely welcome to do so.

This has nothing to do with the Franco Nero "Django" movie, though I'm pretty sure you already know that. Though this "Django" movie is not up to the Nero movie, it is a competent little spaghetti western. Certainly, it's not perfect. A number of characters are stereotypes found in other spaghetti westerns, like the goofy bearded tubby fellow who helps the protagonist. The hero is kind of smug and arrogant at times. There is a minimum of plot, which is really evident when things are wrapped up for the most part long before the very end. On the other hand, the movie does have a nice musical score, sports some good scenes of action as well as moments of suspense, and doesn't have any boring sequences. There is also a twist at the end that I didn't see coming. The movie doesn't break new ground, but it's adequate for spaghetti western fans.