The Comedians

A ship of fools docks in Port-au-Prince, and the disembarking passengers include a local businessman, an idealistic former U.S. presidential candidate and his wife, and a self-confident British major. The film's credentials are incredible; the cast includes Richard Burton, Elizabeth Taylor, Alec Guiness, Peter Ustinov, Lillian Gish, and James Earl Jones; Graham Greene wrote the script from his own novel; and Peter Glenville provided the taut direction. Given the talent involved, perhaps expectations raised the bar for "The Comedians" too high for any film to reach. Although the results do not represent a pinnacle for any of these artists, "The Comedians" is an engrossing tale set against the nightmarish backdrop of Papa "Doc" Duvalier's repressive regime in Haiti. A thick tense atmosphere envelops the film from the outset. Arrests, beatings, corpses, intimidation, bribes, murders, and threats paint Duvalier's Haiti in shades of blood and terror. In 1967, the Taylor-Burton romance was still in the tabloids, and the film's illicit romance depicted by the world-famous pair was still titillating. However, time has dimmed the scandal, and the film has benefited. Greene's story and the acting talent are no longer over-shadowed.

The still ravishing Taylor, who affects a German-accent as the wife of Ustinov, a cuckolded foreign ambassador, is involved with Burton, a local hotel owner. While arguably the least-interesting aspect of the film, their liaison is integral to the story. Meanwhile, Paul Ford and his wife, Gish, seek to establish a vegetarian center in Duvalierville, a never-will-be Utopian community, and a shady braggart with the wrong connections, Guinness, attempts an arms sale to Duvalier's henchmen. The visitors, the diplomats, and their local connections are embroiled in Haitian political conflicts and dangerous encounters with Duvalier's thugs, the dreaded Tonton Macoute.

Greene's script is literate, and the performances are effective. The bevy of international stars is enhanced and ably supported by such pros as Paul Ford, Cicely Tyson, Raymond St. Jacques, Roscoe Lee Browne, and George Stanford Brown. Although short on action, "The Comedians" is long on suspense and tension. While the film certainly remains a staple for fans of Taylor and Burton, Glenville's fine production deserves to be seen and appreciated, not only for its lustrous stars, but also for throwing a spotlight on Haiti's nightmarish past.

I haven't read Graham Greene's novel on which this movie is based. But, "The Comedians" on film is laboriously long and drawn out. Except for the first-rate cast of big cinema names of the time, it wouldn't have held my interest all the way through. The fact that the setting is Haiti during the reign of one of the worst despots of the 20th century, François (Papa Doc) Duvalier, only adds to one's uneasiness in watching this movie.

The great storyteller that he was, Graham Greene must have woven the elements of this story together very well in his novel. But here we have two big separate stories butting heads with one another. The first is the adulterous love affair between the two leads, Richard Burton as Brown and Elizabeth Taylor as Martha. The second is the plight of the people of Haiti living in a constant state of terror under the ruthless Duvalier and his henchmen. But then, two other elements that Greene no doubt worked into his single story, here appear to be separate stories awkwardly sandwiched into the two main stories. They are the businesses of Major Jones, played by Alec Guinness, and of Smith, played by Paul Ford. The end result is a plot with many subplots – all poorly connected.

Besides the leads, the film has several stellar actors. Guinness and Ford are joined by Peter Ustinov as Ambassador Pineda, Lillian Gish as Mrs. Smith, and James Earl Jones as Dr. Magiot. A handful of others in the supporting cast also give good performances in the film.

The direction and editing are weak. The cinematography is good and the location does a good job showing the scenery and conditions as they might have been in Haiti from the late 1950s through most of the 20th century. But for that historical connection and the performances of the supporting cast, this film is hardly worth watching. At the end of the movie, it seemed to me that I had been watching a belabored story about a sex-driven but frustrated white hotel owner in Haiti who couldn't find fulfillment in anything he did.

Movie fans who enjoy history may find Duvalier's story interesting. He was a physician who treated the poor and suffering people of Haiti in his early life. That's where he got his endearing moniker from the people, "Papa Doc." He was elected president in a free open election in 1957. But he soon became crazed with power. He killed 30,000 of his countrymen and established a reign of fear and terror, while the poor of his country suffered all the more.

Based on the novel by Graham Greene, The Comedians is a look at Haiti that nearly 40 years later remains the same - political unrest, poverty, corruption, and brutality.

Set during the time of Papa Doc, the story centers on Richard Burton as the white owner of a hotel left to him by his mother. He is in love with the wife (Elizabeth Taylor) of an ambassador (Peter Ustinov) and has managed to remain apolitical. However, events force him to enter the fray.

The Comedians holds one's interest, although it's on the long side. The cast is remarkable: Burton, Alec Guinness, Peter Ustinov, Taylor, James Earl Jones, Lillian Gish, Georg Stanford Brown, Roscoe Lee Brown, and, in a small role, Cicely Tyson.

Taylor is very beautiful, although her accent is all over the place. She sounds French in the beginning, then English, then like Elizabeth Taylor, and then in the middle of the movie, we find out she's German.

Though Burton went the schlock for cash route in his career, he was a wonderful, handsome actor with a remarkable voice. Towards the end of the film, he has a scene with Guinness that is well worth the wait - two great actors in a subdued and remarkable scene.

The Haitian scenery belies what lies underneath. It's a film that is perhaps more timely today than it was in 1967.

Peter Glenville's "The Comedians" is a very difficult film for the average viewer. Based on a Graham Greene novel, it's about the political atmosphere in Haiti while under French rule. It was a box office flop in 1967 and is pretty much forgotten today.

That's sad, because this is an important film. Since the departure of Duvalier, the film has the added historical value it didn't have in 1967. It is another entry in the canon of Taylor-Burton collaborations. It also may be the only film in which Alec Guinness, Peter Ustinov, Elizabeth Taylor and Richard Burton all appear in together. Plus, how can you trash a film that flaunts its' Haiti exteriors so joyfully?

The vast Panavision photography will be lost on TV screens, especially in the horrific pan and scan format. The best way to see this film is on a big screen and even that may be impossible these days. The title will confuse many (most will think it's about comedians in a comedy club), but it does have a hidden subtext: these people are "comedians" in a sense. They kid each other endlessly to avoid reality. In that context, "The Comedians" succeeds. It could benefit from some trimming, but that's a small complaint. I can't think of anyone else who would even attempt to make such a challenging film in such a chaotic climate.

***1/2 out of 4 stars

I saw this movie many years ago and it left me cold. When it came up again on cable, the combination of the stellar cast - Alec Guinness, Richard Burton, Peter Ustinov, Peter Ford, Lillian Gish, James Earl Jones, Liz Taylor - and a script based on a Graham Greene novel, prompted me to give it a second look. Maybe because I'm a lot older now I can appreciate its many qualities. Graham Greene's cynical, post-Catholic sensibility is clearly in evidence here. The production qualities are high, and the story line is engaging. The portrayal of the misery of Haiti and the terror of the Duvalier government with its tontons macoutes secret police, is chilling. It is still true today that if you look up "Third World Hell Hole" in your Funk & Wagnalls, there will be a picture of Haiti. The characters are well-drawn. Burton's character, Brown - who seems to be missing a first name - is a sardonic, cynical and jaded hotel owner who puts one in mind of Rick in Casablanca. His character transformation, involving the shedding of his cynicism, is very effectively portrayed. Mr. & Mrs. Smith (Ford / Gish) might have been portrayed to be the slightly silly and naive characters they appear to be, but in the end they demonstrate a touching bravery and idealism. The weak spot here is Elizabeth Taylor's Martha Pineda. Her attempt, as an ambassador's European wife, at an accent is simply ridiculous, ranging from French (sorta), to British, to German (kinda) depending on the scene. In addition, the film makers decided that extra dollops of Rich and Liz's lovemaking scenes would be an added draw; not a good idea, as they slow down the action and force us to endure listening to Taylor. It's a long movie but it keeps us going to its tragic finale.