A Countess from Hong Kong

I finally got round to seeing this one recently though it has often appeared on French TV and is noted above all for being Chaplin's last film and first and last colour film. I was enchanted by it ; the music is fantastic and the physique and voice of Sophia Loren (especially in pyjamas) is just.........so loveable gorrrrrrgeous and erotic ! Marlon Brando seems a little out of it all at times was perhaps not the right actor for the Role ; Margaret Rutherford in the personage of " Mrs Gaulswallow " ( just where to God's name did they think up a name like that ?? ) had me in total fits of laughter during her short appearance. The film is strange as it is in modern colour with good picture quality but the sound and dialogues as well as being poor acoustically are reminiscent of the 40s or 50s but obviously in keeping with Chaplin's style. I have always liked most of Chaplin's (talking) films but it is the quality of his musical scores that really get me. The score from Limelight and "This is My Song" which comes from A Countess in N.Y. are absolute masterpieces of Romanticism. Lovely !!!

Not as dull as I was lead to believe... Brando is miscast, he seems to have participated as favour to the legendary Chaplin. (Chaplin shouldn´t have asked him. Maybe the stuffy Sydney Chaplin would have been better in the lead...) Sophia is a trouper, jumping out of chairs, pretending to be sick... very kind of her to sink to that level... Again, it must have been the honour of having been chosen by Chaplin...

The story has potential as a romantic comedy but the film is a bit too long and slow with the sometimes funny jokes far between...

Very interesting to see though, with many interesting side characters like the butler Hudson, Tippi Hedren from "The Birds" in a thankless role as the chilly wife, granddaughter Geraldine Chaplin in a bit part and the very underrated Angela Scoular as the society girl who steals the entire movie... The film must have seemed quite dated when it was released in the restless sixties. Worth checking out...

It is gratifying to see such understanding reviews! This film was savaged at the time it was released, partly because it was considered old fashioned, but partly also because Chaplin's reputation and entire artistic legacy were under attack from reactionary critics. The negative view of this movie as a "bomb" persisted for decades. I recommend producer Jerry Epstein's book of memoirs, "Remembering Charlie", for an enlightening description of the process of making this film and its aftermath. The book goes on to give a haunting description of Chaplin's unfinished final film, "The Freak." It is a pity he could not make it.

Many people have regarded Charlie Chaplin's final film with some scorn, but I didn't find "A Countess from Hong Kong" so bad. True, this seems fairly lame from the man who brought us "The Great Dictator", but it's passable. Marlon Brando plays an American hoping to be an ambassador, who happens upon ex-countess Sophia Loren in Hong Kong, and she wants to return to the United States with him.

In a way, the cast members seem to be sort of stumbling through their roles. Maybe such a routine plot isn't quite fitting for the people starring in this movie. Still, Brando and Loren do bring a certain charm to the flick: he's the uptight dude, she's the pretty woman looking for someone in life.

Anyway, this may be just a way to pass time, but it's still OK. Also starring Sydney Chaplin, Tippi Hedren and Patrick Cargill.

an interesting curio as Chaplin's last film. Loren is ravishingly beautiful and carries the whole film well on her shoulders. Brando badly miscast, he shows some great timing in the madcap farce rushing around scenes, but try to imagine how Rex Harrison could have done this type of slamming doors and hiding farce as the uptight diplomat exasperated with his stowaway - think My Fair Lady. Brando's mumbling performance just does not gel. Apparently he had disagreements with Chaplin and maybe was sulking.

Very nice cameos from Margaret Rutherford (British films of the 50s Miss Marple) and Angelar Scoular (batty girl like in her performance in On Her Majesty's Secret Service), also great comedy performance from Patrick Cargill (British TV comedy and a memorable No 2 in the Prisoner) as the butler. Excellent acting going on here.

It is dull to start with, static camera like silent films, stagy, and obvious studio sets, but by the time the sea sickness scene came along I was laughing and drawn in. The post marriage bedroom scene is funny.

There is a scene at the bar with Sydney Chaplin (Charlie's son) where he tries to distract Michael Medwin, where Sydney looks amazingly like Charlie in attitude and timing - but this is probably due to diligent direction by his father.

A really nice theme music from Charlie again. Yes, it is old fashioned, a filmed play, was absolutely released in the wrong decade, with the wrong leading man, but does show some of the Chaplin traits and even perhaps genius, certainly his humanist philosophy in the treatment of homeless or stateless persons.

A real shame it was so savaged by critics at the time and disappointed him in his old age. He deserved better for his lifetime contribution to the art of film.