Enter Laughing

"Enter Laughing" is a delightful film based on Carl Reiner's book about his own early show business experiences.

The 1967 film stars Shelley Winters, Elaine May, Jose Ferrer, Jack Gilford, Don Rickles, David Opatashu, Janet Margolin, and introduces the attractive Reni Santoni as "Don Coleman," aka David Kolowitz.

The film I believe is supposed to take place in the late 1930s - the first frame is a 1938 Photoplay cover of Tyrone Power - but in all honesty, the clothing and atmosphere only suggest that era.

David is a young man living at home, and his parents want him to be a pharmacist. He's not thinking about much of anything except getting laid.

He works for a more than tolerant boss (Gifford), flirts with a beautiful secretary in the building (Nancy Kovack, who became Nancy Mehta) and sneaks time on the phone with his girlfriend (Margolin) and imitating Ronald Coleman to her.

David decides to try acting and goes to a drama school audition. The school is actually a playhouse run by the seen better days Harrison Marlowe (Jose Ferrer) and his too old to be an ingenue but she's one anyway daughter Angela (Elaine May) starring in a play currently running.

At the moment, they're short a leading man. Looking over the prospects - "Clark Baxter," "Spencer Reynolds" and "Don Coleman," she wants Coleman. Unfortunately, David (as Coleman) auditions by reading the stage direction "Enter laughing" as a line.

The hilarity then begins, with David trying to learn an entire script in two days, never having acted before, trying to find his way on stage and being literally thrown on by the stage manager and practicing love scenes with Angela.

The cast is a riot, and if Santoni is a bit wrong for the role, so be it. He has a sweetness and a guilelessness that come across very well. He went on to enjoy a prolific television career and today, at 69, he's still working.

The acting is great, with Elaine May hilarious as Angela, Shelley Winters and David Opatoshu wonderful as his long-suffering parents and Gifford as his boss. Ferrer as the insufferable Marlowe is perfect.

The comedy remains fresh after 40 years. Recommended.

I first saw the last three quarters of this movie on TV in the early 70's. I couldn't stop laughing. I purchased the video several years ago, and after having seen the movie at least 3 or 4 time since, I still can't stop laughing. It's easily the funniest movie I've ever seen, and it didn't get nearly the recognition it should have /I guess the Viet Nam war numbed our funny bones back in 1967/. This movie should be brought back in an updated, digitized format. If anyone goes to see it - prepare to laugh. Also, besides being a very funny movie, it's also a very cute movie than everyone will enjoy. It's hard to believe that this movie was made almost 40 years ago. It just goes to show that real humor is ageless. Many would think that comedian Don Rickles would be the funny one in this film, but it turns out that Jose Ferrer and Jack Gilford are the real funny men. I could go on and on about this film - get a copy of it and enjoy. You'll see what I mean.

A terrific movie whose human and humorous story is enlivened by an ensemble company of great character actors at the top of their form: Shelley Winters as the archetypal manipulative mom, Jack Gilford as the tough but sympathetic boss, Ferrer and May, Richard Deacon as the long-suffering stage manager, Michael G. Pollard as the best friend, and Don Rickles as the put-upon Harry Hamburger.

But Ferrer gets two of my favorite lines in all of cinema. Walking by as Rickles and Santoni exchange pants -- don't ask -- he says, "We don't GO for that sort of thing." And, forced to complement Santoni after a disastrous performance, he mutters to himself, "Thank God I'm an alcoholic!"

This film is a classic thanks to a superb and wonderful cast, headed by newcomer then, Reni Santoni. Unless you've had an interest in becoming an actor, you probably won't enjoy the film as much. However, if you ever wanted to be a famous actor or a famous "somebody," this is your movie. The story is set back in the late 1930's about a young man just out of high school who decides he wants to be an actor. His parents, of course, are dead set against the idea. They want him to go to "pharmacy school" to become a druggist. David (Reni Santoni) is determined to become an actor even if it kills him. He starts going to acting school at a local run-down theatre owned by Jose Ferrer. There he begins acting lessons with instructor Ferrer and his daughter Elaine May, in some of the film's funniest moments, as they prepare David for his debut on stage. This is a great film with a great cast that includes Shelley Winters, another then newcomer Don Rickles, David Opatoshu, Michael J. Pollard, Janet Margolin, Rob Reiner, and the very pretty Nancy Kovack. The finale of the film had me rolling on the floor with tears in my eyes from laughing so much. The previous reviewer criticized the casting of Reni Santoni, but this was perfect casting in every way. I love the film and highly recommend it.

This is a poignant, funny, coming of age film, based loosely on Carl Reiner's introduction to show business during the depression. Teenage David decides to become an actor to the dismay of his mother, played superbly by Shelley Winters, as an ever-suffering Jewish Mom ("Whatever makes you happy"). There are great performances by Jack Gilford as David's old-world boss, worried that he may be mixed up with an Italian girl ("Wanda, I think", he tells David when she calls). Mel Ferrer and Reni Santoni have a hilarious scene, on which the title is based, where David is given the stage direction "Enter Laughing", and does his best to comply, with no success. It brought tears to my eyes. Elaine May sets up punch lines like a pro, and Janet Margolin is adorable as the girlfriend, and Don Rickles has a nice, small role, that suits him well.

The screenplay sounds like it was written by Neil Simon. It should have gotten more recognition. Well Worth seeing.