Hang 'Em High

Ex-lawman turned cattle rancher Jed Cooper is taken newly purchased cattle back home when he is caught by a posse who accuse him of murder and lynch him. They ride off to leave him to die, however he is cut down by a group of marshals who add him to their prisoners and take him to the judge. Having had his story cleared Cooper is offered a job as a marshal and agrees to do it. However when his first task is to arrest the men who hung him can he take the stand away from revenge and on the side of the law.

I watched this cause I do like a good western every now and again. The actual plot is quite simple on the surface – man out for revenge, but it uses it quite well. It makes some interesting parallels between the hanging of men by the lynch parties and the hanging of men by a judge. It doesn't fully make it's point but it is good to have something to think about in a western. Outside of this the film has some good drama even if the end feels more like the conclusion of an episode in a TV series rather than the finale of a film.

Of course the reason for this may be Post's involvement as director. He used to direct Rawhide with Eastwood and was picked for this film to support Eastwood. This was his first American film after doing all those spaghetti westerns and I assume he wanted a familiar hand on the tiller. He does well here as he always did with his western characters, I read that he also directed some of it. The rest of the cast are made up of a few famous names (Bruce Dern, LQ Jones for example) but regardless everyone does well in their roles.

It's not a classic western but it rises above the average by having a good lead in the shape of Eastwood and some plot strands that go beyond the revenge storyline and encourage you to think of deeper issues.

'Hang 'Em High' was Clint Eastwood's first American Western after working on Sergio Leone's groundbreaking Dollars "trilogy". Some people describe it as an American attempt at a spaghetti western, but I really don't see it. Yes, it features a revenge theme, common to many spaghetti westerns, and it has a few moments of brutality and moral ambiguity, but really it's firmly in the tradition of the Hollywood Western. Leone was supposedly asked to direct but chose to make his masterpiece 'Once Upon A Time In The West' instead. Ted Post who directed 'Rawhide', the TV series which made Eastwood a star of the small screen, directed instead (Post and Eastwood would later be reunited with 'Magnum Force'). 'Hang 'Em High' is nowhere near as good as Leone's movies but it's still better than many would lead you to believe. Eastwood gives a good performance and the movie is jam packed with character actors and familiar faces. It starts off brilliantly with Eastwood being accused of stealing cattle by a posse (led by veteran Ed Begley, and including Bruce Dern and Peckinpah regular L.Q. Jones), and then hanged! Luckily Eastwood is saved by a wandering Marshall (Ben Johnson) and taken to prison. The local judge (Pat Hingle) frees Eastwood and offers him a job as a lawman, which he takes, using it as an opportunity to track down the hanging party who nearly killed him. Eastwood is good, but Pat Hingle is even better, giving a terrific performance of quite a complex character. Dern plays one of his patented scumbag roles, and Inger Stevens plays a local woman with a past who becomes Eastwood's love interest. I already mentioned legendary Western actors L.Q. Jones and Ben Johnson. Unfortunately Johnson doesn't get much screen time, but he does have a memorable scene with Dennis Hopper, who play a crazed character known as The Prophet. If you'd like to see more of these two actors together check out the rarely seen counter-culture Western 'Kid Blue' made in the early 1970s. I could go on and on about the supporting cast but I won't. Suffice it to say that film buffs will get lots of kicks watching this movie. 'Hang 'Em High' may not be close to Eastwood's best work, but it's still worth watching, for Pat Hingle if nothing else.

Hang 'Em High marks Clint Eastwood's return to the American cinema, taking his character from those Sergio Leone films back to the good old USA. And even giving the man with no name, a name.

In this case he's Jed Cooper who has bought some cattle from some rustlers unknowingly and is accused of rustling and murder by a self constituted posse headed by vengeful Ed Begley. The dozen in the posse hang him.

Up to now this sounds like The Oxbow Incident. But unlike what happened to Dana Andrews, Anthony Quinn, and Francis Ford a very old and fraying rope was used. Eastwood's neck doesn't snap and the group don't wait until he chokes to death. He survives and becomes a man with a mission.

The nicest part for Eastwood is he gets to do his mission with the imprimatur of the law. The best performance in the film comes from Pat Hingle who's a no-nonsense hanging federal judge in the territory. He intends to see that laws are enforced and justice is swift.

Besides Hingle and Bailey, director Ted Post gives Eastwood a good cast of film and TV regulars in support. The tragic Inger Stevens is his leading lady here, a woman who's got a vengeance quest of her own going and who really does understand what makes Clint tick. This was one of her last films, she was a troubled and tragic woman in life. A very sad loss.

Clint's legion of fans will love this one.

This was Clint Eastwood's American Western debut that I had never really seen all the way through until now. At first I thought it would be another ride 'em high, cowboys n' indians flick that was popular in America those days... before Sergio Leone shook the genre down to its raw and merciless possibilities.

The film was pretty good, and the moral undercurrent of justice "by a dirty rope on the plain, or a judge in a robe standing before the American flag" is rather striking. The Federal judge is by far one of the most interesting characters I have seen yet in a Western.

Indeed, the grittiest and most barbaric scene is not the lynching of an innocent man, but the public hanging on the eve of statehood... to prove that Oklahoma Territory executed the sort of justice required of a "civilized" state of the Union. It is made a public spectacle with beautiful hymns and cold beer. And just the way each of the condemned faces his execution is tongue in cheek.

Then there was the campfire scene where Captain Wilson confers with his employees regarding their options: irony, fear and desperation. They put a human face on their culpability, similiarly echoed decades later by Little Bill's "I don't deserve this, I was building house." And the few who chose not to run chose a desperate and violent option.

A dillemic "no one wins" justice spiralling into graphic violence... and ultimately an undiginified and graceless death. What was perfected into poignant brevity by Unforgiven was born in Hang Em High's exploration of two men's differing approaches to an unforgiving justice... a justice that led either to the end of a noose, or the end of a gun.

Not bad at all...

Clint Eastwood's most underrated film, Hang 'Em High is a throughly enjoyable movie. It has the feel of a John Wayne western, as opposed to the spaghetti western formula in which Eastwood with Sergio Leone combined so magnificently with each other in the Dollars trilogy.

Eastwood gives a very worthy performance as Marshall Jed Cooper. The central dilemma of having to operate within the law in conflict with his own personal view of justice is executed very well by Eastwood. On the whole, Eastwood's performance is certainly a strong point of the film and a great performance in its own right.

The storyline itself is relatively well structured with interesting elements relating to the law and the justice system. However, a rather pointless, rushed and half baked romantic subplot by Inger Stevens (who is sadly woefully out of her acting league alongside Eastwood) adds nothing to the story and becomes rather annoying on repeat viewings.

However, special mention must go to both Pat Hingle and Ed Begley who both give some excellent performances, perhaps even superior to Eastwood himself.

Hang 'Em High is a great Eastwood western, provided you don't expect something magical like The Good, The Bad And The Ugly or Unforgiven. Entertaining and more complex than you would expect but sadly, greatly underestimated. Every Eastwood fan should at least give it a chance.

Overall I give it a solid and well deserved 8/10. Be sure to get a copy of this hidden gem.