King Kong Escapes

I had to move this review over from "Kingu Kongu tai Gojira." Hard to keep the Japanese movies straight when the same monsters keep reappearing. I saw this one under the title "King Kong versus Doctor Who" (that's this one, right?) and cheap though the movie was-- and evidently completely unrelated to the famous Doctor Who of British TV-- I was impressed that Kong and his karma are faithfully characterized in a new story. The writers here understand that the thing about Kong is how his power makes him attractive to ignoble exploiters who, although he could crush them with a finger, have technology and craftiness that level the playing field for them against Kong, more or less. The "more or less" is where the tension of the story comes from. That and the second thoughts about whether civilization is using its dominion over nature wisely. In the original movie Kong was exploited by humans for entertainment; here he is exploited for labor and finds himself in the role of a John Henry whose strength is matched against that of his mechanical counterpart. The symbolism of the original film is not violated but only enriched.

Yes, there is a difference in American King Kong and Japanese King Kong. Japanese Kong is much bigger and stronger and would be ashamed to be taken down by planes. Also, he would not climb the Empire State building, he would most likely annihilate it. He is back after his fight with Godzilla to once again save the day to some extent. It has been awhile since he last grace the screen since that fight, but somehow he manages to get tangled in a plot by some madman to dig up stuff in a mine. This madman already has the formidable MechaKong at his disposal, but MechaKong is incapable of digging in said mine thanks to something down there that causes it to malfunction. So they capture the real monkey and somehow hypnotize it to dig for them. Still you know in the end there is going to be a showdown between Kong and his mechanical counterpart. A fairly decent movie from the company of Toho, however I will always like Godzilla the best. Still, they have enough monsters and some pretty good fights to keep one entertained. I do believe this was Japanese King Kong's last movie, which is a bit sad, I would have loved to have seen a reemergence during the Hensei Godzilla movies and had Godzilla get some revenge for that earlier loss. MechaKong is rather cool, but not as cool as MechaGodzilla, mainly because MechaGodzilla just had way to many cool weapons and was a way more impressive fighting machine.

There is nothing about this movie that can be taken seriously but unlike the ugly mess "King Kong Lives" this movie is bright, colorful fun that adults will enjoy as a comedy while the kids will get a blast out of the crazy mayhem.

Just thinking about the plot makes me laugh and watching it is never dull, it has such a no holds barred silliness about it and the new DVD release is stunning. I had no idea just how impressive the look of the film was.

The complaints about the film are rather misguided in many ways and there is some serious confusion about it. The female lead Linda Miller was dubbed by another actress, so the complaints about her performance are a bit moot (though the combination of nutty dialog and weird delivery actually help the film for most since it is so funny).

Also this is not a sequel to King Kong Vs Godzilla, Kong in this film is a myth found to be real (and utilized to dig out a cavern for bizarre reasons that just get funnier the more you think about it).

As a last note for anyone interested in King Kong in any of his incarnations seek out Ray Mortons book "King Kong The History of a Movie Icon" released recently. He actually set aside a chapter of the book detailing this film.

I've seen "King Kong Escapes" several times on American television with English dubbing, commercial interruptions, scenes omitted, and full-screen format. Despite all that, I found "King Kong Escapes" to be a fun, silly, enjoyable fantasy movie. One criticism I have is that the fight between Kong and robot Kong was too short.

Many reviewers have complained about the annoying voice of Linda Miller, but this was actually the voice of another actress. For some reason, the producers decided to dub Miller, even though she spoke English.

I recently purchased a DVD copy of this movie on eBay, with the original Japanese dialogue, uncut, in wide-screen. The script is slightly more mature and sensible, and the Japanese dubbing of the English speaking actors (Rhodes Reason, Miller) is done very well. Even the Japanese version is silly, though. But like I said, silly in an enjoyable way.

Kaiju fans like me always know well enough to check our desire for (a) believable dialogue and (b) completely realistic special effects at the door when we settle ourselves down to watch what Japan has specialized in for five decades now. As quality filmmaking, King Kong Escapes is of course laughably bad, especially to those who deify the 1933 original. But in the context of Japanese giant monster kaiju, King Kong Escapes is one of the better entries to be found, coming in the 1960s when the focus was less tounge in cheek, more action-oriented, and free of the kiddie thrust that REALLY made Japanese monster movies annoyingly bad in the 1970s (Gamera sequels and Godzilla vs. Gigan anyone?). In a ways, after the dark,brooding seriousness of the original "Godzilla" in 1954, the 1960s saw movies more in the Armageddon-Mummy vein of action, special effects and empty-headed scripts. And while those weaned on GCI will find this hard to believe, the work of Eiji Tsuburaya was considered top of the line for its day (when you stop to think of it, how different are the SFX of Japanese monster movies all that different from American movies, pre-2001: A Space Odyssey? Not much really). And truth be told, I find these kaiju movies of the 60s to have a lot more charm than their 90s American counterparts like "Armageddon" or the Tri-Star "Godzilla."

Eisei Ammamoto, a veteran of Japanese sci-fi, deliciously chews the scenery as the villainous "Dr. Who" while Bond girl veteran Mie Hama ("You Only Live Twice") provides lovely visual distraction as "Madame X", and is far more appealing than the bland non-actress Linda Miller (badly dubbed by cartoon voice Julie Bennett who also dubs Hama!) as the object of Kong's affection (and let's set the record straight, this is NOT the woman of the same name who is Jackie Gleason's daughter, no matter what the erroneous IMDB data base says). The most amusing part of the script is how they almost seemingly plagiarized from "Voyage To The Bottom Of The Sea" in their basic premise (a sub commander named Nelson for goodness sake!). No matter though. Bad dubbing, lame script notwithstanding, "King Kong Escapes" is pleasantly mind-numbing fun from the peak period of kaiju cinema.

Incidentally, I'm glad to note that Rhodes Reason, who by his own admission "knew the film was lousy but couldn't pass up the trip to Japan" to make it, was able to overcome this in the long-run and earn better notices as Daddy Warbucks in numerous Broadway productions of "Annie."