Night Fright

Why film a movie if you are not going to provide light for the cameras. The film would have been about seven minutes long if it were not for the shots of people walking through the woods. I enjoyed seeing the typical sixties dress and the 60's cars. I couldn't help but ask myself what self respecting kid would drive a Tornado, though they were neat cars. The music was tedious and repetitive. Ten minutes of people dancing in the dark was too much. I've seen worse acting, but the manikin should have had top billing. At least it kept it's mouth closed. I think the motivation for making the movie must have been that someone had a lot of film available that had gone beyond the expiration date and they didn't want to see it go to waste. It went to waste.

Something in the forest is killing and mutilating the denizens of a rural Texas community. Could it have something to do with the nearby crash of a recently launched rocket? Probably. Sheriff John Agar leads an investigation as the obligatory group of wild local teens get their kicks in the danger zone.

Besides being shot far too dark, NIGHT FRIGHT is technically not much worse than many other regional indie horrors of the period. The worst thing about it is that it just isn't very interesting, and when the wheels are finally greased for some good cheap thrills, the delivery is too little too late.

Yep, NIGHT FRIGHT is kind of a snore. However...the clothes, hair, and interior furnishings are hilariously dated, so if you have an aesthetic taste for kitsch Americana, you'll at least find it a wealth of amusing mid-century retrocities. Most of the production crew are noted for their contributions to the notoriously low-grade cinema of director LARRY BUCHANAN, so it's no surprise that it looks a lot like something from his inglorious filmography.

3.5/10. Not recommended.

An unidentified object crashes -off camera- to Earth, and a hideous creature is unleashed upon an unsuspecting, rural Texas population! When a young couple is found mutilated, Sheriff Clint Crawford (John Agar) is on the case. With help from his deputy and a local reporter, Crawford searches for clues, for what seems like a month. Luckily, monster tracks are found. Then, the exhausting search continues.

Meanwhile, the town "kids", led by troublemaker, Rex Bowers (Frank Jolly) have decided to have a "dance-in" down at the beach, in spite of Crawford's warning! There they go, dancing like the carefree, 30 year old "kids" they are!

Wasn't there supposed to be a monster of some sort in this movie?

More dancing commences.

Finally, the beast attacks in full, obscured sight! As the hairy horror approaches, the kids dance on.

NIGHT FRIGHT is a tedious affair, saving its big, monster-on-a-rampage "thrills" for the dance-free denouement. As usual, for Agar's later projects, he easily outshines the other "actors" involved.

EXTRA POINTS FOR: The very cool cars on display!...

I am a fan of bad horror films of the 1950s and 60s--films so ridiculous and silly that they are good for a laugh. So, because of this it's natural that I'd choose this film--especially because with John Agar in it, it was practically guaranteed to be bad. Sadly, while it was a bad film, it was the worst type of bad film--dull beyond belief and unfunny. At least with stupid and over-the-top bad films, you can laugh at the atrocious monsters and terrible direction and acting. Here, you never really see that much of the monster (mostly due to the darkness of the print) and the acting, while bad, is more low energy bad...listless and dull.

The film begins with some young adults going to Satan's Hollow to neck. Well, considering the name of the place, it's not surprising when they are later found chewed to pieces! Duh...don't go necking at Satan's Hollow!! Well, there are reports of some sort of crashing object from the sky, so what do the teens go? Yep, throw a dance party--a very, very, very slow dance party where the kids almost dance in slow motion. So it's up to the Sheriff (Agar) and his men to ensure that the teens can dance in peace without fear of mastication.

As for the monster, it's some guy in a gorilla suit with a silly mask--a bit like the monster in ROBOT MONSTER. Not exactly original and not exactly high tech. To make it worse, it makes snorting noises and moves very, very slowly--so slow that even the most corpulent teen could easily outrun it! How it manages to kill repeatedly is beyond me.

Overall, too dull to like--even if you are a fan of lousy cinema.

NIGHT FRIGHT shares an eerie half-world with a handful of similarly modest but entertaining teen horror/sci-fi entries like GIANT GILA MONSTER, HORROR OF PARTY BEACH and DEATH CURSE OF TARTU. These are an uneasy mix of happily gyrating teens and skulking horror that are a guilty weakness of mine.

The storyline is standard stuff: a spaceship sent into the icy depths of Out There by dedicated scientists runs into unchecked radiation, and the test animals aboard are mutated. The largest and nastiest promptly goes on an eating binge. The film appears for be a rehash of themes already used in the obscure DEMON FROM DEVIL'S LAKE.

Granted, Texas isn't known for astounding advances in cinema. Larry Buchannan, the fevered brow at the helm of THE EYE CREATURES, IT'S ALIVE! and ZONTAR, THE THING FROM VENUS, hailed from Texas. THE GIANT GILA MONSTER was filmed in and around Cielo. Still...

John Agar, in one of his last "earnest man with a job to do" roles is a somewhat peeved lawman charged with finding out what exactly is killing the locals. He does well in the limited role, providing the film's one strong performance. The other characters are broadly written and almost painfully bland. The bizarrely named Roger Ready woodenly plays a scientist who knows more than he admits (and who is largely qualified as being a researcher by way of smoking a pipe). There's also a nerdy newshound, police resenting kids, and an extremely lackluster love interest.

That said, the overall film is actually fairly enjoyable. The monster, a hulking gorilla with facial spines and a Klingon head ridge, is reasonably impressive for a regional production. The isolated locales and dim photography add a certain appeal, though the latter occasionally flashes almost starkly bright (particularly during the climax where half the hunters seem to be waiting in the dead of night and the rest in some distant land where it's high noon). The government cover-up angle is expected, and should neatly justify the suspicions of any borderline paranoids in the audience.

Not a great film but, taken as a simple "googly fiend run amok" picture, it's more than passable.