The Penthouse

If Peter Collinson's intention when writing and directing this film was to present the most bizarre characters imaginable, then he has succeeded admirably. If, however, he was trying to make a serious thriller with genuine excitement, realistic situations and a meaningful underlying moral subtext, then he has failed utterly.

The story has married estate agent Bruce Victor (Terence Morgan) and his secret lover Barbara Willason (Suzy Kendall) shacking up in a penthouse suite in an unfinished tower block. A pair of knife-wielding hoodlums turn up, posing as meter readers, and proceed to hold the adulterous lovers at knifepoint. Bruce is tied up and forced to look on as the lecherous intruders get Barbara well-and-truly drunk and then degrade her for their entertainment.

The film is based on a stage play, and it comes across - unsurprisingly - as a very stagy, talky affair. This is not necessarily a weakness (films like Sleuth, made five years after this, proved that stagy and talky films can actually be very good). However, The Penthouse is not only stagy and talky - it is very unpleasant too. The characters are awfully hard to like and their predicaments are extremely difficult to care about. Director Collinson frequently demonstrated a fascination with violence and aggression during his career, and this is a perfect vehicle for his favourite two themes. Collinson also had a fondness for stylistic flourishes in his movies, but here his outlandish camera angles and visual/aural tricks seem merely self-indulgent and meaningless. For the first twenty minutes, the film's surreal style is oddly enjoyable, but it pretty soon becomes wearisome. On the whole, The Penthouse is a failure and the fact that it is rarely-seen ought to be viewed as a blessing in disguise!

We'll find another link of this scheme in Collinson's filmography by watching OPEN SEASON, FRIGHT, STRAIGHT ON TILL MORNING which the story is not the same but the atmosphere, distrubing, nasty, making the audiences very uncomfortable. But if you have seen FUNNY GAMES - both versions - you'll also think about PENTHOUSE. Among the best home invasion topics films ever. But prepare not to watch this with the parents in law or the youngest in the family. Delicious, nasty, excellent, repugnant. A pure masterpiece. The ending, the very moral ending made me think a little about SNOW THERAPY, around some kind of couple analysis.... The only difference is that in this movie, it is not question of an avalanche but a couple of punks disturbing the peace. If you can go beyond this film if you accept it, maybe you'll succeed with CLOCKWORK ORANGE.

One of the best English movies. Static, everything is only happening in an apartment, but what a story, what a valuable interpretation, all the actors are absolutely exceptional. The best part I've seen Martine Beswick. The best role for Suzy Kendall, which was of a rare beauty, what a gorgeous ass, a pity that she did not show her front beauty too... Terence Morgan also saw him in those two films with Surcouf as Lord Blackwood, but I already think this Bruce Victor was his most accomplished character ever. Tony Beckley, an exceptional actor, I saw him in very good films: "Chimes at Midnight" (1965), "The Italian Job"(1969)(directed by the same Peter Collinson), "Get Carter"(1971). Norman Rodway was also an exceptional actor, also featured in "Chimes at Midnight"(1965) and many other movies. A simply great movie!

Review of The Penthouse 1967. Crocodiles Live in the Sewer! This movie is about crocodiles but it is a talkie. One reviewer put it: 'crocodiles can live buried in the hardened mud for two years'. This movie introduces the twist that crocodiles can live in the sewer. Some captivating dialogue. No action. Ratings: Crocodile: 8; Black Monolith with apes: 0; Monkeys on a typewriter: 0.

ADDENDUM: The "Alligator Monologue" terror scene is available at COMPETITOR. OOGA BOOGAl!

At about minute 40, the home invader runs out of material to terrorize the bound human female. Like a Medicine Ape Storyteller of old, his mind grabs for a preposterous premise ..."and crocodiles live in the sewer." Which is actually a terrifying thought to those who live above said infested sewers. And to those 40 stories up in The Penthouse, apparently. Or, the human male home invader ran out of material in his said pea-brain and chose to extrapolate and enrich the "crocodiles live in sewers" bit as his next piece de resistance for the purposes of terrifying The Penthouse female for another 30 minutes? Great material for some of us thirsting for new ideas about crocs. But bad theory generally.

This movie has been added to the "Some Humans Are Wily"/"Hostage Narrative" Genre Category.

This is a superb and prescient little thriller by Peter Collinson that predates such films as FUNNY GAMES and other "extreme cinema" projects, and is much better, and much more restrained, in every way. I'm amazed that the film hasn't gotten better distribution, and that it seems to have slipped between the cracks of cinema history. A great film; see it if you can.