A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.
- Nominated for 7 Primetime Emmys
- 6 wins & 20 nominations total
Browse episodes
Featured reviews
Its premise was exactly this: Three teenagers who get into trouble with the law and help out others out of trouble by solving crimes with the help out the Lieutenant(played by Tige Andrews) who keeps one step ahead of everything they do. Out of all the Aaron Spelling shows that he ever produced this was one of the best ever(which is second to "Starsky and Hutch" and his earlier works too including the long forgotten detective show "Burke's Law"). Three teenagers from different backgrounds were basically detectives in their own way in getting the bad guys. The concept of this show was just that: kids ratting on kids,and going undercover to break up drug busts or sometimes save a girl from great danger. Pete, Linc,and Julie were the kids of their generation and it will never be a show like it ever. The show itself had some of the grooviest fashions ever from that period along with the stylings of the Afro and its standard of unity for all. The show was a top ten hit when it ran on ABC from 1968-1973. The executive producers were Danny Thomas(of Make Room for Daddy fame),and Sheldon Leonard(who was also producing I Spy and Andy Griffith at the time)and they kept the story lines with great action and one of the best crime drama shows ever to come out of that era. The guest stars who appear on the show were making their mark during its run with stars like Richard Dreyfuss, Richard Pryor, Michael Douglas,and Karen Black. Was one of the hippest ever....catch the episodes on videocassette if you can..
I watched this series as a kid.. All my friends did too! We'd talk about the episodes in class.. Ahead of it's time.. Great show.. Oh yes, I was in love with Peggy Lipton 🎬❤
Watching this show as a teenager, Julie was my idol; hip, intelligent, beautiful, with a cool job, great clothes, and hot guy friends.
Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.
For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.
Seriously, Mod Squad was a well-done show with interesting characters. When Aaron Spelling, with Danny Thomas and Sheldon Leonard, ran the show, it was very good. Later, when Harve Bennett replaced Spelling, it went down a bit, but was still worth watching just for the stars: Michael Cole, Clarence Williams III, and Peggy Lipton. No insult intended for the stars of the movie, but these three will always be the Mod Squad, with Tige Andrews as Captain Greer. I would still rather watch episodes of the show than the movie.
For a young girl living in a small town, Mod Squad was a window into another world, giving me a glimpse of life outside my boundaries. What I learned about being cool back then, I learned from Julie Barnes.
As I'm re-watching the series on DVD, two things stand out to me:
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
When this show first premiered in 1968, little did anyone know that over the next three decades that there would be several youth oriented shows. Shows like "21 Jumpstreet", "Starsky and Hutch" and "David Cassidy-Man Undercover" were all cop shows aimed at the youth market, but this was the granddaddy of them all. Michael Cole, Peggy Lipton and Clarence Williams III were perfectly cast and this show will always come to represent the era that it was produced in.
Did you know
- TriviaSeries creator Buddy Ruskin, a former Los Angeles police officer, used his experiences with a special L.A.P.D. youth squad as the basis for this show.
- GoofsSome of the police cars used by the L.A.P.D. during the series weren't actually used by the L.A.P.D.
- ConnectionsFeatured in The 23rd Annual Primetime Emmy Awards (1971)
Details
Contribute to this page
Suggest an edit or add missing content