Angels from Hell

In 2015, it's a bit hard to imagine that evil biker flicks were so popular in the late 1960s. Although the films seem incredibly naive and silly today, at the time they were box office gold for American International--a studio specializing in cheap and trashy drive-in fare. But the films were wildly successful despite their many shortcomings.

Unlike many of the biker films which starred the likes of Joe Naimath or Peter Fonda, this one stars a relative unknown. Tom Stern stars as Mike--a newcomer to town who soon becomes the leader of the Madcaps biker gang after he breaks the leg of their old leader. Now with a taste of power, Mike becomes a bit of a megalomaniac--feeling invincible and drunk with power. So, when his gang goes too far, he does little to reign them in and it's soon war with the local police. And, when 'Nutty' murders a girl, instead of turning this psychopath in, Mike covers up the killing and continues to think he can do pretty much what he wants. What's next for Mike and the out of control and rather stupid gang?

So is this film any good? Well, yes and no. Compared to many other biker films it's a bit better---with a bit more realism and a great ending. But it's also very low-brow and not exactly a must-see film! Not terrible overall despite the title.

Tom Stern plays a Viet-Nam veteran who comes home with the dream of forming the most powerful biker gang around. His "wild bunch" consists of such immortals as Smiley, Nutty Norman, Tiny Tim, and Angry Annie. Turns out most of the cast are real bikers and their performances steal the show from the real actors.

Stern however reminds one of a young Nick Adams or Steve McQueen. He doesn't overplay his role; just giving it the sharp edge it needs to be realistic. His anger is a product of his war experiences and his frustrations are those of a man who is powerless to control the events happening around him. For a "minor" film, Stern does an outstanding job. It makes you wonder why this talented actor/director never made it to super-stardom.

AIP does what it does best, exploitation of stereotypes. Good fun though with the real bikers being used. The real actors aren't as good as them. Incredibly terrible soundtrack.

Tom Stern ("Hell's Angels '69") stars as Mike, a Vietnam veteran who returns home determined to form his own biker gang and stick it to the man. He assumes control of his former cronies, who were better behaved before he came along. He wants to make his gang all-powerful, and their antics lead to fairly predictable results.

Overall, as directed by Bruce Kessler ("The Gay Deceivers"), "Angels from Hell", which gets a special 'story consultant' credit for famed Angel Sonny Barger, is typical for the genre, with decent action and a cast full of tough guys and sassy, sexy ladies. The music score is most groovy, with a priceless theme song to boot. Perhaps most interesting is that the movie isn't quite as anti-establishment as other entries in this genre, at least in its even handed portrayal of lawman Bingham (played by the late, great actor / director Jack Starrett).

The swaggering Stern does alright in the central role. Among the supporting players are Ted Markland ("Fighting Mad") as Smiley, the enticing Arlene Martel ("Zoltan: Hound of Dracula") as the independent-minded Ginger, Paul Bertoya ("Hot Rods to Hell") as the unstable Norman, Jimmy Murphy ("Mister Roberts") as Tiny Tim, and, in his film debut, wrestler Pepper Martin, famous for his role in "Superman II".

The ending fails to be all that satisfactory, but it does have a feeling of somber inevitability as Mike tries to make the case that the law should protect those of his kind as well as the average citizen. The end credits give the performers an appreciated "curtain call", and the movie does entertain if never really catch fire.

Seven out of 10.

(1968) Angels From Hell CRIME DRAMA

It opens with motorcycle bike rider, Mike Connery (Tom Stern) beating up a couple of racists who ganged up to beat up a young African American man wanting to use the washroom. And by the time he helps to carry him out, is when other African American guys riding motor bikes show up. After this was done, he then rides away to meet up with his former bike gang group "Madcaps" hanging out in a bar. And we find out Mike had just returned from serving in the military, and decides he want to upstart his own gang again. Except that the Madcaps have a current leader already, Big George to whom Mike has never met before. Big George then challenges him to a fight since he knows Mike has a long history with majority of the members, and wants to prove he is worthy. Once Mike takes over the Madcap group the movie then flips back and forth between righteous and chaos. It was routine until there was a single moment it became interesting is when two low ball cops became judge and jury and breaking the law themselves are and are worse than bikers themselves. The movie worsened as it continued, as if it forgot what it wanted to say as the makers was making it.