The Anniversary

This 1968 black comedy was the last film in which Davis dominated with her legendary persona. In a sense it is the last "Bette Davis" film. Whales of August, Burnt Offerings, and Death on the Nile followed, but the part of Mrs Taggart, a domineering widow complete with eye-patch, is pure Davis and she has a field day, making this film an absolute must for her fans. Though it's stage origins show, and the film doesn't really begin until Davis makes her entrance, it is an entertaining comedy with an excellent supporting cast, funny, bitchy, dialog, absurdest humor and a tone similar to Who's Afraid of Virginia Wolf? and The Lion in Winter both of which began as plays. The prolific Roy Ward Baker who directed everything from a Night to Remember(1958) to The Vampire Lovers (1970) is not a visionary; the direction, editing, camera placement and set design are all adequate, but just imagine what Almodovar would do with this material!

Today this movie would never be made, simply cause there is no star that can handle it. Its a shame, really. Its not that the movie is so magnificent or anything, its just so dominated by the leading lady that you can't imagine how it would be done today, if at all, and with who? Faye Dunaway? She's still living down "Mommie Dearest", twenty years later. Anne Bancroft? She's not hateful and lovable at the same time and not an icon. Davis could play a monster yet keep her fans and probably gain more as a result of playful movies like this.

All the real stars are gone, and watching this makes that painfully obvious.

Bette Davis devours the rest of the cast, and doesn't even bother spitting them out. And all we can do it watch and enjoy. No true fan of hers can do without this.

This engaging dark comedy stars the incomparable Bette Davis in one of her best latter-day screen roles as a merciless one-eyed mother who uses wedding anniversary(although her husband has been dead for quite some time) as an excuse to lure her spineless sons into her lair and demonstrate her strange hold over them. This year is a particular feast for the mother when the youngest, a somewhat promiscuous chap, announces that he's going to settle down and get married. And better yet, the eldest and most spineless of the brood discloses that he will be moving out of the country so mumsy will leave him alone once and for all. Will things turn out as planned? You"ll just have to find out yourself when you watch this stylish, darkly witty, and perversely entertaining tale that could have been written especially for its star.

Hammer studios are, of course, most famous for their horror productions; but the studio also gave us a number of films from other genres, and The Anniversary is a huge non-horror highlight! This camp and perfectly pitched black comedy is directed by one of the studio's heavyweight directors, Roy Ward Baker and is probably most famous for the fact that it stars the great Bette Davis in the sort of role that made her famous. However, the positive elements don't end there as The Anniversary benefits from a strong script and a varied array of characters that ensure the action is always entertaining and filled with tension. The film is an obvious inspiration for modern hits such as the Danish 'Festen', and works due its claustrophobic setting and well drawn characters. The central plot is brilliantly simple, and follows a family gathering for the anniversary of an overbearing mother and her late husband. She demands the presence of her three sons; a shy cross-dresser, a henpecked father of five and a careless youth who brings a different fiancé to meet his mother every year - and proceeds to rip them to pieces.

Bette Davis is undoubtedly the lead star of this production, and she completely controls every scene she's in; thus giving a huge compliment to the support cast, who all give realistic and interesting performances. Sheila Hancock, Jack Hedley, James Cossins, Christian Roberts and Elaine Taylor provide perfect support for Davis, and the combined cast give credibility to a script that could have ended up giving way to a comical film. The film is based on a stage play by Bill MacIlwraith, and perhaps the best thing about his writing is the way he manages to bring out traits from the vindictive matriarch in all three of her sons. As you'd expect, it's Bette Davis who gets the best lines and seeing the great actress have fun delivering them is brilliantly entertaining and ensures that the black comedy elements always shine through. The central setting - the parental home - makes up the backbone of the story and is an ingenious place for the story to take place, as we're always aware that the support characters are very much in Davis' domain and the fact that most of the action takes place under one roof means that claustrophobia is a big part of the story. This film may be avoided by some Hammer fans who are only interested in the horror - but it really shouldn't be. I don't hesitate to name this as one of the very best films Hammer ever made and it comes highly recommended to all!

plays Mrs. Taggart, the controlling and manipulative mother to three sons. She oversees every aspect of their lives, the family business - which she owns outright - employs them and she works hard at scaring away any woman they bring into the family.

The Anniversary is the annual celebration of Mrs. Taggart's wedding anniversary to the boys' dead father. A macabre event in itself it is made more horrendous by her constant belittling of her sons, their women and her grandchildren. They are all targets of her caustic wit and cruelty.

Bette Davis is her usual glorious self in the starring role. Wonderfully gowned and housed with a matching eye-patch, she steals every scene she is in with flair and drawl, withering all including her grandchildren - all mere fodder for her verbal cannonballs.

And the ending is quite a surprise. Wait for it! 7 out of 10.