The Birthday Party

A wonderful play (which I've directed in the 80's) that cuts a scene from the play with Lulu..but is still PINTER! What can you say about this '58 play (film '68) except to say it's INTENSE. Robert Shaw as Stanley (post-James Bond and pre-Jaws and pre-The Sting)..most Americans (no offence)..don't even know who this guy is. Anyway, it's a brilliant parody of English (and everybody in the 50's) take on the one artist. Sidney Taffler as Goldberg is comical, frightening, bossy, and just plain "too much there". Patrick MaGee as McCann (A CLOCKWORK ORANGE, BARRY LYNDON, Kubrick.etc.) is lone newspaper-ripping non-horror (or so you think) DUDE, who hung out with the The Beatles.

Decent version of a great early play of a genius..which bombed..duh? Stick with Meg and Petey and you can't go wrong or right. 20 years ahead of it's time as a play and 10 years...right.

Friedkin does an excellent job of turning Harold Pinter's crunchy little Comedy of Menace into a suitably dank, dreary-looking movie full of dark corners, both visual and characteristic. Cast is spot-on, but Sydney Tafler's Goldberg is outstanding; alternately affable and deeply threatening with sublime ease. Even better is Dandy Nicholls as Meg, a truly pitch-perfect performance in one of Pinter's few sympathetic (and substantial) female roles. This reading does invite comparison with the 1987 TV production, in which Pinter himself plays Goldberg and Joan Plowright the daffy Meg. For my money, this movie is the winner by a length. Highly recommended.

This is the first Harold Pinter play i watched. It's weird, claustrophobic and interesting, i mean, first 40 minutes are somewhat slow-paced but then, it speeds up and raise the stakes. Biggest quality here is acting, every actor did a tremendous job. It's not easy to categorize it, it is something like a black comedy +psychological drama thriller+ Absurdism. I could have rated it higher but it's too ambiguous and i don't love movies which are being intentionally so vague. It's so easy to create a mystery, every writer can do it but it takes a lot of skill to give also the right-mindblowing- answers to the questions you just raised. Pinter doesn't give any answers, so my rating won't be that thigh. Yet, it was a fun ride, almost Kafkaesque in a way, and those comedic moments were almost brilliant. In any case, this is a good movie.

As one of this world's more zealous Robert Shaw fans, I feel obliged to put this gem in every once in a while and follow Shaw's every move. I must say, this film amazes me; it confounds me every time. There's only one emotion that overwhelms my passion for Mr. Shaw's gift in front of the camera--irritation--and it's aimed right straight at the storyline. You will find yourself wondering what's going on and why, as the actors' performances blind you with their shabby, touching directness. Don't let the story creep and seep too far into your brain. The story will cloud your ability to appreciate what this film is full of--brilliant, golden performances. They all shine, especially Shaw as poor Stanley. I enjoy watching films that take me to England in the 60s. The surroundings are dreary and depressing and totally marvelous. This film is well worth seeing; but, once again, I warn you--ignore the story; adore the actors! Oh, and an extra bonus (for what it is worth)-- After watching this film, you'll never look at a newspaper the same way again, I guarantee you. Enjoy!

Harold Pinter's brilliant early play-on-film, The Birthday Party, is one of his best efforts, and perhaps, with The Homecoming, the pinnacle of the Theater of the Absurd. The plot itself is simple. Two men come to visit Stanley, a classical pianist who has, for unknown reasons, left his home and is staying with a provincial couple. He is visited by Shamus McCann (Patrick McGee) and Nat Goldberg (Sydney Tafler). They alternately celebrate and menace Stanley, who may or may or may not know them. Nothing is clearly stated. Most of the dialogue consists of insinuations and vague threats. Performances across the board are outstanding, with Robert Shaw outdoing himself as Stanley Weber. Moultrie Keisall as Petey is excellent but understated, and his final words really put the cherry on the birthday cake. (sorry for the pun). Nothing I can say can communicate the unique strangeness and power of this film. Top marks, 5 stars, classic.