Devil worshipers plan to convert two new victims.Devil worshipers plan to convert two new victims.Devil worshipers plan to convert two new victims.
- Director
- Writers
- Stars
Nike Arrighi
- Tanith Carlisle
- (as Niké Arrighi)
Yemi Goodman Ajibade
- African
- (uncredited)
Patrick Allen
- Rex Van Ryn
- (voice)
- (uncredited)
Liane Aukin
- Satanist
- (uncredited)
John Bown
- Receptionist
- (uncredited)
Peter Brace
- Satanist
- (uncredited)
John Falconer
- Satanist
- (uncredited)
Anne Godley
- Satanist
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Dennis Wheatley's black magic novel gets the Hammer horror treatment in one of their best movies
Dennis Wheatley's black magic novel gets the Hammer horror treatment, with Christopher Lee relishing the chance to play the good guy for once as the Duc De Richleau, an authority on the occult who does battle a group of Satanists (led by Charles Gray) for the soul of his friend. Made the same year as Rosemary's Baby, it was one of a number of films that brought Satan out of the shadows during the onset of the Summer of Love and is one of Hammer's best movies. Directed by the legendary Terence Fisher (The Curse of Frankenstein (1957), Dracula (1958), The Hound of the Baskervilles (1959) and The Mummy), from a screenplay written by Richard Matheson (of I Am Legend fame, the novel that spawned Last Man on Earth with Vincent Price, Omega Man with Charlston Heston and I Am Legend with Will Smith), it received praise from Wheatley himself and Christopher Lee said in interviews that it was one of his favorite onscreen performances. The cast includes Niké Arrighi as the sexy satanic neophyte Tanith Carlisle and Sarah Lawson and Leon Greene. The grinning Goat of Mendes in the film was played by Eddie Powell, who was Christopher Lee's stunt double in Hammer's 1958 adaptation of Dracula.
Grand Battle of Good Versus Evil
One of Terrence Fisher's greatest directorial efforts certainly is this stylish, witty, thrilling adaptation of a Dennis Wheatley novel. Richard Matheson did the screenwriting honors, ad like most of what he touches, it turns to gold. This film has a wonderful score throughout, some superior set pieces and some pretty novel special effects for its day. But behind all of this is the central, universal battle between the forces of good and evil, represented by the characters of Christopher Lee and Charles Gray. Both actors do an excellent job. This may indeed be Christopher Lee's finest performance, which is all the more surprising since he not only plays a good man but also is in a role that Peter Cushing would have devoured. Lee, from the very onset of the film, plays a man well-versed in knowledge of the occult and whose presence literally steals scene after scene. His counterpart, the malevolent Charles Gray, is just as good as Lee's antithesis. Gray is an underrated actor whose presence also illuminates and transcends the screen. The film boasts some great scenes including the much heralded Angel of Death scene, and there is a great scene between Gray and Lee's niece. A tremendous film in many respects and one of Lee's best, Fisher's best and Hammer's best!
good mood
Nicholas Duc de Richleau (Christopher Lee) meets his friend Rex Van Ryn at an airfield. They set off to check on their friend Simon Aron who is living on an English country estate. They find him hosting a party for a group of strangers. It turns out to be a cult for the devil.
This has good atmosphere and Christopher Lee helps deliver an intensity to the material. On the other hand, the action needs to be better. The special effects are not up to the task. The spider is especially bad. The devil isn't much more than a guy in a goat mask or is that supposed to be a guy in a goat mask. All in all, this is probably the best Hammer film from the 60's that I've seen.
This has good atmosphere and Christopher Lee helps deliver an intensity to the material. On the other hand, the action needs to be better. The special effects are not up to the task. The spider is especially bad. The devil isn't much more than a guy in a goat mask or is that supposed to be a guy in a goat mask. All in all, this is probably the best Hammer film from the 60's that I've seen.
A Life for a Life, a Soul for a Soul.
A classic, vintage horror, another classic from Hammer Horror.
Expect the usual Hammer attributes, terror, shock, scares, and a lot of mesmerism. It doesn't stint on the terror factor here, even now it packs a punch, with some sinister concepts.
It looks incredible, it's so well shot, with gorgeous sets and costumes, it is very well produced.
Of course Christopher Lee is the headline, and as always he doesn't disappoint, but he is well supported, Charles Gray is terrific, it's all about the eyes, great also to see Paul Eddington.
It's one of those films that time has been very kind to, it simply doesn't date.
Excellent, 8/10.
Expect the usual Hammer attributes, terror, shock, scares, and a lot of mesmerism. It doesn't stint on the terror factor here, even now it packs a punch, with some sinister concepts.
It looks incredible, it's so well shot, with gorgeous sets and costumes, it is very well produced.
Of course Christopher Lee is the headline, and as always he doesn't disappoint, but he is well supported, Charles Gray is terrific, it's all about the eyes, great also to see Paul Eddington.
It's one of those films that time has been very kind to, it simply doesn't date.
Excellent, 8/10.
"The Angel of Death was summoned. He cannot return empty handed."
Very cool Hammer film from the great Terence Fisher with Christopher Lee playing the good guy for a change. Lee plays the Duc de Richleau who, along with his friend Rex Van Ryn (Leon Greene), rescues a late friend's son and a young woman from a Satanic cult led by a powerful man named Mocata (Charles Gray). Now holed up at a country estate, de Richleau and Rex must fight off Mocata and the forces of evil.
One of my favorite Hammer films. The screenplay comes from Richard Matheson, adapted from a novel by Dennis Wheatley. Fisher's direction is terrific. The movie has a great 1920s period look and at times a very creepy atmosphere. The cast is excellent, with Lee giving one of his best performances. Charles Gray gives a subdued turn that makes him all the more menacing. I really like this one and rewatch it more than most Hammer movies I own. It's an exciting, enjoyable movie that will surely please Lee and Hammer fans.
One of my favorite Hammer films. The screenplay comes from Richard Matheson, adapted from a novel by Dennis Wheatley. Fisher's direction is terrific. The movie has a great 1920s period look and at times a very creepy atmosphere. The cast is excellent, with Lee giving one of his best performances. Charles Gray gives a subdued turn that makes him all the more menacing. I really like this one and rewatch it more than most Hammer movies I own. It's an exciting, enjoyable movie that will surely please Lee and Hammer fans.
Did you know
- TriviaThe film was made at Christopher Lee's insistence that Hammer do a movie based on a Wheatley fantasy novel.
- GoofsDuring the opening credits, a symbol is shown that is not Satanic, and it is also incorporated into the symbol on the priestly robes during the film. Inscribed within a Star of David, there is a six-winged seraph with the faces of a man, lion, ox and eagle based on the vision of Ezechiel. In Christian tradition, the four faces become associated with the four gospel writers: Matthew, Mark, Luke and John.
- Quotes
Marie Eaton: [to her servant about Mocata] Show him out!
Mocata: I'm leaving.
[walks towards door and stands behind Marie]
Mocata: *I* shall not be back... but something will.
[pauses menacingly]
Mocata: Tonight! Something will come for Simon and the girl!
[leaves]
- Alternate versionsThe 2012 UK Blu-ray Disc released by Studio Canal features digitally enhanced special effects. The makers of the Blu-ray claim to complete shots which had never been finished due to budget reasons:
- Matte shot of Simon's mansion with the Observatory dome has been replaced with a CGI background.
- During the ritual at the climax of the movie a lighting has been replaced with a new CGI lightning.
- Spider sequence: Shadow for the spider has been added, some matte shots enhanced, and digital smoke added when the spider is sprayed with holy water.
- The Angel of Death sequence: A light effect is illuminating the door to cover the poor original optical effect when the angel rides through the door. The close up of the Angel of Death has a new background with flames as the original intended shot was never finished.
- The matte shots of Charley Grey's death in the fire have been digitally corrected as there were optical errors in the layers of the matte shots.
- Several other matte shots have been improved by removing matte lines.
- ConnectionsFeatured in Iron Maiden: The Number of the Beast (1982)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Devil's Bride
- Filming locations
- The Manor Elstree, Barnet Lane, Elstree, Borehamwood, Hertfordshire, England, UK(Richard's house-exterior)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.66 : 1
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