The Heart Is a Lonely Hunter

I will not forget this movie for the rest of my life! Although the direction is excellent with a very good script and good production values, the performances are the standout aspect of this remarkable film. Alan Arkin and Sondra Locke make the film work and were both nominated for Oscars for their work here. Their scenes are magic, but Arkin is easily the stronger performance of the two. The supporting cast is very good, but Chuck McCann deserves special mention here. A comedian who's work has mainly been very lighthearted, he plays a straight dramatic role here and does a excellent job. A very human, very touching, very emotional film, the last 15-20 minutes will stay with you a very long time. Turner Classic Movies runs this on occasion and it is currently in print. Most highly recommended.

Reading the book is giving me an incredible introduction to the substance of the story. I am seeing some profound insights to individuals that gives understanding to people I know. Especially religious people are portrayed so I understand the religious mind so much better. One element of the movie that is missing in the reviews I've read so far is the musical score. Composed by Dave Grusin the theme sends a chill into my psyche when I hear it years after viewing the movie. Mick seems to be a surprisingly deep person; considering her environment. Her love of classical music exposes a mind that rises well above her simple life. This is the nature of genius and is probably part of Carson McCuller's own persona. I would believe she writes from memories of her own childhood.

There is no doubt about it, but when Hollywood decides to make a cinematic masterpiece, and at the same time draws upon indigenous American social and cultural mores, as exemplified by a writer of the talent of Carson McCullers, the result can be both breath-taking and almost overwhelming. It is partly their very `Americaness' that makes films like THE HEART IS A LONELY HUNTER so unique and special to someone like myself who is not American. And this film in particular shows a side of the American psyche which is all too often neglected and unacknowledged in movies. The novel on which it is based is, sadly perhaps, too complex and long to adapt to the screen without sacrificing some aspect of the many subplots it contains, and although I regret the loss of the radical political dimension, the subtle and heart-wrenching way loneliness, racism, impoverishment, snobbery, and disadvantage are conveyed are so powerfully treated that the end result is a film of almost unbearable sadness and melancholy... and yet... And yet there is an element of tremendous hope also at work; of the human spirit overcoming huge odds and learning life's lessons as the various characters go along and work out their individual destinies. Superb ensemble acting from all concerned, and technical credits of the highest order make this one of the most deeply satisfying films I have ever seen in my life. A masterpiece, and one that could only have been made in the USA.

I took my girlfriend to see this movie in 1968. At the end, I was sobbing. I didn't stop crying until we had driven a mile or so from the movie theatre. She looked at me as if I was out of my mind.

This week I bought the movie, to see how it would affect me 30 years later. Not quite the same emotional impact (well, I knew the ending), but still a very powerful movie.

Recently I heard a director say that the most important things conveyed in movies are not the words that are said, but the words that are not said.

This movie is filled with words not said. The protagonist, John Singer, is an emotional cipher. Alan Arkin had the good sense to underplay him. You can pour all of your own feelings into him.

I could quibble about some elements now, but this is, at essence, a story of the heart. Thirty years after first seeing this movie, it still stands up, and still touches my heart in a way few movies have.

I have been fascinated by the work of Carson McCullers ever since I read THIALH. I have never visited America, and I find her depiction of small town life very evocative. Her writing style is weird to say the least and her life sounds even stranger. This story is without doubt her masterpiece. I read Reflections in A Golden Eye and The Ballad of the Sad Cafe. How did she come up with such wonderful titles? Anyway, The Heart .... is her best. This film captures the book perfectly in my opinion. OK, the story is not perfect. It doesn't fully deal with the adolescent development of the girl, or her relationship and sexual encounter with the gangly youth (remembering names is not my speciality). Also the Stacey Keach character doesn't really go anywhere. I know that Singer (really smart use of irony in his name) is the main character, and that everyone feeds off him (cf Paul Newman in Cool Hand Luke), and I think it is Alan Arkin's performance which really makes the film. What happened to Arkin anyway? After Catch 22 (also excellent) he didn't seem to do much else. Anyway, I have rarely seen a better film, and I am disappointed that it seems to be difficult to get the video, certainly in this country. Some people might say that it is rather soppy and over-sentimentalised, and I can see this myself, but it still makes my heart dissolve -I can't help it.