Gamera vs. Viras

The veering of the Gamera series towards the younger generation began with the fourth film, "Gamera vs. Viras" released a speedy three years after the original hit Japanese theaters in 1965. Even though the previous movie, the gleefully entertaining "Gamera vs. Gyaos" was also geared mostly toward children, it still had an element of terror and dread in it. That is gone here and "Gamera vs. Viras" is an unsuccessfully endeavor. However, that it is hardly due to the fact that it is being directed at little children and those who are still able to find the child deep within themselves (a la moi). The problem with this picture is, despite its wonderful beginning and wonderful ending, most of the middle is just shameless, lazy jigsaw-construction of its predecessors. In other words, it's mostly just stock footage reels.

The opening is very promising. A spaceship venturing for a conquest of Earth is interrupted by Gamera, now fully evolved into the friend of all children. Before the vessel is destroyed, it sends a signal back to its home world and a second one is dispatched. Upon the new one's arrival, the aliens use their technology to determine Gamera's weaknesses and take two boy scouts (Toru Takatsuka & Carl Craig) hostage. Now implicating a mind-control device, they use Gamera to destroy civilization. The thin plot becomes thinner before it ultimately leads up to the titular conflict between the giant terrapin and a slimy extra-terrestrial cephalopod.

The movie is so wonderful at first. Both Gamera and the two boys are very entertaining. The latter are portrayed as witty, audacious, and thoughtful individuals...despite the occasional prank or two. And a scene involving them inside of a submersible racing Gamera underwater brought a smile to my face. But the movie starts crippling itself at the moment where the aliens start searching Gamera's past. It's stock footage from the previous movies, each reel lasting roughly five minutes. The aliens quote that their process takes fifteen minutes and it literally does. There's hardly any narration or trimming of the stock footage; it's just reused. (Frighteningly enough, for the U.S. version, the stock footage reel was increased to a mind-numbing twenty-five minutes!) When this ends, there is some relief, but then it becomes just more reused footage from the previous movies. Sequence upon sequence. And most jarring of all is when they decide to once again show Gamera attacking Tokyo as he did in the original film "Gamera the Giant Monster." Now if you will recall, that movie was black-and-white. This one is in color. Eyes squinting yet? Colorization was not around at the time this picture was made and yes, they still integrate colorless footage into a color movie! Just a slight bluish tint, that's all. And sadly, this drags on and on seemingly without end and wore me out. All of a sudden, even the whim and charm of Mr. Takatsuka and Mr. Craig, both of whom are very good in the film, seems unimportant.

Now the movie does pick up a little when the final battle does arrive. And it's satiatingly lengthy, but even with that, by the time it was all over, "Gamera vs. Viras" had exhausted me and left me feeling a thirst for a lot more. The stock footage it so abundant that if there had been more, it could have been a "Best of Gamera" show instead of a continuation to the series. And as far as I am concerned, a low budget should not be an excuse for ham-handed filmmaking. There are some good things here, including a leading performance by that wonderful actor Kojiro Hongo (who was in the previous two Gamera movies and would later play a small part in Shusuke Kaneko's marvelous "Gamera: Guardian of the Universe" almost thirty years later) but there are also a lot of bad things here too.

This film is such a shift in tone from the previous 3 films. It's embraced the comical aspects to such an extent it feels more like a Carry On film. In a similar vein to Bond where the first 3 films are the Gamera equivalent to Sean Connery. Gamera vs. Viras goes full on Roger Moore with it's wacky antics.

The worst part of this film is that so much of it is taken up with re-used footage recapping Gamera's previous battles, a huge chunk of runtime for an 81 minute film. This choice felt really unnecessary as it impacts the overall flow of the film. Its a shame considering this is the first time they introduce a really engaging and well developed human character in the form Masao whose a lovable mischievous tech genius. Its such a missed opportunity on the film makers part as this could have been truly brilliant.

Viras has to be one of the best monsters that the Japanese ever created. I'm hoping and praying that Daiei Studios brings him back if they ever make another Gamera movie. A gigantic space squid with a cool looking face, creepy yellow eyes, and who's roar sounds like screeching metal just simply rocks! The problem with this movie however(next to the fact that two kids are the main stars) is that it's padded with huge amounts of stock footage. We get to see Gamera's origin and attack on Tokyo (in black and white!!) and his early fights with Barugon and Gyoas all from the first three Gamera films! This ruins the overall movie. But next to that it's pretty fun. A spaceship that looks like it's made with 5 black and yellow striped ping-pong balls, Viras decapitating his useless subordinates, and the giant Viras bloodily impaling Gamera with his sharp pointy head are the standout scenes in this flick.

Viras, a giant alien squid, takes his ping pong ball spaceship to conquer Earth. Who could come but Gamera, the big turtle and friend to all children, to save Earth. In order to defeat Gamera, the aliens scan into his past (about a half hour of stock footage that we have to sit though) and find out that he is friend to children. So they hold two boy scouts for ransom and put a transmitter in his brain. Now Gamera does what they want now and destroys Tokyo, but the boys have tricks up their sleeves. This is silly but a lot of fun to watch.

This has to be the hardest Gamera film to find, in these post NAMBLA days. It does have a whole bunch of recycled footage, but since it was my introduction to the character, it didn't bother me, until I saw the films it was swiped from, later on. After I saw this a whole bunch of times on KTLA, I became a serious fan. Yeah, it's cheesy, but I didn't care, and I still don't. The dubbing was supervised by Bret Morrison, a post-Orson Welles voice of "The Shadow" on radio, and he was pretty astounded when I asked him about it at a late-70's Multiple Sclerosis fundraiser. It's good cheese, and I wouldn't be without it! Also, this and "Super Monster Gamera" (even worse, for much the same reasons) are the two Gamera films that didn't get worked over by Mystery Science Theatre 3000.

Pax!

--Judex.1--