Greetings

The above ironic comment was made by Howard Thompson of The New York Times when this Brian De Palma film was first released. Turns out Mr. Warden never made another movie while De Niro...anyway, besides being one of the earliest works for De Niro and De Palma, this was also the first movie to get the X rating after the Motion Picture Association of America created its rating system. Warden, De Niro, and Gerrit Graham play three New York buddies with the latter two showing Warden various ways to avoid the draft. Warden is also trying to get dates using the computer pick method. Graham is obsessed with the Kennedy assassination conspiracy, in fact, when he mentions one potential suspect, the name is always bleeped out. And De Niro is an aspiring filmmaker who tricks ladies to take off their clothes on film in the name of "art". The entire movie has an improvisational feel and meanders from scene to scene with an unevenness that shows how experimental De Palma was during his early years. Gerrit has some highlights when talking to the camera but De Niro shows how into characterization he really is when either pretending to be a right winger to someone on the steps of an army recruitment building or being nonchalant when someone offers him a stag movie. Not everything works but Greetings is very much worth a look for completists fans of De Palma and De Niro.

Greetings (1968)

** (out of 4)

Early Brian DePalma film has three friends walking around NYC talking about various subjects including how to dodge the draft and the Kennedy assassination. Most reviewers gave this thing glowing reviews and I'd been wanting to see it for over a decade now but it turned out to be a major disappointment. There really isn't any plot, instead just small sequences about various issues. Some of this is funny but most of it isn't. Most notable for being Robert DeNiro's debut and the first film to get an X rating. This is an interesting film but it should have and could have been a lot better.

Definitely an interesting commentary on the state of youth and society in the mid sixties. At times down right hilarious, this comedy does can be boring. Not for everyone. Interesting installment from Brian Depalma, the director of Carrie, his unique style indeed makes for an interesting film. Deniro's portrayal of a developing voyeur is one of the few comedic roles that I have seen him do so well. A movie worth watching for anyone interested in film making, as many techniques are quite interested.

Brian De Palma these days isn't generally associated with comedy, but this is from his counter culture period, when subversive put ons were his metier (see also 'get To Know Your Rabbit'). Three hipsters (Robert De Niro, cult figure Gerrit Graham and unknown Jonathan Warden, all good) try and dodge the draft, and romp through a near plotless series of odd scenes involving their private obsessions, mainly JFK's assassination and voyeurism. The mood is somewhere between Richard Lester and Jean Luc Godard. While it's great to see De Niro in an early comedic role, the stand out performance for me is by Graham, who shows the chops he would use in his subsequent long and varied career ('Demon Seed', 'Used Cars', Bud the Chud). The supporting cast also includes the hugely underrated Allen Garfield ('The Conversation', 'The Stunt Man') in a memorable sequence opposite De Niro.

'Greetings' is uneven, and dated in some ways, but has enough invention and genuine laughs to make it worth the rental. Now, if only I can find the sequel...

"Greetings" sees a trio of awkward young men acting, well... pretty damn strangely in 1960s New York City actually! These guys are really at odds with their environment and culture. Their eccentricities begin as a source of humor, (even if they might represent the citizen who has "too much freedom"), but eventually, these habits become eccentric, obsessive and finally disturbing. This escalation of behavior might run parallel to Government and society at the time, what with the Vietnamese conflict and the unsettled political climate. Or, it might not! The "episodic" nature of the film, the way it presents scenes like flipping through a scrapbook, is an uneven method in which to present it's satirical comments. In other words: some work and some don't. Sure, I'm sure a lot of the scenes FELT right at the time, (and there is some nice energy to many of them), but unfortunately some of them lack a direction and fall a flat, (but it IS forty years old!).

De Niro has his moments too. A draft-dodging scheme he has is probably the best laugh in the film. His comedic skill is drawn upon fairly well in a number of scenes, (after all, he is the pervert of the group!). His friends are not as gripping though. A JFK conspiracy theory nut, (who is probably the most obsessive of all), lacks depth, and is really just there for a repetitive gag that didn't seem that clever to begin with. Likewise the "computer-date" enthusiast, who goes from nut-case to nut-case. He doesn't come across all that well either, and again, the same gag is dragged along for several evenly-spaced scenes.

One of the things this film does well is show you New York City unflinchingly. 1968 has been captured very well, and it's astounding to see how unpopulated and thoroughly modern it looked, even then. We see these three shabbily-dressed, purposeless, bumblers haunting the bottoms of skyscrapers and climbing across architecture, all while engaging in some stream-of-consciousness-type strange banter. Weird stuff.

The best things are the visuals, followed closely by some comedic flare from De Niro. But overall, it may only be those who have direct connections to this era or this city that may find a whole film out of "Greetings".