Just for the Hell of It

Shot back-to-back with SHE-DEVILS ON WHEELS, JUST FOR THE HELL OF IT is almost as good. Filled with amazing scenes of mass destruction and devilish deeds, HELL may be the ultimate j.d. film. Too bad it came a few (10) years too late!

Destruction Inc. is a leather-jacket, bike-riding teenage gang who, for the duration of the film, cause trouble for law-abiding citizens and the law. That's it. There really is no plot here, just scene after scene of crimes committed by boys AND girls.

HELL is obviously the sister of SHE-DEVILS. The cast, almost all having appeared in SHE-DEVILS, includes Rodney Bedell, Nancy Lee Noble, Ruby Tuesday, Pat Poston, a number of the men from the stud line, two of the biker chicks, and the heroine's mother! Ray Sager, who plays one of the gang leaders, later played Montag in WIZARD OF GORE! Nancy Lee Noble really deserved more roles in these types of movies. She's great in SHE-DEVILS and is good here, too. I have yet to see her in THE GIRL, THE BODY & THE PILL, but she has already become one of my psychotronic favorites. On another note: the music is all from THE GRUESOME TWOSOME, with the exception of the two songs performed by the Florida garage band. I wish a CD would come out of music that Larry Wellington supervised for H.G. Lewis' films. He really aided the 60s feel of movies like this one, GRUESOME TWOSOME and SHE-DEVILS ON WHEELS.

JUST FOR THE HELL OF IT is, like I said, scene after scene after scene of mass destruction. This gets a little repetitive, but never gets dull. The main gang leader (I'm hazy on the name of the actor) seems more apt to play the good-looking hero and I would love to have seen him try that role. Not H.G. Lewis' best, but JUST FOR THE HELL OF IT is full of scenes that only Lewis would film and that 60s Florida feel that makes it indescribably fun to endure.

A group of crazy, violent teens makes life a living hell for a town of babies, handicapped people, blind men, and single women with nary a cop in sight when anything happens, shortly after anything happens, or even after that. Herschell Gordon Lewis tries his hand at making a teen gang violence picture with some kind of social commentary. But the result is a film with a very sadistic side and loads of intentional(I think they were at least) and many unintentional laughs. Acting, a far off feeling in most Lewis films, is fairly decent here. The youthful leads convey menace enough to hope something terrible happens to them. The group plays all kinds of pranks...some harmless at first but then work their way up to murder and rape. The Lewis touch is clearly evident in the relentless, unfeeling tone of the film. It has no heart at all. Because it has some laughs and shows some situations of intended violence hitherto unseen in any of Lewis's works, I would take a moment and see the film....just for the hell of it!

This film has about the naughtiest juvenile delinquents ever shown in a motion picture. They do horrific things to their poor neighborhood. They destroy property and their school, dumb paint on people, torment a blind man, attack elementary kids playing soccer, put a baby in a trash barrel and roll it away, and axe and splatter paint all over newspapers about these things. What's their excuse? "We did this just for the hell of it." This is incredibly violent, and it sure served as a lesson to me when I saw it, I totally stopped carving my name on benches, writing messages on mirrors with marker, and drag racing.

H.G. Lewis' films are not for everyone. He uses amateur actors that he finds in the cities he films in and the sets are probably houses that the actor's parent's own. But his films are so out there and so bizarre that I can't see how you wouldn't get a kick out of them. "Just for the Hell of it" centers on a large group of white-bred kids who, for no reason whatsoever (hence the title) decide to engage in pranks ranging from fairly harmless (hiding a blind man's cane) to truly evil (raping a girl on a beach and putting her boyfriend in a sinking boat). If you want to know what a stereotypical late '60's drive-in film was like, this would probably be your best bet.

A young teenage boy is blamed for a Florida neighborhood being terrorized. But the real culprits are a gang of four punks leading a group of local delinquents on a nihilistic lifestyle of destruction and mayhem.

What strikes me about the film is the parallel with "Clockwork Orange". This is obviously not intentional, but the gang accosting an old (apparently blind) man seems very much like the droogs attacking homeless men. Lewis approaches it in a far more gruesome manner, however, with some of the violence very much Ripper-esque. Alex (in "Clockwork") is somehow sympathetic, despite being a murderous rapist. But Dexter (played by Ray Sager) is just a pure sociopath.

Worthy of note is the appearance of musician Larry Williams. Williams is best known for writing and recording some rock and roll classics from 1957 to 1959 for Specialty Records, including "Bony Moronie", "Short Fat Fannie", "High School Dance" (1957), "Slow Down", "Dizzy Miss Lizzy" (1958), "Bad Boy" and "She Said Yeah" (1959). John Lennon was a fan, and the Beatles and several other British Invasion groups covered several of his songs.