The Incredible Invasion

Boris Karloff was an unusual actor in that as he aged, he didn't slow down making films even though he was a physical mess. He had advanced emphysema and could barely walk due to a crippling back injury and arthritis....but he kept plugging away...mostly in very cheap international productions. But here's the weirdest part of it. He knew he was dying and deliberately filmed parts of MANY films...Mexican and Spanish...with the assumption that the filmmakers would later make the rest of the movie after Karloff's death! I can only guess that he either wanted to leave some money to his family or perhaps he simply couldn't stand NOT acting! As a result, a couple years AFTER Karloff had assumed room temperature, his films continued to appear in theaters. I cannot think of another actor who did this....and it's a bit creepy. "The Incredible Invasion" (aka "Alien Terror") is one of these posthumous productions....and it's the last one to appear in theaters.

"The Incredible Invasion" is available in two forms....with Karloff dubbed into Spanish or the rest of the cast into English. I was only able to find the Spanish language version. My Spanish isn't great by any stretch, but I decided to watch this in order to see just how able Karloff was to make movies at this point life...as well as whether or not the film was any good.

At the end of the 19th century, Professor Mayer creates a weird ray beam that he shoots into space. Aliens aboard a UFO see it and realize that humans are too stupid to have such power, so they dispatch an alien to inhabit the bodies of folks to make them kill. Why they just don't kill Mayer and destroy his ray, I have no idea.

So is it any good? Well, it's not as bad as a few of these later films, such as "Cauldron of Blood" or "The Snake People"...though this is hardly a glowing endorsement!! The acting is occasionally bad but the sets and special effects could have been a lot worse! You also see only a little of Karloff because he was too ill to film more...so they had to film around him and piece it all together later! Sadly, in one scene they obviously had someone don a welding helmet-like hat to hide his face because he was unable to walk about the room. This is reminiscent of a dentist holding a cape over his face in "Plan 9 From Outer Space" in order to pretend to be Bela Lugosi...who had died before being able to film much of the story. Overall, a sad and silly film...one that does NOT beg to be seen today.

Most of Karloff's late career films are either exceptional ("Targets", "The Sorcerers", "The Crimson Cult") or godawful messes (pretty much every other 1968-1971 film). There really isn't anything in between, sadly.

Aliens arrive on Earth in an art-deco gazebo, their mission to destroy the powerful Tharg ray invented by well-meaning boffin Professor John Mayer (Boris Karloff). To achieve their goal, the visitors possess the body of a Mexican Jack the Ripper-style maniac named Thomas (Yerye Beirute), and then take control of the professor as well. However, Thomas's sexual urges prove too strong for the aliens to control, and after killing several women, he attacks Laura, forcing John to find the strength to fight the invaders.

Alien Terror (AKA The Incredible Invasion) is one of four Mexican Boris Karloff movies co-directed by Juan Ibáñez and Jack Hill, the others being Snake People, Fear Chamber and House of Evil. All four were released after Karloff's death in 1969, meaning that he was spared the pain of ever having to watch them. To be fair, Alien Terror isn't completely unwatchable: it's crappy enough to be amusing, Karloff is as enjoyable as always, and there's the added bonus of beautiful blonde Christa Linder as Karloff's niece Laura, who flashes some skin while taking a bubble bath, and buxom brunette Maura Monti as sexy scientist Isabel Reed, who is drop dead gorgeous despite much of her face and neck being covered by scars.

Of the four Mexican Karloff films, Snake People and Alien Terror are worth a one-time watch for fans of the legendary horror actor - I cannot say the same for Fear Chamber and House of Evil, which are abysmal.

It has poor lighting, poor sound(as everyone except Karloff is dubbed, and on one occasion even he is dubbed, by someone doing a very bad impression. The editing is bad, although this may be down to a poor quality hacked up print, but in general it looks like a cheap film with Karloff's stuff looking like it could all have been shot in a couple of days. There are some classic funny bits, unintentional. I don't know why but I find a woman (possessed by an alien) slapping a man till he just punches her and knocks her out quite funny. *slap slap slap* *thwack* man wins. The plot was not that unusual but it was quite hard to follow what was going on even if you were paying attention. Karloff had a cool voice. 2/10 - Maybe slightly watchable for occasional funny bits.

This movie likely won't be of much use to the bulk of humans infesting the surface of the planet Earth. But it may interest Boris Karloff fans and amateur theatrical detectives who like to dissect bad movies like lab specimens. What you get here is one of the most disjointed and bizarre films ever made, a combination of what appear to be two films edited to seem like a larger whole. The first movie consists of about thirty minutes of footage featuring Boris Karloff playing a white suited scientist who invents a disintegrator ray device. The were filmed on soundstages in southern California, with some ending up in this film and others in FEAR CHAMBER, THE SNAKE PEOPLE and HOUSE OF EVIL.

The second movie was filmed after his scenes were completed in Mexico and attempts to match the Hollywood scenes with actors -- some the same -- wearing similar costumes on similar sets, reciting more or less similar toned dialog & engaged in similar actions. Idea being that they are on one side of the room and Karloff on the other: Sometimes characters who were present for both sessions walk back and forth between the scenes, which is quite strange. Their hairstyles and lighting changes subtly, creating a disjointed viewing experience that overwhelms whatever the script was about.

If memory serves, a space alien in what can only be described as an Art Neveau flying saucer gets wind of the disintegrator ray and decides it is too great a threat for mankind to posses. The alien looks like Yahoo Serious and wears a silver lame space jump suit that reminded me of David Bowie from THE MAN WHO FELL TO EARTH. So did some of the flying saucer's design elements, consisting mostly of beakers with colored fluids bubbling through them. The spaceship is mostly shown from the inside too, requiring the viewer to sort of have to take the director's word for it's existence.

The alien takes possession of various cast members and compels them to sabotage the disintegrator ray, which is probably for the best after the local military gets wind of the situation and decides they want a portable version to serve as a weapon. This results in several conversation scenes where characters veer from the California shoot to the Mexican footage. It's a great lesson in how a film can be constructed, and we can only hope that we can learn from it or the seventy three minutes it runs is a waste.

Fans of Boris Karloff will likely be pleased, he's on screen a bit in this one and looks great in that white suit which sharp viewers will recognize as the same one from THE SNAKE PEOPLE, likely filmed earlier that day. Others are well warned to try something else.

The Sinister Invasion (1971)

* 1/2 (out of 4)

This here was one of the four Mexican films Boris Karloff filmed before his death and this is one that was released after the horror icon had passed. In the film he plays Professor John Mayer who in 1890 has created a ray machine, which he shoots into space. The ray just happens to cross paths with a flying saucer and the aliens decide to come and destroy it but to do so they take over the body of a serial killer. Also known as ALIEN TERROR, THE INCREDIBLE INVASION and about a dozen other titles, this film is probably the most entertaining out of the films Karloff did below the border but that's really not saying too much. This is a hard film to fully understand as the plot never makes too much sense but I'm going to guess this is due to two directors making the picture (Jose Luis Gonzalez the Mexican stuff, Jack Hill the Karloff material). It's also worth noting that the aliens here are so stupid that they have to be the children of those seen in PLAN 9 FROM OUTER SPACE. OK, one understands why they want to destroy the ray but they've got the technology to do so without taking over the body of this killer. This killer just ends up causing so many problems and yet the aliens keep on using him. The entire subplot with the killer is quite strange to watch but it does add a rather surreal feel to the picture. As for Karloff, he's certainly showing signs of his health issues but he's pretty good here. Unlike the other three films where he's basically just an extended cameo, he actually gets a pretty big role here, which is nice to see. The rest of the supporting players aren't as memorable but we've all seen much worst. The production values are cheap and it's obvious you're not in the 1890s but this could have been much, much worse. With that said, this was released a couple years after Karloff's death and you really have to wonder who would want to see something like this other than those curious die-hard Karloff fans.