Fussy Felix Unger moves in with his divorced poker buddy, sloppy Oscar Madison.Fussy Felix Unger moves in with his divorced poker buddy, sloppy Oscar Madison.Fussy Felix Unger moves in with his divorced poker buddy, sloppy Oscar Madison.
- Nominated for 2 Oscars
- 3 wins & 9 nominations total
Herb Edelman
- Murray
- (as Herbert Edelman)
Matty Alou
- Matty Alou
- (uncredited)
Bill Baldwin
- Sports Announcer
- (uncredited)
Al Barlick
- Home Plate Umpire
- (uncredited)
John C. Becher
- Hotel Clerk
- (uncredited)
Ted Beniades
- Bartender
- (uncredited)
Billie Bird
- Chambermaid
- (uncredited)
Patricia D. Bohannon
- Bowler
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
my long-time favorite
"The Odd Couple" is one of those movies that far surpasses its reputation. People all know it, they hum the theme song, they complain of living with a sloppy "Oscar" or a fastidious "Felix"...but they're under-selling the film without knowing it. This isn't just about a neat guy living with a sloppy guy; it's a portrait of two friends helping each other through the agony of divorce. It's also damn funny from start to finish, but it's the kind of comedy that arises from realistic, stressful, and just plain awful situations. So, some viewers have actually found the film to be a bit uncomfortable, but I think its verisimilitude is its strength. Besides, Matthau's bulldog face just cracks me up! My favorite comedy, by a country mile.
A Triumph
No need to recap the plot. What a triumph of scripting and casting. The premise, viz. the neat freak and the slob, has got to be one of the most durable on record, accounting for both this movie and the long-running TV series. In fact, I count that early 20-minutes around the card table as one of the funniest and best-written episodes I've seen anywhere. If this isn't playwright Simon's best work, I don't know what is.
And what a fine example of ensemble acting are the poker-playing buddies, even if they never seem to play. Then too, get a load of the giddy Pigeon sisters. I love it when killjoy Felix gets them out of a romantic mood with a good cry. No wonder I-need-to-touch-something-soft Oscar wants to throttle him. And I'm still wondering whether Simon came up with the name "Felix Unger" because of the loaded initials or just happened to notice them. Anyway, the initials provide a good laugh.
Of course, filming a stage play is always tricky since there're minimal scene changes. Here there're basically only two sets. But I hardly notice because director Saks manages to keep somebody moving all the time. That, plus the quality of writing and acting, keeps attention from wandering. One thing I did notice. Catch how the poker players are bunched on one side of the table so that the camera can have an unobstructed angle. It's artificial but understandable.
Anyway, this is one of my favorite comedies, and I catch re-runs of the TV series when I can. Thanks Neil Simon for a truly inspired comedic set-up.
And what a fine example of ensemble acting are the poker-playing buddies, even if they never seem to play. Then too, get a load of the giddy Pigeon sisters. I love it when killjoy Felix gets them out of a romantic mood with a good cry. No wonder I-need-to-touch-something-soft Oscar wants to throttle him. And I'm still wondering whether Simon came up with the name "Felix Unger" because of the loaded initials or just happened to notice them. Anyway, the initials provide a good laugh.
Of course, filming a stage play is always tricky since there're minimal scene changes. Here there're basically only two sets. But I hardly notice because director Saks manages to keep somebody moving all the time. That, plus the quality of writing and acting, keeps attention from wandering. One thing I did notice. Catch how the poker players are bunched on one side of the table so that the camera can have an unobstructed angle. It's artificial but understandable.
Anyway, this is one of my favorite comedies, and I catch re-runs of the TV series when I can. Thanks Neil Simon for a truly inspired comedic set-up.
One of my all-time favorites plus one of the quintessential comedy pairings of 20th century
I simply can't get over how brilliant the pairing of Walter Matthau and Jack Lemmon is. It's like the movie doesn't even need additional characters because you can never get tired of the dialog between these two.
Lemmon had already been in several well-known films like Mr. Roberts and The Apartment and Matthau was fresh off his Oscar win for The Fortune Cookie (another Billy Wilder film also with Lemmon). That particular movie wasn't as great as this one because the story couldn't sustain such a long running time (I think it was almost 2 hours). However, this goes by at a brisk hour and a half, even though the introduction of the events leading up to Lemmon ending up at Matthau's apartment is a tad long (so was this sentence). That's a minor quibble though and for the rest of the running time you have a marvelous time.
I have already written a comment about how the follow-up to this film sucked and I won't go deeper into that. The reason why this is such a joy is probably that the movie was made just as the innocence of American movies was beginning to fade fast into oblivion. There are some sexual references but they are dealt with in such an innocent way that you couldn't even get a "Well, I never..." out of the most prudish person out there. It is kind of fun to see a movie from a long lost era and that was probably why the sequel didn't work because you had Matthau and Lemmon say quite a few f-words and that just doesn't fit them.
Of course, now they are both gone and you can just be happy that you still can enjoy them in a marvelous film like this. I think the only male actor in this film who is still alive is John Fiedler. Edelman died recently. So there you have it. Simply one of the best comedies and films ever.
Add: I have just learned recently that John Fiedler has died so to all the fans of him I am deeply sorry. I didn't mean any disrespect and I will try to be more careful of what I am blah blah blahing next time.
Lemmon had already been in several well-known films like Mr. Roberts and The Apartment and Matthau was fresh off his Oscar win for The Fortune Cookie (another Billy Wilder film also with Lemmon). That particular movie wasn't as great as this one because the story couldn't sustain such a long running time (I think it was almost 2 hours). However, this goes by at a brisk hour and a half, even though the introduction of the events leading up to Lemmon ending up at Matthau's apartment is a tad long (so was this sentence). That's a minor quibble though and for the rest of the running time you have a marvelous time.
I have already written a comment about how the follow-up to this film sucked and I won't go deeper into that. The reason why this is such a joy is probably that the movie was made just as the innocence of American movies was beginning to fade fast into oblivion. There are some sexual references but they are dealt with in such an innocent way that you couldn't even get a "Well, I never..." out of the most prudish person out there. It is kind of fun to see a movie from a long lost era and that was probably why the sequel didn't work because you had Matthau and Lemmon say quite a few f-words and that just doesn't fit them.
Of course, now they are both gone and you can just be happy that you still can enjoy them in a marvelous film like this. I think the only male actor in this film who is still alive is John Fiedler. Edelman died recently. So there you have it. Simply one of the best comedies and films ever.
Add: I have just learned recently that John Fiedler has died so to all the fans of him I am deeply sorry. I didn't mean any disrespect and I will try to be more careful of what I am blah blah blahing next time.
A timeless comedy.
Of all of the versions and variations on Neil Simon's classic, "The Odd Couple," from its original production on Broadway, to the celebrated television series starring Jack Klugman and Tony Randall, the 1968 film version is, arguably, the best representation of the dynamic twosome.
Felix Unger (Jack Lemmon) and Oscar Madison (Walter Matthau) are friends and sharing an apartment because Felix's marriage has fallen apart and needs a place to stay temporarily. Though Felix and Oscar are friends, their lifestyles and housekeeping skills are as different as night and day, which leads inevitably to endless confrontations fueled by frustration, and the results are pure comedic splendor. The hilarious, second to none chemistry between Lemmon and Matthau is the backbone of this film, accompanied by Neil Simon's incisive, wholehearted writing gives the movie its timeless quality.
Matthau and Lemmon both do a sensational job, because even though they can't stand living together, they both do care for each other, and their performances reflect just that magnificently. If you are looking for a timeless comedy classic with brilliant writing and wonderful performances, there is no need to search any further. The film received two Academy Award Nominations for Film Editing and Adapted Screenplay.
Felix Unger (Jack Lemmon) and Oscar Madison (Walter Matthau) are friends and sharing an apartment because Felix's marriage has fallen apart and needs a place to stay temporarily. Though Felix and Oscar are friends, their lifestyles and housekeeping skills are as different as night and day, which leads inevitably to endless confrontations fueled by frustration, and the results are pure comedic splendor. The hilarious, second to none chemistry between Lemmon and Matthau is the backbone of this film, accompanied by Neil Simon's incisive, wholehearted writing gives the movie its timeless quality.
Matthau and Lemmon both do a sensational job, because even though they can't stand living together, they both do care for each other, and their performances reflect just that magnificently. If you are looking for a timeless comedy classic with brilliant writing and wonderful performances, there is no need to search any further. The film received two Academy Award Nominations for Film Editing and Adapted Screenplay.
Hilarious Comedy.
Neil Simon's play was successfully transferred to the big screen in this hilarious film with stars Jack Lemmon and Walter Matthau as Felix Unger(Super neat but depressed) & Oscar Madison(Super slob but happy). After Felix's wife leaves him, friend Oscar invites him to move in with him for a while(concerned he might kill himself) not counting on the disruption of his life this will cause.
Both Lemmon & Matthau are superb, perfectly cast and bring both unique characters to memorable life. Viewer will most likely identify with one character over the over, but that's to be expected. So many funny scenes and supporting characters, though does tip a bit too much in sympathy with Oscar, Lemmon is so appealing that story doesn't feel lopsided.
This inspired the famous sitcom with Tony Randall & Jack Klugman.
Both Lemmon & Matthau are superb, perfectly cast and bring both unique characters to memorable life. Viewer will most likely identify with one character over the over, but that's to be expected. So many funny scenes and supporting characters, though does tip a bit too much in sympathy with Oscar, Lemmon is so appealing that story doesn't feel lopsided.
This inspired the famous sitcom with Tony Randall & Jack Klugman.
Did you know
- TriviaThe two great friends, Jack Lemmon and Walter Matthau, are paired in a movie for the second of ten times.
- GoofsThe copyright date is shown as MCMXLVII (1947) instead of MCMLXVII (1967) as the copyright year for the film during the opening credits.
- Quotes
Oscar Madison: I can't take it anymore, Felix, I'm cracking up. Everything you do irritates me. And when you're not here, the things I know you're gonna do when you come in irritate me. You leave me little notes on my pillow. Told you 158 times I can't stand little notes on my pillow. "We're all out of cornflakes. F.U." Took me three hours to figure out F.U. was Felix Ungar!
- Crazy creditsWhen the credits for Cecily and Gwendolyn Pigeon are displayed, they are first in the wrong order (since Oscar also keeps mixing them up) and after a couple of seconds they shift to their correct positions.
- ConnectionsEdited into The Kid Stays in the Picture (2002)
- SoundtracksRule Britannia
(1740) (uncredited)
Music by Thomas Augustine Arne
Words by James Thomson
Briefly sung a cappella by Walter Matthau
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Extraña pareja
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Gross US & Canada
- $44,527,234
- Gross worldwide
- $44,527,234
- Runtime
- 1h 45m(105 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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