A Minute to Pray, a Second to Die

I caught this for the first time a few nights ago on television. I expected to only tune in for a few minutes, but found myself intrigued by the movie. I ended up watching it all and found it surprisingly compelling. The acting by the three American leads was quite good, especially that of Alex Cord. He plays a gunslinger with quite a degree of vulnerability. Very different from how most of them are portrayed in westerns. He ended up in several situations where he was at the mercy of the bounty hunters. The final shootout between the three leads and the bad guys was very good, as was the scene where the doctor digs a bullet out of Clay McCord. Somewhat gruesome, but realistic. I must admit that, despite my initial misgivings at watching a "spaghetti western", I ended up enjoying this film quite a bit. I would recommend it to anyone who likes westerns.

Carcasses galore do not a better movie make. Some guy with an unnamed palsey like affliction in his hand goes around blowing people away by the dozen. For an example he rides into a camp, shoots about fifteen people and next is seen riding off on their wagon. He must have needed a wagon.

We get a flashback scene wherein the principal is seen as a boy of around nine kneeling over his father in the street while his dad is having an attack of the obviously genetic palsey. Ten or so men stand around and laugh at the boy's father in derision. The kid gets mad and grabs a gun and shoots them all dead. We are supposed to presume the kid goes on with the business of growing up without answering any repercussions from having committed this mass murder in the middle of town. Uhh...ok. Right. That could happen.

This movie plays like a Sergio Leone copy done by an elementary school drama club. When in doubt, shoot some characters.

The most unrealistic aspect of this film is that there is no way the main character would have been able to travel around on horseback carrying that amount of lead ammunition required to kill as many as he does. Hey, maybe thats why he needed the wagon.

Back when the Italians were making their so-called 'Spaghetti Westerns', studios often obtained the services of non-Italians to play the leads in their films. The idea was that these B-list foreign actors would increase the marketability of the films abroad and folks like Rod Steiger, Clint Eastwood and Lee Van Cleef were often seen in these movies. In "Un minuto per pregare, un istante per morire", Alex Cord, Arthur Kennedy and Robert Ryan starred...and it was unusual to see that many American actors in one of these films.

Cord plays Clay McCord, an outlaw who is headed to Tuscosa, New Mexico Territory. Why? The territory has just approved an amnesty for criminals. In other words, if they sign a document promising to obey the law, their past crimes will be forgiven. But Cord realizes this might just be too good to be true...and that's exactly the case. Scum-bags, bounty hunters and the like plan to kill these outlaws before they get to the city...and in McCord's case this actually occurs IN Tuscosa...mostly because the Sheriff (Kennedy) is a jerk. But when the Governor (Ryan) arrives and swears the support the amnesty, McCord MIGHT just stand a chance.

Like you'd expect, this movie is extremely violent...as are nearly every Italian western. Lots of remorseless killings are the norm in this one and they seem to take precedence over the plot at times. Add to that a very simple plot and you have what amounts to an exciting time-passer and not much more.

By the way, I really liked Ryan's performance....very low key and convincing.

"A Minute to Pray, A Second to Die" is a quality spaghetti western with a solid cast and an interesting storyline. It is filmed beautifully, with a relatively high production value for a film in this genre.

Alex Cord does a terrific job portraying Clay McCord, an outlaw who is suffering from increasingly debilitating seizures. He is seeking amnesty before his enemies close in on him, but is being too cocky for his own good when he asks for it. Robert Ryan delivers the best performance in the film as the governor of New Mexico. Mario Brega and Arthur Kennedy are also great here.

This movie is very good, but it doesn't stand out to me as being one of the best spaghetti westerns out there. It's lacking too much in style to be in the same league as any of the great ones. It does have some cool spaghetti overtones, but overall it's a bit too much like an American western. This is especially evident in the music score, which is OK as movies go in general, but pretty dull by euro-western standards. The soundtrack kind of reminds me of the music from "The Unforgiven." Although there is an interesting story here, it is told in a manner which is a bit too conventional for my tastes. If a spaghetti western fan and a Hollywood western fan had to watch a movie together, this one would be the perfect compromise.

All of this is not to say that anyone should avoid this film. I did enjoy watching it very much. As I said, it is a very well-done film and I recommend it to anyone who likes westerns, spaghetti or otherwise.

Alex Cord stars in this beautifully-photographed Spaghetti Western about a gunfighter with an arm that goes into epileptic fits under pressure. After a local town decides to give amnesty and $50 to gunfighters that give themselves up, Cord strongly considers giving up his run-n-gun lifestyle. But of course there's bounty hunters, bandits and lawmen who don't exactly take a liking to that so Cord is gonna' need a lot of bullets. The action sequences are average for a Spaghetti (good guy shoots a bunch of times, bad guys throw their arms straight into the air and spin around) but the direction is quite good and the storyline is intriguing. Robert Ryan shows up to kick some ass and add some class to the proceedings. 7.5 out of 10