Satanis: The Devil's Mass

This movie doesn't contain much that's really exciting, much less surprising, about the early Church of Satan, but it does show LaVey and his cronies at a time when he was still optimistic and not cynical about the future of his organization. There are also great shots of the Black House during its heyday (before the "androids" took over) and some interesting footage of Togare the lion. The filmmakers seem to have decided that Satanism wasn't as shocking as they'd hoped, so they went for humor where possible, and that wears thin after a while. The interviews where LaVey speaks for himself are fairly good, but the interviews with other Church members are annoying and at times you can see the embarrassment on Anton's face when someone else speaks – nobody in this film, aside from LaVey and his family, went on to become any kind of leader in the tiny marginalized world of the Left Hand Path, and that should tell you something about the quality of membership in SF at the time. I still find it an interesting piece, but I think about 40 minutes could be shaved off without losing anything.

It's an early documentary about Anton Lavey and his Church of Satan. Lavey is a man whose clerical hard seems to consist of a black velvet jumpiest, a cape and horns on the hood. He speaks quickly, but in a droning manner that seems to mock his own G*d-free worship. The principal reason to watch it is to look at the naked women.

Director Ray Laurent interviewed several of the Church's neighbors, who seem most worried about his unwillingness to clean his back yard, and the lion. Lavey had been a professional lion tamer, and several of the neighbors talk about the lion he keeps, which is noisiest at night -- although one youngster, interviewed in his bed room, says never notices the lion, even as the 500-pound beast tries to get into his room.

It's most interesting as a document of the home-grown craziness that San Francisco is known for. Lavey doesn't make for a particularly interesting interview and this 86-minute documentary goes on for a lot longer than I found interesting.

This film swings the doors to the early days of the Church of Satan (CoS) wide open and was, for quite some time, the only interview footage of Anton Szandor LaVey available. (Scenes from this film are still in use today in news specials and documentaries, often times used as propaganda by some groups to turn people FROM Satanism. Most of the humor in this film will not be seen by the audiences that these groups are trying to influence.)

This documentary interviews neighbors, friends and enemies of Anton LaVey and his church and helps shed some light (dark?) on origins of the philosophies that were codified in this unique religious movement. This ilm is not without it's tongue-in-cheek moments. During one of the opening scenes, one of a Satanic ritual, the participant's solemn mood is broken when the Priest of the ceremony (LaVey) says, "Okay, that's enough for that part." Perhaps it was the director's idea to show some incidental humor in the film.

One thing that will probably strike everybody as strange is the sense of humor shown throughout the film by most of the people that are interviewed. Satanists are often seen as dour, humorless folk, but, as Anton LaVey points out in the film, a person without a sense of humor is intolerable at worst, and doesn't make a good Satanist. Humor abounds and stands in stark contrast to the rituals.

Also seen, as noted before, are some of the enemies to LaVey's cause. There are interviews with Mormon missionaries and priests from the area and they are given a chance to voice their outrage towards this philosophy. This film is highly recommended as a documentary of a rather maligned religion. It can be a bit hard to find, but it is available.

I caught this on TCM. You have to wonder if the message of the filmmakers is that all Belief Systems are just that: BS. The Satanists are bored and boring. The black house is a second rate curio shop. The naked ladies, to be charitable, could use some time in the gym. The red lighted rituals are pointless. The Christians are predictable: gosh, how were they able to find 2 young babbling Mormon in white shirts and ties? Where did they come up with an old priest to take us back 1700 years to the Gospels? The only thing missing is a sweaty guy in a straw hat yelling "Hurry, hurry, hurry! Right this way to the weirdos!"

A good tool for insomniacs to get some needed sleep.

Although absolutely nothing special, this documentary by Ray Laurent takes us inside the Church of Satan, founded in California in the 1960s by Anton Szandor LaVey, a former circus lion tamer. It has no narrator, and isn't really attempting to tell a story. It's more a series of interviews - with subjects either standing and talking or sitting down and talking - and therefore, it may be rather boring to some viewers. But the material does have a certain fascination and interest level going for it. At least, that was the case for this viewer. Laurent films the perspectives of various witnesses to this phenomenon: neighbors, flock members, opponents, etc., as well as the man himself.

It's not overwhelmingly cinematic, but there are some decent camera angles and movements throughout; the lighting is also noteworthy. The main reason to watch is to see this vintage footage of Mr. LaVey, who comes across as a fairly charismatic, fairly easygoing individual. He based his "religion", if one can call it that, on the idea that humans are basically flawed anyway, and that these flaws could be celebrated and even encouraged. He felt that most organized religion spent too much time condemning people and insisting that they do / not do certain things.

If nothing else, "Satanis: The Devil's Mass" is an amusing enough look at an alternative lifestyle, no matter what one may think of Mr. Lavey's personal beliefs. We are witness to some entertaining decadence: nude women on altars, ass whippings, the expected incantations and rituals, etc. Among the major topics covered are public reactions to the goings-on at LaVey's "Black House" in San Francisco in the 60s, the hassles with the law due to Mr. LaVey having a pet lion at his residence, and his response when confronted with the notion that he may be nothing more than a big phony.

This is worth a look for curiosity seekers, provided they don't get their hopes up too high about it.

Six out of 10.