Secret Ceremony

Interesting film about two women who use each other to concoct a fantasy world of instability that ends in tragedy. Mia Farrow is an unstable young heiress whose mother has died. Elizabeth Taylor is a middle aged hooker whose daughter died in childhood. Farrow spies Taylor on a bus and is struck by her physical similarity to her mother. Farrow, in a long brown wig, resembles Taylors daughter. Taylor reluctantly allows Farrow to take her home, feed her tea and sausages, and slowly comes to fill the role of the dead mother, even dressing in the woman's clothes and confronting some thieving elderly aunts. The psychological charade is complicated when the two go on holiday as mother and daughter and happen to encounter Farrow's stepfather, played by Robert Mitchum.

A fascinating psychological study of two damaged women and their own disturbed inner worlds, SECRET CEREMONY is a great movie for anyone looking for something different. Elizabeth Taylor gives a nuanced performance in this film, despite having chomped scenery unchecked in some other films from this era(BOOM, X Y AND ZEE). Highly recommended.

I saw "the girl in the park" yesterday and although it featured Sigourney Weaver's moving performance ,I couldn't help but be struck by the similarities with Losey's forgotten movie: Sigourney Weaver was in search of a long lost daughter whereas Mia Farrow is in need of a mother.Farrow is impressive in her performance which was outstripped by the success of "Rosemary's baby" -in which she is terrific too-.As soon as we see her ,we feel how irrational she is.Her smiles,her gentleness ,her tenderness have something spooky.Ther's also an attic where the characters try to invent a brand new past for themselves.Liz Taylor and Robert Mitchum are as good as Farrow and the movie is one of Losey's sleepers,almost in the same league as his overlooked "Monsieur Klein" (another case of mistaken identity)

After winning an Oscar for her role as the shrieking, voluptuous, vicious harridan in "Who's Afraid of Virginia Woolfe?", Elizabeth Taylor felt encouraged enough to look for riskier parts where her beauty and star power were deliberately played down. In SECRET CEREMONY, she had one of her most cutting-edge, risky role as the aging, down-trodden prostitute whose little daughter drowns. She meets a strange, mad girl, Cenci (Mia Farrow) who's convinced Liz is her recently dead mother, Leonora and takes her home where both women play a game: Elizabeth becomes Leonara and Cenci has found her mother alive and well. Director Joseph Losey creates a sumptuous world where most of the action occurs in this fabulous Victorian mansion, jammed with striking lamps, toys, dolls, furniture, lighting,etc. IT all contributes to making this an A Plus horror film where madness rules. A haunting musical score, outstanding lighting and camera-work and an unforgettable wardrobe for the star all combine to make this a true cult movie--which was lambasted by critics and audiences at the time of release but has since grown in stature as a treasured art-house classic.

It's hard to find words to describe Secret Ceremony. It's definitely a film that you'd be surprised the likes of Taylor, Farrow, and Mitchum would be interested in being a part of, but their commitment to the material is admirable.

Taylor plays a homeless who has a chance encounter with a creepy young woman played by Farrow who stalks her because she reminds her of her dead mother. Luckily for Farrow, she reminds Taylor of her dead daughter and the two start living together in Farrow's mansion. Needless to say, things just keep getting creepier from there.

The big issue with this film is that we don't know Taylor's character well enough to figure out why she'd ever been desperate or crazy enough to go off and live with a complete stranger, especially one as creepy and obviously disturbed as Farrow. This weak motivation makes everything that happens after it feel unearned and, frankly, boring.

There are some interesting and creepy ideas sprinkled throughout including a dollop, but it's not as interesting as it could have been.

This is a somewhat weird psychological drama about a mentally troubled young woman (Mia Farrow) who mistakes Liz Taylor's character for her dead mother. The situation is complicated by the fact that Farrow's character also resembles Taylor's dead daughter. Though the premise is a bit contrived, it becomes a bit touching as Taylor eventually becomes protective and concerned about the girl, who is being victimized by her own family. The film does suffer from several major flaws, most notably the appearance of Robert Mitchum, painfully miscast as Farrow's lecherous stepfather. Probably one of Taylor's most daring and least embarrassing roles from this period, she also looks surprisingly good here.