The Sergeant

With the close of World War Two, there were many unanswered questions for anyone who lived and worked in Europe. Life as the European faced it was difficult enough and that included the American Soldier. His military role went from active combat to stagnate occupation and that meant dealing with the drudgery of day to day life. It is easy to see the slackness and disorder which follows an occupying army when the main reason for being is removed. Thus viewers are not surprised when veteran Master Sargent Albert Callan (Rod Steiger) arrives at his station and finds a lack-luster supply company in complete disarray. The company commander is a less than inspirational officer who's a mealy mouth alcoholic with no leadership experience. He thus let's the Sargent handle the running of the camp. Soon, the company is brought into disciplinary order with the expertise of the Sargent. But the Sargent himself is troubled as he encounter a handsome young soldier (John Phillip Law) Pfc. Tom Swanson, whom he is attracted to. For Callan, the struggle begins between his repressed desires and the constant need to remain a 'straight' and stalwart military non-commissioned officer. For Steiger, this 1980's vehicle was seen as a scandalous, bold, and provocative movie. Yet for todays more sophisticated audiences, this film lacks direct confrontation between actors, content and message. Still for it's time, this was one surprising milestone in the history of filmdom. ***

Cliché? No more than a thousand other films that make melodrama of the agony of unrequited love. What makes the film unique is not just that The Sargeant was "secretly" homosexual, what makes it unique is that he was TOO OLD (and fat!) for Swanson, who was obviously a "hottie", and more likely just plain heterosexual anyway.

It's impossible to watch this film and not be somewhat awed by the performance of Rod Steiger, who doesn't speak a word until ten minutes into the film, but his silent performance at the end still screams in your gut as the closing credits roll.

Did Swanson feel guilty for not helping out the old guy, or just pity because The Sargeant was a pervert? This question is left unanswered at the end of the film. It is as vital and important today as it was when released. It tells a story not only of general attitudes toward homosexuality at the time, but the never-ending story of young men's indifference to the attentions of fat old supervisors.

Seriously, the WB Archive DVD looks very good, but it's easy to see how a full restoration of the film could look exceptionally good. The important thing is that the film not be overlooked because the gay man doesn't get his guy.

I believe this is one of the most sensitive films about hiding your gayness in the military. Even though it takes place many years prior to the 'don't ask don't tell' motto, it speaks of the difficulties a gay man must cope with.

Now that the industry has lost one of its more brilliant character actors, I hope this movie will find its way to DVD, along with "The Loved One" which has been on moritorium for some time.

This was shown on TCM (Turner Classic Movies).

Set in a post-war Paris is the sergeant in question, one who has high standards and he believes, high morals. When he takes over a new set of men, they're sloppy, of low morale and in his eyes, weak and lazy.

He is naturally drawn to a young private, played by John Philip Law. Pte Tom Swanson (Law) has a sweet, French girlfriend but Master Sgt Albert Callan (Steiger) isn't interested in her, or women generally. He'd been married before but that fell apart.

Sgt Callan doesn't seem to show signs of his homosexual attraction to Law in the physical sense, but as mentor, friend and drinking buddy. Initially, he enlists him as the regiment's clerk, in effect his personal secretary, though Law tries to resist having to do that sort of work.

It's quite refreshing after all those Vietnam war movies where Sergeants are only shouting sadists, who beat their charges into total mental submission. However, this is not sweet nothings whispered over candle- lit dinners either, Steiger for all intents and purposes is a man's man. One, whom perhaps has lost his purpose, particularly in the Army, where they act now only as peacekeepers.

The film itself is quite slow and methodical and not really for a modern audience. But, for a character-driven drama, with Steiger both convincing and good, it passes muster. The script follows in the same vein as the direction.

It must also have been quite a brave role for Steiger to take as its subject was still taboo, especially in the macho world of the Military and any associations with that taboo could seriously affect an actor's reputation. The fact that Amazon don't list it as a region 2 DVD means that it must be a little-seen rarity. Kind of understandable. But, if you can catch it on TV, it's worth a look, I'd say.

I'm a Viet Nam vet who spent 6½ years in the Army, 5 years as sergeant or staff sergeant. This movie is the best and most accurate portrayal of army life I've ever seen. It's accuracy and correctness is uncanny. It makes me wonder how they did it. Most audiences would not be interested in the real McCoy, but this is it. It is also a top notch war film! The bleakness, emptiness, alienation, and devastating isolation, meanness, poverty, ugliness, and frightful brutality of army life are there in spades. The wreckage both of war and of the unnatural regimentation and peculiar dual hierarchy (that of commissioned officers and of non-commissioned officers) of the military are portrayed with accuracy and near perfect verisimilitude. Steiger is 110% convincing as a seasoned, career, First Sergeant in the regular army. I didn't bother with the theme of repressed homosexuality. It's the loneliness and debilitating harshness (often self-imposed by those who opt, or more likely fall into the trap of rootless expediency, of military life) that count here. Is it any wonder that soldiers commit atrocities in war? Watch this movie and see for yourself.