Romeo and Juliet

Truly one of the best films ever created of Shakespeare's plays. While in today's MTV - short attention span world this film may seem boring, in 1968 this film was revolutionary (I am not prejudice since I am in the MTV generation). Until this time R&J had been played by much older actors, since it was assumed they could understand Shakespeare's language. In 1968, Franco Z. gives us actors the actual age of Shakespeare's lead characters and they can act. Add to that stunning sets, costumes and music, the result is a moving artistic creation. The performances are superb, my personal favorites being Michael York's Tybalt and Milo O'Shea's the Friar. The language can be difficult and the action plotting, but one has to have patience when devoting attention to Shakespeare's plays, acted or read. Enjoy!

Exquisite. The beauty, the innocence, the undeniable - all consuming fire of first love portrayed to the hilt. Juliet's delicate grace was breathtaking. I was totally convinced by this young acting team that they were as in love as is humanly possible. One can smell and taste 14-15th century Italy while following the locations. The performers, everyone, are as genuinely sincere in their humor and passions as one could possible imagine, bringing to life Shakespere's words like I've never seen before.

I cry every time I see it - all the way through. Mr. Zeffrelli, you are the best.

There were not many directors like Zeffirelli around during those golden years -sixties and seventies -of the Italian cinema.Because he was not part of the champagne socialists,because he made movies completely devoid of social concerns,he was generally dismissed by the European critics (and his fellow colleagues) as non-hip and reactionary. When you see these movies today,you realize how much they have worn well,and how much his detractors were wrong:Zeffirelli has never tried to change the world,but he has given beautiful movies which have stood the test of time quite well,perhaps because they are timeless.Even an epic and absorbing -and diametrically opposite to Zeffirelli's cinema - political work like Bertolucci's "Novecento" (1976) displays cheesy gauchism so trendy before the eighties in Europa .

This is the second of the three Zeffirelli screen adaptations of Shakespeare -as a matter of interest,the others are "taming of the shrew"(1967 with E Taylor and R Burton) and "Hamlet" (1990 with M.Gibson and G.Close)-and it 's probably the best:Zeffirelli's genius was to cast actors (about) the age of the heroes as the leads.And Leonard Whiting and Olivia Hussey,both very beautiful,make up for their lack of experience with their youth,their innocence and the intensity of their looks.They are far better than Leonardo Di Caprio and Claire Danes in the drag queens cum west side story Luhrmann's 1996 version.Besides they get strong support from dark-haired Mickael York as Tybalt and John MCEnnery as Mercutio.The colors are,as always in a Zephirelli movie (see taming,and his made-for-TV Jesus)dazzling.Two scenes stand out:the ball and the lovers death in the Capulet tomb.

Filmed on location in Verona,we never have the feeling that we are watching filmed stage production,not a small feat.This is the definitive screen version of the Elizabethan classic.Sir Laurence Olivier is the narrator.

This was the first time we actually saw the teenage love Shakespeare intended. Years and years before Leonardo Di Caprio and Clare Danes, Leonard Whiting and Olivia Houssey gave life to the tragic story told in this ancestral tale, revamping it without betraying it, making it accessible to a 60s audience without updating it. Leonard and Olivia were so beautiful that Shakespeare became trendy again and I don't mean any disrespect by it, I'm simply stating a fact. The real, stunning, dusty locations, the costumes, the faces, the music made the whole thing a totally new Shakespearen experience. Remember than the biggest screen adaptation of this play had been with the forty something Leslie Howard and Norma Shearer in those roles. Here everything reeked of youth underlining the tragedy in the most cinematic way. Another important point is to confirm that in 2007 the film still feels young and fresh. Recommended

I have seen multiple versions of R&J, from the 30's version, with Leslie Howard (in his 40's I think) & Norma Shearer, to the most recent thing with DeCaprio & Danes. None of them touched me in the way that Zefferelli's did, & continues to do. It was one of the first DVD's I bought, because I can watch it again & again, & still be heartbroken by the ending.

The thing that shook me most the first time I saw it was that, in spite of the Shakespearian language, I got the meaning of the characters' statements immediately. The Shakespearian language was not a barrier at all. I had previously had to spend anywhere from 15 to 20 minutes before I could begin to follow the dialogue....there was no lag time with this version. To me, it will always be the definitive film version of this classic.