Will Penny

This film was one of Charlton Heston's personal favorites, a change-of-pace drama dwelling on character development and self-preservation instead of the usual shoot 'em ups in western movies. The story is a spare tale, often found in pulp fiction westerns, of a stranger who happens along and sees a woman and her young son through a rough winter. Heston's character is a drifting cowpuncher and the movie has shadows of "Shane" and "Hondo" casting about here and there. There are villains, of course, with Donald Pleasence and his hard case sons on hand to supply the required outlawry. The movie was beautifully filmed in high country with a great cast and a nice music score. Heston had a great chemistry with Joan Hackett and their relationship rings true throughout the movie. For some reason, the picture was not a major box office success although it seems to be a more popular film today than when it was released.

Aging cowboy Will Penny gets a line camp job on a large cattle spread and finds his isolated cabin is already occupied by a husbandless woman and her young son.

The picture was based upon an episode of the 1960 Sam Peckinpah television series "The Westerner" called "Line Camp," which was also written and directed by Tom Gries. Charlton Heston mentioned that this was his favorite film in which he appeared. Some, including Bruce Dern, say it is his best role. And yet, it is not one he is widely known for.

Roger Ebert wrote, "The admirable thing about the movie is its devotion to real life. These are the kind of people, we feel, who must really have inhabited the West: common, direct, painfully shy in social situations and very honest." This is true. This is not an action film, or a heist film, or anything that turns the West into mythology. It is everyday life.

Peckinpah's flamboyant 'The Wild Bunch' and Leone's innovative spaghetti westerns of the 1960s are among my all time favourites, but the stir they created overshadowed some gems that are now unfairly overlooked - Brando's 'One-Eyed Jacks', and Monte Hellman's 'Ride In The Whirlwind' and 'The Shooting' immediately spring to mind. Those three movies all have strong cult followings (just ask Quentin Tarantino!), but for some reason the same can't be said for 'Will Penny'. I don't know why, as it's one of the best westerns I've ever seen. Charlton Heston is of course, a MOVIE STAR and also a controversial figure because of his politics, but sometimes people seem to forget that he could be a damn fine actor when he tried. I think 'Will Penny' is his best performance. Heston plays a low key character, an aging cowboy who is tired of his life but believes it is all he can do. Maybe this is the main reason why 'Will Penny' has been forgotten. He's basically a decent guy, not a larger than life John Wayne hero, or a Clint Eastwood anti-hero. Heston regards Tom Gries' script as one of the finest he's ever read, and I must agree with him. Gries was a TV veteran but this was his big break as a motion picture director. Despite the talent he showed he never became a name director, though he worked steadily until his death in the mid-70s, and was responsible for a few well known films including the Manson movie 'Helter Skelter'. Heston is surrounded by an impeccable supporting cast. His two buddies are played by a young Lee Majors and Anthony Zerbe ('Cool Hand Luke', 'The Omega Man'). Joan Hackett is very good as the woman squatter Penny befriends (her on screen son is played by Tom Gries real life son, who is also excellent). Donald Pleasence is fantastic fun as a crazed preacher, and he and his eldest son (played by Bruce Dern, one of my all time favourite actors) make terrific villains (Dern is always a terrific villain!). Western legends Ben Johnson and Slim Pickens play a ranch foreman and a cook respectively, and then there's character actors galore - G.D. Spradlin, Clifton James, William Schallert, Luke Askew, Matt Clark, Roy Jenson. Off the top of my head, it's difficult to think of a 1960s western with a more impressive cast. 'Will Penny' is a movie crying out to be rediscovered! I highly recommend it to western fans.

Not many people think of WILL PENNY when they think of the great westerns, but it certainly deserves to be remembered. A simple tale of an aging cowboy (Charlton Heston) being nursed back to health by a woman (Joan Hackett), and then having to protect her and her young son (Jon Gries, son of the director) from the slimy characters who left him to die, the film is headlined by a wonderful, understated performance from screen veteran Heston, undoubtedly one of his finest. Joan Hackett also gives a great, if somehow delicate, performance. Donald Pleasence is a delight as always as the sadistic Preacher Quint, and there's good support from Lee Majors (in his major film role), Anthony Zerbe and Ben Johnson (both of whom, sadly, never really get to do much), character actor Slim Pickens in a small role, and Bruce Dern in one of his countless villain parts. And Gries is good as the boy.

The cinematography is beautiful, especially once the story moves to the snow-covered terrain where much of the film plays out. A little slow at first, but the pacing soon picks up and moves nicely. My only complaint is that the film's score is at times overbearing and distracting, but not enough to ruin the enjoyment of the film. All together, a fine little gem of a movie that should be remembered if AFI ever does a 100 Greatest Westerns special.

The tough, lonely life of the cattle drover (as it really was) is briefly related in the ideal opening scene of Tom Gries' "Will Penny" with an aching Charlton Heston compelled, at the end of an exhausting cattle drive, to take a humble winter job in the cold bleak hillside... His turbulent, crude, oppressive - virtually celibate existence - is marvelously exposed by Gries...

Heston portrays with honesty and sensitivity, a middle-aged cowhand "free and easy" who ignores everything about farming... He is a lonely rider who takes his bath eight or nine times a year, and mends his own clothes... He is a "good steady hand" concerned for Mrs. Allen and her son but "bad scared before, and bad sorry after." He is also a helpless man with uncertain future, a sincere cowboy extremely sensitive...

"Will Penny" is an extraordinary film... Not only does it feature Heston's most sincere and sensitive performance, it has a fine supporting cast and is one of the most adult Western scripts ever written...

Joan Hackett portrays Mrs. Allen with strength and dignity, never collapsing beneath the strain of her tribulations...

Donald Pleasance is the most dastardly villain to grace the screen in many long years... He is mean, unkind, and slightly insane... Bruce Dern is equally effective as one of his sons, the psychotic who "handles a knife just fine."

Realistically spared, "Will Penny" is a straightforward and honest film, a sincere attempt to recreate the Old West, and, more important, the "mighty good men" who lived therein...