100 Rifles

I just rewatched "100 Rifles" and it is still a joy to watch, good actors and effective action makes this very spaghetti-like US western simmer, as well as a very sexy Raquel Welsh. Made 2 years before Leone made his "Duck You Sucker" and has a surprisingly lot of elements in common with it. A healthy dose of humor is also infused into this film. 7/10

Sheriff Lyedecker (Jim Brown) comes to Mexiko as he chases the bank robber Yaqui Joe (Burt Reynolds). As a victim of circumstance, Lyedecker becomes the number 1 enemy of a Mexican general who wants to kill the Yaqui Indians. The sheriff has no other choice than to fight side by side with the bank robber and the Indians now...

The years 1969-1971 mark the beginning of the modern western with the irony of „Little Big Man", the cruelty of „Soldier Blue", the myth awareness of „Butch Cassidy And the Sundance Kid", the depression of „McCabe & Mrs Miller" and many more. „100 Rifles" is a kind of missing link between 1960s westerns and the new approach as from 1970 onwards. It makes deliberate, obvious attempts to break taboos, telling the love story between a black guy and a white woman, pushes violence to the level of an Italian western of that time, includes nudity not only in Raquel Welch's famous shower scene, but also in Soledad Miranda's hotel scene at the beginning, and the screenplay adds a left-wing political, anti-racist theme. „100 Rifles" gets carried away by its own enthusiasm sometimes, putting forward its messages a bit clumsily compared to the elegance of „The Professionals", a movie which took much more careful steps into the revolution movie direction 2 years earlier. Nevertheless, I enjoyed watching the picture for being a (wild) child of its time, speedy narration and a gorgeous Raquel Welch.

Jim Brown isn't too bad as a sheriff who chases half-breed bank robber Burt Reynolds to Mexico, where both are captured by the vicious Mexican Army, but Raquel Welch is surprisingly underused as a guerrilla fighter. All the western clichés you can think of (and probably some you've forgotten) are on display here: the cliff-side brawl, the train-wreck, the dirt town shoot-out, the wild drunken party, the surprise fire, and on and on. Welch is lovely if over-the-top while warming up to manly-but-wooden Brown (when she tells him, "I am your woman", she's suddenly so serious you can almost believe it); she's also very sexy showering under a water-tower (as a ruse to get a train to stop), but 80% of the picture is given over to the men, and their squabbles are completely routine and dull. "100 Rifles" could use less rifles and more human interaction. ** from ****

Decent enough action-drama, set in Mexico in the late-1800s/early-1900s. Good plot, though it runs out of steam towards the end. Direction is solid, though unspectacular.

Good performances Jim Brown and Burt Reynolds. However, Raquel Welch steals the show with her stunning beauty and action-girl character.

100 Rifles is directed by Tom Gries and Gries adapts to screenplay with Clair Huffaker from Robert MacLeod's novel The Californio. It stars Burt Reynolds, Jim Brown, Raquel Welch, Fernando Lamas and Dan O'Herlihy. Music is by Jerry Goldsmith and cinematography by Cecilio Paniagua.

Arizona lawman Lydecker (Brown) travels into Mexico to arrest bank robber Yaqui Joe Herrera (Reynolds), and lands in the middle of a war between the Yaquis and the Mexican army.

A good blood pumping Oater feasting on Spaghetti leanings, 100 Rifles boasts star appeal coupled with exciting genre staples. Filmed in Almeria in Spain, pic doesn't lack for smooth on the eyes locations either. The dialogue is a mixture of cheese and the philosophical, but it sits well in the production. It's strong on violence, with a number of action sequences very well constructed, while it has a cheeky glint in its eye and for sure is sexy into the bargain. OK, so the cast aren't exactly pulling up any trees, but they are fun to watch as we take in weasel villains and lovable rogues.

Good time to be had here. 7/10